When I lived in South Africa I began to understand the deficiencies of photography. The scenery in which one we had the privilege of acting out “the foolish deeds of the theatre of our day” (as Mr Mbeki put it in one of his better speeches) was stunning, but on the few occasions I bothered to put my Leica to good use the results were disappointing. You’d look at a photograph that was admittedly beautiful but still think to yourself “But in real life it was a thousand times more beautiful than that!” Needless to say, my own lack of skill as a photographer is the most obvious cause.
Hougaard Malan, meanwhile, is one of the few photographers who manages to almost, nearly capture the beauty of the South African landscape. In each and every shot — and some of these places are well known to me — the scale and drama of the location shines forth.
“Growing up, my grandmother always gave me illustrated encyclopedias and books about earth’s natural history that were filled with fantastic landscape images,” Mnr Malan says. “I spent many afternoons paging through these books and marvelling at nature’s beauty. Few things in life made me feel more alive than a landscape that engaged all my senses – seeing the rhythmic rolling of waves in a bay, smelling the coastal flora, hearing and feeling the ocean crash against the cliffs and then tasting the salt in the air.”
Mnr Malan’s website can be found here but here is just a small sampling of the photographs of southern Africa and well beyond which this talented man has taken.
The twenty-second letter of the alphabet became a powerful symbol during the Second World War — ‘V’ for Victory, and all that. Even the Morse code for the letter — dot-dot-dot-dash — became useful, echoing as it did the famous four-note motif from Beethoven’s fifth symphony.
In South Africa, however, the two main languages were English and Afrikaans, and the Afrikaans word for victory, oorwinning, does not start with a ‘V’. Instead the letter was used to stand for vryheid, or freedom, just as in Belgium it stood for both victoire for the Walloons and vrijheid for the Flemings.
When the Second World War started Prime Minister Hertzog announced a policy of neutrality, only to be toppled as premier by his deputy and ally Smuts who brought South Africa into the war a few days later than Canada, Australia, and New Zealand.
This wartime propaganda poster, produced by the Staatsdrukker in Pretoria, urges South Africans to ‘keep the iron hot for freedom’. The country’s industrial production made a valuable contribution to the war effort in addition to the volunteer manpower of the Union Defence Force and, perhaps most importantly, the gold that came from the Witwatersrand mines.
South Africa’s transition from a monarchy to a republic coincided with a change of currency. Out went the old South African pound (with its shillings and pence) and in came the decimilised rand.
Luckily the republican government had the good taste to commission George Kruger Gray, responsible for the country’s most beautiful coinage, to design the new coins. HM the Queen was replaced by old Jan van Riebeeck, and the country’s arms were deprived of their crown.