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2015 January

Kerkplein, Pretoria

Gauteng, the province which forms the highly urbanised heart of the old Transvaal, is not my area of specialty in South Africa, enamoured as I am of the Western Cape. Johannesburg, for all its financial prowess, is one of those towns that went from a collection of tents to a major city almost overnight with the Witwatersrand gold boom.

Pretoria, on the other hand — Pretoria Philadelphia to give its original name — exudes a more detached respectability perhaps enlivened by the ceremony of its century-long status as the executive capital of a unified South Africa. And sitting at the heart of the city of jacarandas is Kerkplein — Church Square. (more…)

January 19, 2015 10:58 pm | Link | 3 Comments »

Shedding light on the Cape Baroque

Nuwe lig op die Kaapse barok deur Dr Hans Fransen

A NEW BOOK BY Dr Hans Fransen, the leading authority on Cape Dutch architecture, intends to shed new light on the Cape Baroque style through an examination of the work of the sculptor Anton Anreith. Cape Baroque and the contribution of Anton Anreith offers us the hefty subtitle of ‘A stylistic survey of architectural decoration and the applied arts at the Cape of Good Hope 1652-1800’, covering the period of the Dutch East India Company’s rule at the Cape.

The author investigates (says the publisher’s note) whether, and to what extent, the surprisingly rich body of Cape material culture can be seen as part and parcel of the international Baroque: that ebullient style of painting, architecture, and design that swept across Europe and some of its spheres of influence. After a highly interesting account of the origins of the Baroque in Italy and of its development in other parts of the world, the author concludes that ‘Cape Baroque’ does indeed form part of this. But he also points out that it has a very distinctive character of its own.

The book of 180 pages contains over 200 illustrations, mostly from the author himself, whose other works include The Old Towns and Villages of the Cape, The Old Buildings of the Cape, Drie Eeue Kuns in Suid-Afrika, and the introduction to A Cape Camera, the book illustrating the photography of early Cape photographer Arthur Elliott.

The sculptor Anreith, born in Germany at Riegel between the Rhine and the foothills of the Black Forest, was the finest and most florid artist of the Baroque in the Cape of Good Hope. His exceptional work on the pulpit of the Lutheran Church in Cape Town provoked the envy of the more prominent Dutch Reformed congregation, who quickly commissioned Anreith to carve an even more ornate pulpit for the Groote Kerk.

Cape Baroque and the contribution of Anton Anreith: a stylistic survey of architectural decoration and the applied arts at the Cape of Good Hope 1652-1800
by Dr Hans Fransen, 160 pages, R250
Kaapse barok en die bydrae van Anton Anreith: ’n stilistiese oorsig van argitektoniese versiering en toegepaste kuns op die Kaap die Goeie Hoop 1652-1800
deur Dr Hans Fransen, 160 bladsye, R250
January 19, 2015 10:56 pm | Link | No Comments »

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