Style, of course, was an essential element of ornamentalism, and another cool late practitioner of the 1950s or 1960s was the British Adviser to the Sultan of Mukalla, on the southern coast of Arabia. The title of Adviser was a euphemism. He really ran the place. The Mukalla governing council actually met in his house, and when I stayed there for a time myself, I sometimes used to walk into his drawing-room to find all its members, in their white gallabiyahs, sitting and arguing there on the sofas, sometimes very solemnly, sometimes laughing their heads off, sometimes banging the floor with their sticks or shouting imprecations at the Adviser – who, since he spoke perfect idiomatic Arabic, gave as good as he got.

His administrative style was not in the least authoritarian, or even paternalistic. In fact it was rather bohemian. If he wanted some coffee during those meetings he gave a piercing blast on a silver whistle; this didn’t seem to have any cataclysmic effect, but sooner or later a servant would shamble in with a pot on a silver dish, and as he served the Adviser he would give me a sly collusive smile, amounting almost to a wink.

Every afternoon the Adviser went for a long walk along the sands of the Indian Ocean, followed at a respectful distance by his driver in his somewhat ramshackle Land Rover. At a fast steady pace he would stride along, sometimes swerving to avoid a string of camels, or people digging holes for crabs, or small boys throwing sand at each other, or old men sitting on their haunches chewing. He had a word for them all, and they replied cheerfully in kind, or giggled, and as he disappeared into the distance, his car chugging hopefully along behind, he used to seem to me a summation of all I liked about the British Empire in its last years – for all its faults, generally kind, generally straight, well-intentioned, a bit too pleased with itself perhaps, a bit too slow to recognize realities, a bit lacking in the old splendour, but diligent, courageous and often rather funny.

And yes, there’s one last ingredient of the imperial ornamentalism that I haven’t touched upon – its humour. For my escapist tastes, humour was a saving grace of the British Empire, and I’d liked to end this resolutely escapist essay with a little cameo to illustrate it. The last of the great imperial adventures was the first ascent of Mount Everest, the top of the world, by a British expedition in 1953. This really was an exploit of empire. The climbing team included two New Zealanders, a Gurkha officer, a former officer of the Black Watch, a former Indian Army engineer, one or two Welshmen, from the final colony, and a Sherpa citizen of that archetypical imperial buffer state, Nepal. I went along to write about it for that old broadsheet of Empire, the London Times.

The most glamorous star of the adventure turned out to be the Sherpa, Tenzing Norgay, who actually reached the summit with the New Zealander Edmund Hillary. When we all got back to London we were treated to a very grand banquet by the British Government – the old imperial government. I found myself sitting next to the majordomo of the occasion, a delightful old-school courtier, while opposite me sat Tenzing, out of Asia for the very first time in his life, who could not then read or write, but who looked marvellous.

The old gentleman turned to me halfway through the meal and said he hoped I was enjoying the claret – what the British call red Bordeaux wine. He said it was the last of its vintage in the government cellars, and was probably the last anywhere in the world. Well, I was terribly impressed, of course, and I looked across at Tenzing – who most certainly was enjoying the claret. It was probably the first time he’d ever tasted any wine. The lackeys were filling and refilling his glass, and he was radiant with pride and pleasure. He was a marvellously confident and exotic figure – a prophetic figure, actually.

Presently the old boy turned to me again. ‘Ah’, he said, ‘how very good it is to see that Mr Tenzing knows a decent claret when he has one.’

Sic transit gloria!

With 231 million Muslims, Indonesia today has the largest Islamic population of any country. The obligation of all Muslims who are capable to perform the Hajj — the annual pilgrimage to Mecca — at least once in their life meant that there was a continual flow of travel and traffic between the Arabian peninsula and the Dutch East Indies (as they once were).

The writer, photographer, and explorer Daniël van der Meulen was appointed the Dutch consul in Jeddah in 1923. Then followed three full years of intensive study of Arabic and Islam under the tutelage of the great Hollandic arabist Christiaan Snouck Hurgronje before van der Meulen arrived in Arabia in 1926, just as the Sultan of Nejd, Ibn Saud, was securing his hold over the Hejaz.

The primary role of the Dutch consul at Jeddah was to look after the interests of the Netherlands-Indies pilgrims on the Hajj but, as that only took place once a year for several days, van der Meulen took full advantage of the down time to explore the Arabian peninsula.

Hadhramaut in Yemen was of particular interest to him and he completed several expeditions there between 1931 and 1944, forming strong friendships with many Hadhrami people along the way.

In 2003, the Koninklijk Instituut voor de Tropen (KIT, or Royal Tropical Institute) in Amsterdam published Daniel van der Meulen in Arabia Felix: Travels and Photographs of a Dutch Diplomat in Yemen, 1931–1944 by Steven Vink, the photographic curator of the Tropical Museum.

It was published in cooperation with the Yemeni Embassy in the Hague and the Royal Netherlands Embassy in Sana’a. William Facey of the British-Yemeni Society gives it a strong review here, but hard copies are tricky to get hold of.

Not all European journeys to South Arabia have proved as fruitful as van der Meulen’s. Thorkild Hansen wrote a book about the Danish expedition of 1761 to 1767, a ‘spellbinding true story of a scientific expedition gone disastrously awry’.

This 1962 book has happily been brought back to life in a recent printing from the ever-estimable New York Review Books.

Instagram: @andcusack

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