London, GB | Formerly of New York, Buenos Aires, Fife, and the Western Cape. | Saoránach d’Éirinn.

The Pale Blue Eye

Just as there aren’t enough films set in seventeenth-century Holland, we don’t get enough films set in God’s own Hudson Valley of New York. When I saw the trailer for ‘The Pale Blue Eye’, a semi-supernatural mystery set in 1830s West Point, I thought: yes, sign me up.

A cadet at the military academy is found hanged and, a day later, his heart carved out. USMA commandant Sylvanus Thayer enlists the help of Augustus Landor, a former detective from New York City — in the pre-NYPD days when crime was fought by an odd hodge-podge of the night watch, city magistrates, and a few dozen constables.

Conveniently for Thayer, the highly reputed Landor has retired to the Hudson Highlands. Thayer hopes his investigation will prevent any scandal giving impetus to the still-fledgling Academy’s enemies in Washington.

Conveniently for Landor, he is aided and abetted in this task by an eccentric bohemian amongst the “Long Gray Line” of cadets: Edgar Allan Poe. The paragon of American Gothick was indeed a cadet at West Point in 1830 under his own name, after having spent a few years in the Army as an enlisted man under a pseudonym.

It would be easy to reduce any film with Poe as a central character to a procession of campy retro-emo tropes, but the role is played by Harry Melling with surprising skill. Timothy Spall plays Sylvanus Thayer — rather unfairly, I thought — with Simon McBurney as the commandant’s sidekick Captain Hitchock.

Toby Jones is the academy doctor with Gillian Anderson as his scheming, driven wife, Lucy Boynton the beautiful daughter (apple of the eye of many a cadet) and Harry Lawtey as their smug son Artemis, also enrolled in the Academy.

It is a fundamental Cusackian principle never to let the perfect be the enemy of the good, so I won’t complain that ‘The Pale Blue Eye’ is actually filmed in western Pennsylvania rather than along the actual banks of the Hudson. Riparian overdevelopment makes it difficult to evoke the Hudson of 1830s effectively today, and the filmmakers have done well recreating the spirit of the gothic revival era in America’s Rhineland with the locations they chose and the set design. This is fiction, after all, and it needn’t be pedantically true to the time-period — so long as nothing jars.

As it proceeds, the plot is intriguing, fantastic, and absurd and it gives us a final twist in the end. Some strands develop a little two quickly — the connection between Poe and Lea — and Robert Duvall’s role as an expert in the occult is too much of a deus ex machina.

But this is simple fun, not high art, and as a gothick conjuring of a formative but under-explored time and place it is well worth a viewing.

Published at 2:40 pm on Tuesday 27 December 2022. Categories: Cinema Errant Thoughts Tags: , , , .
Comments

The film looks beguiling enough, but the reviews are mostly negative.
The question then is this: does a feast for the senses trump a fast for the mind?

— L G Clark 27 Dec 2022 7:51 pm

If you’re looking for a well-shot, entertaining film, then go for it. It ain’t Citizen Kane.

But then I have a greater threshold for enjoyment in life, having been blessed with the gift of low expectations. Perfectionists will not be pleased — but when are they?

— Andrew Cusack 28 Dec 2022 11:17 am
Leave a comment

NAME (required)

EMAIL (required)

WEBSITE (not required)

COMMENT

Home | About | Contact | Paginated Index | Twitter | Facebook | RSS/Atom Feed
andrewcusack.com | © Andrew Cusack 2004-present (Unless otherwise stated)