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Dino Takes on Nic & Rem

Dino Marcantonio is on his usual top form when responding to an interview with the “Dutch architect and uber-gobbledegook-meister” Rem Koolhas by Nicolai Ouroussoff, the architecture praiser for the New York Times. Many modernists now find themselves in the role of perverse preservationists, trying to save ugly modernist buildings that are already falling apart because of their inherent conceptual flaws and rejection of inherited architectural wisdom. But while the Mods want to save the crumbling monstrosities, they attack the natural human instinct to preserve what is beautiful (i.e. traditional and vernacular architecture) and to destroy or get rid of what is ugly (their own work, the “ambitious” carbuncles of the past century).

Koolhaas and Ouroussoff pretend to confuse the true spirit of preservation with hoarding. A hoarder makes no value judgments about what should be kept. It all stays, and the result is his home is a dump. If we keep everything, we wind up preserving nothing–and that, my friends, is what Koolhaas is really all about. His endgame is the embalming of our architectural identity. He is suffering from an acute case of cronophobia, the irrational fear that old things might still be alive to us today.

Dino, however, is not having it:

Consider another approach taken by the Venetians toward the beautiful church Santa Maria Gloriosa dei Frari. Completed in the early 14th century, it has been lovingly embellished by generations and generations, all meaningfully, and without any angst about what is authentic and what is not. It has also suffered through suppression, looting, and radical restoration. I Frari has been through it all. It is almost 700 years old, yet because it has been properly cared for, it still looks fresh as a garden daisy. And it is mobbed by visitors year-round who yearn to follow its example, not only in the preservation and handing down of churches, but also our cities, our homes, our culture.

Published at 10:00 am on Wednesday 1 June 2011. Categories: Architecture Errant Thoughts Tags: .
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