Winter in the Western Cape is relatively mild: grey days of pouring rain when the clouds veil Stellenbosch mountain, coupled with beautiful sunny afternoons best spent having a coffee with a friend at a sidewalk cafe.

Today is one of the grey days, however, in which one hopes to leave the house as little as possible (provided, that is, one is already adequately supplied with enough tea and books to last the day).

My little flat is in an old Dutch townhouse in the middle of town, one which the arbitrary modernisers neglected to supply with an alternative source of heat when they foolishly removed the iron stoves and blocked all the fireplaces.

Nevermind. A good jumper and a cup of rooibos will keep me warm as I make progress with Sassoon’s Memoirs. (more…)

AFTER AN ABSENCE of some years, Columbia University has returned the crosses to its official crown emblem. The crosses had been missing since March 2004, when they were replaced with trapezoidal lozenges, but the more historic cross design has quietly returned to favour as the Ivy League institution’s official symbol. Columbia was founded in 1784, but claims the earlier heritage of King’s College, founded in 1754 but exiled to Nova Scotia, where it now has university status, after the tumult of the American Revolution. A copper crown (right) was originally attached to the cupola of College Hall, King’s College’s home in the colonial city of New York. When Columbia was founded in 1784, a year after New York’s independence was recognized, the state legislature gave the property and endowment of King’s College to the new Columbia College, which was organized by the remaining non-Loyalist members of King’s College. (more…)

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IT’S NOT VERY OFTEN that a big-budget period film comes out of Scandinavia, but recently there’ve been not one, but two. Here mentioned is the Danish film “Flammen & Citronen”, an action-drama based on the Second World War actions of Bent Faurschou-Hviid (nicknamed “Flame”) and Jørgen Haagen Schmith (“Citron”). Faurschou-Hviid and Schmith were members of the Holder Danske group, a Danish resistance organization primarily composed of Danes who had previously fought for Finland against the Soviet Union in the Winter War of 1939-1940. (more…)

MY FAVORITE BUILDINGS never got around to being built. Some, like Sir Edwin Lutyen’s majestic design for Liverpool Cathedral, fell victim to budget cuts and the vagaries of history. Others were consigned by good taste, or occasionally outright timidity, to competition honorable mentions, and still others, like numerous student proposals or visionary dreams—like Boulée’s alarming hemispherical cenotaph for Newton, or an imaginary papal palace in Jerusalem cooked up by one of the votaries of the Vienna Sezession—weren’t terribly serious to begin with, unfortunately.

Note that I say favorite buildings, my own personal favorites, rather than the best or the most beautiful. Lutyens’ and Boulée’s fantasies may cross into that sublime territory of beauty by the power of their imaginative vision, but so many of the others owe their charm to their dreamlike extravagances, their intriguing if perhaps incomplete answers. An architect’s education lies in gathering up such fragmentary answers for the questions he will face down the road from clients and patrons. And therein lies the lure, and the value, of paper architecture.

I, like most of my colleagues, spent much of my time in school devising such useful fantasies, sometimes grand, sometimes small. Yet, they were not castles in the air. Each, while often existing in something like the best of all possible worlds in terms of budget and client, was grounded by an actual site and the laws of nature.

The most elaborate of all was my thesis project. It was an imaginary American seminary for a very real religious order, the fast-growing Institute of Christ the King, Sovereign Priest. This new congregation, dedicated to evangelization through the beauty of art, music, and the traditional Latin Mass, started out in, of all places, Gabon in Africa, but its present headquarters lies in Tuscany, in a villa bursting at the seams with seminarians in formation. While their ranks are dominated by Germans and Frenchmen, the increasing number of American clergy and their recent erection of a number of apostolates scattered across the Midwest suggested that a seminary in the United States, if not planned, might at least make for a plausible student project. Also, they seemed to have adventurous taste. I have since developed a passion for the Gothic but my first love has always been the Italian baroque. Perhaps they might be open to its vigorous beauty.

I garnered an award for the end result, the Rambusch Prize for Religious Architecture, and my putative patrons wanted copies of my enormous presentation watercolors to hang on their office walls—though, of course, the seminary would forever remain unbuilt. Its gigantic scale—typical for a student project—put it outside budgetary reach, unless, as someone cheerfully quipped, Bill Gates converted. Yet, the design was logical, consistent, and helped hone design skills I use every day at my drafting board.

The notion for the seminary came shortly after my first real-life encounter with the Institute’s work. My friends and I were road-tripping through the hill country of central Wisconsin, thick with vivid fall colors, and had just come back from a serene, silent low Mass and a long, talkative, private tour of St. Mary’s Oratory in Wausau. The Institute had transformed from a bland Midwestern Gothic to a dazzling near-replica of a fourteenth-century Bavarian court chapel. Bill Gates or no, these priests think big. Since then, they’ve overhauled a historic church in downtown Kansas City, and they’re presently turning their American priory from a burnt-out shell in a borderline south-side Chicago neighborhood into something out of Counter-Reformation Rome, and I have no doubt they’re going to succeed. Lest these projects seem like archaeological transplants, they are in fact derived from a logical extrapolation from local Catholic culture—Chicago’s colorful Polish cathedrals brought back to their ultramontane source, or, as I had just discovered, Midwestern Gothic returned to its Germanic roots. (more…)

The Kingdom of the Netherlands has very kindly set up a website devoted to the four-hundredth anniversary of Hudson’s discovery of what is now New York. Hudson, though English, was in the service of the Dutch and it was the Netherlandic people who eventually got the place settled. Because of his Hollandic overseers, Henry Hudson’s Christian name is often romantically Dutched up to Hendrick — hence one of the local high schools in Westchester is called “Hendrick Hudson High School”.

THE CUSACKIAN DICTIONARY OF the English Language defines the word braai thusly: “braai; S.Afr. [Afrikaans, lit. ‘to grill’.] n. and v. trans. and intr.; An out-door meal at which meat is grilled by the heat emanating from the embers of burnt wood.” The uncultured observer, when informed of a braai, often incorrectly equates it with a barbecue. The chief difference between a barbecue and a braai is that a barbecue tends to use either propane gas or ready-made charcoals, while the laboursome but worthwhile burning of wood is necessary to a braai. (more…)

One of the better aspects of the job of Premier of the Western Cape is Leeuwenhof, the official residence that comes with the job. The estate on the slopes of Table Mountain dates from the days of the Dutch East India Company. That renowned governor of old, Simon van der Stel (after whom both Simonstad & Stellenbosch are named), granted the land to Guillaum Heems, a free burgher, to ‘clear, plant, plough, develop and work’. Heems christened the land Leeuwenhof — “Lions Court” — but sold it just two years later to Heinrich Bernhard Oldenland, Master Gardener of the Company’s Garden and Superintendent of Works for the Dutch East India Company.

Oldenland died just a few months after purchasing Leeuwenhof, and it passed into the hands of the fiscal Blesius, whose widow’s death put the estate under a series of masters until it was sold it for 14,000 guilders to Johan Christiaan Brasler, a Dane. Brasler enjoyed a good many years there in prosperity of late-eighteenth-century Cape Town, a period when the building of stately homes, townhouses, and government buildings became (as Cornelis de Jong put it at the time) “a passion, a craziness, a contagious madness that has infected nearly everyone”. This was the age of Thibault, Anreith, and Schutte — the true golden age of Cape Town’s stately finery. Inspired by the “madness” of which De Jong tells, the Dane Brasler converted the humble farmhouse of Leeuwenhof into the dignified abode we know today. (more…)

SYLDAVIA IS MY favourite country in the world. The buildings are old, the peasants are happy, and the king is ruling from his throne. Adding to my collection of Tintin books, the preponderance of which remain in New York, I know have three Afrikaans editions of Hergé’s works: Die Blou Lotus, Die Geheim van ‘De Eenhoorn’, and — my preferred among all the Tintin books — Koning Ottokar se Septer. Aside from Afrikaans, the rest of my copies are all either in French or English. I have a copy of the reprinted Tintin au Pays des Soviets and I just recently bought a copy of Tintin in the Congo, as I figured the European Union’s attempt to ban the book might make it harder to come by in years to come. I bought a copy of Le Sceptre d’Ottokar in a gas station in Brittany, one of the six special editions with a preface by Bernard Tordeur of the Hergé Foundation released in 1999/2000. Aside from Au Pays des Soviets & Le Sceptre, the only other French editions I have are L’Île Noire and Le Lotus bleu. (more…)

Looking down the Avenida de Mayo towards the Argentine Congress in the 1910s.

I can’t tell you how often I come across something and think to myself “I must ask Lumsden about that”, and then suddenly realise that no such thing is possible anymore. I only had the privilege of knowing this gentle giant of a man towards the end of his life, but am grateful even for that relatively short friendship. Below is the address given by Hugh Macpherson at the Thanksgiving Service for the Life of David Lumsden of Cushnie that took place at St. Mary’s Church, Cadogan St., London on Monday, 27th April 2009. May he rest in peace.

It is difficult to mark the passing of such a remarkable personality as David Lumsden. We have done with the requiems and the pibrochs and must now look forward to celebrate an extraordinary life lived to the full.

David was a man of many parts and passions. He was a renaissance man with a wide variety of interests, and if he did not know the answer to any particular question, he certainly knew where to look it up, and in a few days there would be an informative card in the post. He had a lively curiosity and sense of adventure.

Perhaps the ruling passion in his younger life was that of rowing. He rowed at Bedford School and when he went up to Jesus College Cambridge, he joined the boat club, eventually becoming Captain of Boats. There were, I think, eventually eight “oars” on the walls of his various houses. I think that David was one of the few people I know who went to Henley to actually watch the racing, and when one went into the trophy tent his name could be found on some of the trophys. The expedition to Henley was one of the fixed points of David’s year.

He travelled round the country rather like the “progress” of a monarch of old. This progress encompassed the Boat Race, Henley, the Royal Stuart Society Dinner, the Russian Ball, spring and autumn trips to Egypt, the Aboyne Games, the 1745 Commemoration, the Edinburgh Festival, and numerous balls and dinners, including of course the Sublime Society of Beef Steaks.

Rather like clubs, David and I had a “reciprocal” arrangement: When I was in Scotland I lodged with him, and when he was in London he lodged with me, and I can tell you that there were many times when I simply could not keep up with his social whirl, in fact once or twice I distinctly fell off! I remember one particularly splendid and bibulous dinner at the House of Lords at which we were decked in evening dress and clanking with all sorts of nonsense — after many attempts to hail a taxi, David turned and said to me “You know we are so drunk they won’t pick us up. We’ll have to stagger back.” And so we wound a very unsteady path back to Pimlico, shedding the odd miniature en route.

At Cambridge, David also formed a lasting friendship with Mgr. Alfred Gilbey, Catholic Chaplain to the University, who was to have a lasting influence on David’s faith and life, and, I think, introducing him to the Sovereign Military Order of Malta, where he eventually became a Knight of Honour & Devotion.

David’s faith was an important part of his life. When he was in London he would attend this church on a Sunday morning to hear the 11.30 Latin Mass, which finished conveniently near to the opening time at one of his favourite watering holes in the Kings Road. (more…)

“… or some such thing.”

History has shown that good ideas often come from the humblest of sources. One such example, though regrettably one of a suggestion not put into practice, was a proposal submitted by D. M. Perceval, the humble clerk of the Advisory Council of the Cape of Good Hope colony in 1827 to his higher-ups in the Colonial Office in London. Perceval wrote to request an official seal for the British colony at the end of Africa, but he went a step further with his fairly normal request, extraordinarily suggesting that “the opportunity might be taken to erect [the Cape of Good Hope] into the Principality of South Africa, or some such thing, for the present name is really too absurd for the whole country.”

The title “Prince of South Africa” would have been part of the British Crown, and presumably available as a courtesy title for offspring, just as the eldest son is often (such as now) created Prince of Wales. Would the second son then be “Prince of South Africa”, or would the title stay with the Sovereign? “By the grace of God, King of Great Britain & Ireland, Emperor of India, Prince of South Africa, &c.” It does have a nice ring to it. (more…)

Ireland’s senate is a curious creature. Its first members were co-opted & appointed and these included seven peers, a dowager countess, and five baronets and knights, twenty-three Protestants, and a Jew. Among this cast of characters were W. B. Yeats, General Sir Bryan Mahon, and the physician-poet-author Oliver St. John Gogarty. In 1937, however, the Seanad Éireann took its current form, and since the abolition of the Bavarian upper house in 1999, the Seanad is (so far as my research can discover) the last corporately organised parliamentary body in Europe.

There are sixty members of the Irish senate, who are chosen by a variety of means. (more…)

The London mens’ clothier Austin Reed was founded in 1900 and set up shop in Regent Street in 1926 as the first men’s department store. The clothes were aimed at the upper middle class male, and the firm commissioned some of the best illustrator-designers of the day to promote its brand. The above poster, “Wagon-Lits”, is by a designer named Bomarry, about whom I can find absolutely nothing — surprising in this Age of Google.

The remaining posters presented here are from the Bristol-born Tom Purvis, one of the finest commercial artists of the twentieth century. Purvis came from an artistic family, being the son of the sailor & nautical artist T. G. Purvis. Much of his output was work for LNER — the London & North Eastern Railway — producing posters advertising the various attractions to be found along the LNER’s routes from London to Edinburgh (via York & Newcastle) and on to Aberdeen and Inverness; the railway also had an extensive coverage of East Anglia. In 1936 he was among the first to be given the title of Royal Designer for Industry, but he gave up poster design after the Second World War to concentrate on portraits and religious themes. (more…)

In my post on the 1947 Royal Visit to Cape Town, I mentioned just in passing the title of the Draer van Swart Roede — or the Gentleman Usher of the Black Rod, as he is known in English. Well, here is the Black Rod itself. The original South African Black Rod (left) dates from the Parliament of the Cape of Good Hope and was adopted as the Black Rod of the Union Parliament when South Africa was unified in 1910. After the abolition of the monarchy in 1961, a new Black Rod (right) was commissioned which featured protea flowers topped with the Lion crest from the South African coat of arms.

Black Rod (the person, not the staff) was the Senate’s equivalent of the House of Assembly’s sergeant-at-arms (ampswag). The first Gentleman Usher of the Black Rod in history was appointed in 1350 and the position still exists today in the British Parliament of today. Black Rod is sergeant-of-arms of the House of Lords, as well as Keeper of the Doors. The Usher’s best-known role is having the doors of the House of Commons ceremonially slammed in his face when he acts as the Crown’s messenger during each State Opening of Parliament, a ritual derived from the 1642 attempt of Charles I to arrest five members of parliament.

In South Africa, die Swart Roede traditionally wore wore a black two- or three-pointed cocked hat, a black cut-away tunic, knee breeches, silk stockings and silver-buckled shoes, but this costume of office has undergone a process of modernisation since the 1950s. After the vast expansion of the electorate in 1994 and introduction of an interim constitution, Black Rod’s title was officially shortened to “Usher of the Black Rod” to make it “gender-neutral”. (Regrettably, the Canadian Senate has also mimicked this innovation, though it is often unofficially ignored.) When a new, permanent constitution was enacted in 1997, the Senate was replaced by the National Council of Provinces as the upper house of parliament. A new Black Rod (the staff, not the person) was introduced in 2005, but is of such a garish design that it is best left uncommented upon.

Decrees recently promulgated in the Vatican move sixteen candidates for sainthood forward in their cause. The most famous of the twelve is the English cardinal & convert from Anglicanism, John Henry Newman (above, center). A miracle attributed to the intercession of Cardinal Newman has been accepted by the Congregation for the Causes of the Saints. The Congregation has also accepted individual miracles attributed to the intercession of: Blessed Cándida Maria de Jesús Cipitria y Barriola (above, second from left; 1845-1912), the Spanish founder of the Congregation of the Daughters of Jesus; the Servant of God Angelo Paoli (below, second from right; 1642-1720), an Italian Carmelite priest; the Servant of God Maria Alfonsina Danil Ghattas (1843-1927), a cofounder of the Congregation of the Sisters of the Most Holy Rosary of Jerusalem.

Eight martyrs were proclaimed in the recently-promulgated decrees: all of them of the twentieth century and all of them victims of totalitarianism. Fr. Teófilo Fernández de Legaria Goñi (below, far left) and four companions (all professed priests of the Congregation of the Sacred Hearts of Jesus and Mary), as well as the diocesan priest Fr. José Samsó i Elías (below, far right), were all killed by the Communists in 1936 during the horrible persecution of the Church during the Spanish Civil War. Fr. Georg Häfner (above, far right), a German diocesan priest, was killed in the concentration camp of Dachau in 1942 under the Nazi regime. Bishop Zoltán Lajos Meszlényi (above, far left), an auxiliary bishop of Esztergom, was killed at Kistarcsa in Hungary by the Communist authorities in January 1953.

Proclamations of heroic virtue — the first step on the road to being recognised as a saint — were issued for: Fr. Engelmar Unzeitig (below, center; 1911-1945), a German priest of the Mariannhill missionaries; Anna María Janer Anglarill (below, second from left; 1800-1885), the Spanish founder of the Institute of Sisters of the Holy Family of Urgell; Maria Serafina del Sacro Cuore di Gesu Micheli (1849-1911), the Italian founder of the Institute of Sisters of the Angels; Teresa Manganiello (above, second from right; 1849-1876), an Italian laywoman of the Third Order of St. Francis.

I came across these two characters in the Castle in Cape Town, the oldest building in South Africa and still home to the Cape Town Highlanders and Cape Garrison Artillery.

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