My then-flatmate was getting married the next day and much pottering-about sorting things was required but the idiosyncratic beauty of this building captured my imagination — part Norman, part Moorish. I was almost insulted that I hadn’t come across it in any of my bookish explorations.
The historian Edmund Harris covers Chideock in his lusciously illustrated post on Recusancy in Dorset and the ‘other tradition’ of Catholic church-building.
■ Generations ago it was said that the three institutions no British politician dared offend were the trade unions, the Catholic Church, and the Brigade of Guards. In 2020s Britain there is only one caste which must always be obeyed: the ageing, moneyed homeowners.
Not only do these “NIMBYs” (“Not In My Back Yard”) jealously guard their freeholds, they do whatever they can to prevent more houses being built to guard the value of their prize possessions, vastly inflated by a combination of lacklustre housebuilding and irresponsible leap in migration. As old people vote and young people don’t — and when they do, vote badly — few sensible people can find a way out of this quagmire.
It might be worth looking to the Mediterranean, where Tal Alster tells us How Israel turned urban homeowners into YIMBYs.
■ It’s disappointingly rare to see intelligent outsiders give a considered impression of the current state of play in the Netherlands — that’s Mother Holland for us New Yorkers. Too often commentators in English are either rash cheerleaders for the hard right or bien-pensant liberals eager to castigate and chastise. Both rush to judgement.
What a rare diversion then to read Christopher Caldwell — the only thinking neo-con? — attempt to explore and explain the success of Geert Wilders in the recent Dutch elections.
■ One in ten of Lusitania’s inhabitants are now immigrants, and this discounts those — many from Brazil and other former parts of the once-world-spanning Portuguese empire — who have managed to acquire citizenship through various routes.
Ukrainian number-plates are now frequently be seen on the roads of Lisbon, as far in Europe as you can get from Big Bad Uncle Vlad.
Vasco Queirós asks: Who is Portugal for?
■ Speaking of world-spanning empires, in true andrewcusackdotcom fashion, we haven’t had enough of the Dutch — but we have had enough of their wicked wayward heresies.
Historian Charles H. Parker explores the legacies of Calvinism in the Dutch empire.
■ The City of New York itself is the best journalism school there is. Jimmy Breslin dropped out of LIU after two years, eventually taking up his pen. Pete Hamill left school at fifteen, apprenticed as a sheet metal worker, and joined the navy.
William Deresiewicz argues that a dose of working-class realism can save journalism from groupthink.
■ The New Yorker tells us how a Manchester barkeep found and saved a lost (ostensible) masterpiece of interwar British literature.
■ Our inestimable friend Dr Harshan Kumarasingham explores David Torrance’s history of the first Labour government on its hundredth anniversary.
■ And finally, one for nous les normandes (ok, ok, celto-normandes): Canada’s National Treasure David Warren briefly muses that the Norman infusion greatly refined Anglo-Saxon to give us the superior English tongue we speak today.
[A] core aspiration can be discerned that runs through the entire [architectural] output of the “Estado Novo”, particularly from the second half of the 1930s. It is a catchphrase, never defined with absolute clarity and therefore tested by approximation, trial and error: the demand for a national modern style, a construction style that was at the same time contemporary and suited to the locality and/or specificity of the country. This agenda accommodated various formulations, depending on the evolution of the regime itself, the type of public building in question, the place for which it was intended, the profile of the people responsible for its appraisal and the margin granted to the architect-designer. […]
Salazarism never upheld anachronism or the practice of an archaeological type of architecture. It did not reject modernity entirely, but disliked disaggregating, standardising, stateless foreignness, embodied in its view by the architectural abstractionist internationalism (dubbed “boxes”). An alternative modernity was thus aspired to and achieved; far from being an exclusive diktat of the state, this idea of an alternative modernity pervaded the discourses of the timid specialist press, the opinions generally expressed by the civil society and the dilemmas of the architects themselves.
See also: The Other Modern
One of the finest cities I have had the privilege of visiting, only lightly touched by the grim hand of modernism.
Doubtless there were once many streets, squares, and places named after António de Oliveira Salazar, Portugal’s longtime dictator — the Ponte Salazar being the one that springs immediately to mind. That bridge, like most other Salazarian toponyms in the Lusosphere, was renamed after Portugal’s Carnation Revolution, even though the dictator remains a reasonably popular figure (a poll for the RTP television programme The Greatest Portuguese he came out top with twice as many votes as the runner-up). (more…)
I felt as if I were going from a noisome prison out into the morning air in the countryside. … After the clangor and tension [of New York], and so many faces taut or ugly or vicious, life in Portugal might be unaffluent but it was still quiet, still kindly, still human. The lack of development and the poverty struck one as a blessing. The absense of advertisers and of mass media men and of vote-catching politicians, bawling out their meretricious wares, was like relief from the presence of the demented.
via R.J. Stove