There is a wonderful glimpse of the old days in the memoirs of the late Lord Waddington (1929-2017).

David Waddington was a Lancashire man who became a lawyer, Member of Parliament, Government Chief Whip, Home Secretary, peer of the realm, and eventually Governor of Bermuda. (In that final role, he was the last of the big dogs — all the ones since have been civil servants.)

The old British constitution — before New Labour’s ill-judged reforms — had a lithe efficiency in those days aptly reflected in quite how few people were employed by the highest court in the realm — and how unfussedly they were officed:

I had only been in the House for two days when I received a telephone call from the clerk of my Manchester chambers asking me if later in the week I was prepared to sit as a deputy County Court judge somewhere in London. This would allow my colleague Bob Hardy, who had contracted with the Lord Chancellor’s Department, to sit as a judge on that day, to take over a brief of mine, a libel action in Leeds.

At the eleventh hour someone pointed out that if I were to sit, my career as an MP would come to an abrupt end because as a result of the House of Commons Disqualification Act I would have disqualified myself from membership of the House, thereby precipitating another by-election. I was then begged by Bob to go and explain to the lady in the Lord Chancellor’s Department why he could not sit and why I had turned out to be an inappropriate replacement.

I set off and, after journeying along many corridors and ascending and descending many staircases, I eventually found a little old lady sitting alone in a tiny office at the bottom of a gloomy stairwell somewhere in the bowels of the House of Lords.

I apologised for troubling her and she said: ‘I can assure you it is no trouble. In fact I am delighted to see you. I have been in this office for thirty-five years and you are the first person who has ever visited me.’

Hawksmoor House, Matjieskuil Farm, Wes-Kaap

Sometimes the perfect house meets the perfect owner: if so, then Hawksmoor House and its current owners, Mark Borrie and Simon Olding, have been an ideal match. The old manor house of Waarburg probably dates from the mid-eighteenth century and, after falling victim to neglect and unsympathetic updates, has been meticulously restored in the twenty-first century.

The history of this property, with its various names and numerous owners, now spans three centuries. In 1701, the Dutch governor of the Cape, Willem Adriaan van der Stel, granted sixty morgen of land at Joostenburg in the district of Stellenbosch to the dominee Hercules van Loon.

He was the predikant of the Reformed congregation in the “City of Oaks”, where he lived in a house on Dorpstraat just a few doors down from my former abode.

Occupied in town, van Loon also purchased farmland in the surrounding district, naming one Hercules Pilaar and another Waarburg, after the German castle of Lutheran lore.

The earliest surviving map of the property shows that there was a house here by 1704, but it is believed it was rarely used by the preacher who was occupied with his duties in town.

One day in that same year, Ds. van Loon rode from Hercules Pilaar towards Stellenbosch and, in a field outside the town, cut his own throat with a penknife. His flock were astonished and recorded that no-one knew why the preacher had killed himself.

Matilda Burden has argued that the existing house was built between 1758 and 1765 by the then-owner Jacobus Christiaan Faure. By 1826, Waarburg became known as Matjeskuil or Matjieskuil which it retained for most of its existence.

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Among the lesser-known fleets that have, at some point, sailed at least some of the seven seas was the Royal East African Navy (1953-1962).

The origins of the force are from before the Second World War: Kenya’s Royal Naval Volunteer Reserver had been raised in 1933, Zanzibar’s in 1938, and Tanganyika’s in 1939.

During the war and on a purely ad hoc basis, these were combined with other locally raised Royal Navy forces in the region in 1942 as the East African Naval Force. The EANF was given a statutory basis in 1950, and received the royal dignity and title of ‘navy’ in coronation year of 1953.

Headquartered in Kilindini, Mombasa, the post-war REAN was administered through the East African High Commission, a loose meeting of the governors of the colonies of Kenya, Tanganyika, and Uganda which administered railways, ports, postal services, and the telephone and telegraph network.

The Royal Navy guarded its White Ensign jealously, and was not keen on local colonial maritime forces using it.

Ships of the East African Naval Force were granted temporary permission to fly the White Ensign for the duration of the war under specific conditions, but this privilege ended when victory came.

Precedent would suggest a naval force like this fly a blue ensign instead, defaced with the badge of the colony, but the joint nature of this particular fleet precluded that.

As such, it was decided to devise a badge combining the emblems of Kenya (red lion), Uganda (crane), Tanganyika (giraffe), and Zanzibar (dhow) together into a single badge.

This particular example of the East African blue naval ensign flew from HMEAS Mvita and today rests in the collections of the National Maritime Museum at Greenwich.

There is much talk these days of the nature of “high trust” societies and the many benefits which they bring, or once brought in the case of countries like Great Britain that, until relatively recently, fell into this category.

The young Lee Kuan Yew (1923-2015) was astounded when he exited the Underground station at Piccadilly Circus and saw a pile of newspapers and a box of coins and notes, with passers-by being trusted to pay for their own newspaper and calculate their own change. He determined that Singapore must emulate the high trust society that Britons had inherited.

In his excellent book, Britain Against Napoleon: The Organization of Victory 1793-1815, about the logistics of Britain’s fight against Old Boney, Roger Knight writes of how much trade and agriculture across Great Britain relied upon this trust.

Drovers, for example, would take on thousands of pounds worth of animals — pigs, cattle, etc. — from farmers to drive down to London en masse, not returning for weeks, and usually with little or no paper record.

Citing Bonser’s The Drovers: Who They Were and How They Went, An Epic of the English Countryside, Knight relays the following story:

Perhaps the most impressive demonstration of trust was the tradition of dogs being sent home to Scotland or Wales from London on their own. One story involved a Welsh dog named Carlo who journeyed all the way back to Wales from Kent. His owner sold the pony that he had ridden on the outward journey, intending to go home by coach. He fastened the pony’s harness to the dog’s back and attached a note to it, addressed to each of the inns on the route they had followed, to request food and shelter for the dog, to be repaid on a subsequent journey. Carlo reached home in Wales alone in a week.

Even dogs benefited from a high-trust society.

In the collections of the New-York Historical Society there is a photograph deposited amidst the archives of the Seventh Regiment Gazette.

The scene is the Appleton Mess of the Seventh Regiment Armory on Park Avenue, where Company B of the “Silk-Stocking Regiment” was celebrating its one-hundred-and-thirty-fourth birthday.

It was May 1940. The other side of the Atlantic Ocean, British troops were evacuating from Norway, sparking the debate in the House of Commons that would lead to Winston Churchill being appointed Prime Minister.

But on the Upper East Side of Manhattan, all was still peaceful and calm.

With a packed calendar of events, the social life of B Company was as much of a whirl as any other in the Seventh Regiment.

“The members of the Second Company greeted the onrushing spring with a cocktail party and dance on the afternoon of February 11th,” the Gazette reported. “The time-stained rafters of the Veterans Room echoed back as melodious a medley of sweet, swing, and hot as these old ears have heard in many a year.”

“The spaghetti lovers are still meeting down at Tosca’s on Tuesdays,” the Gazette continued. “All members who drop in on this crowd are warned beforehand to eat fast and keep an eye on their plate. A darting fork awaits all unwatched portions and men have been known to sit down to a full dish of Italian cable only to arise half famished.”

Company B’s Entertainment Committee also found time for a Supper Dance at the end of March that year: “When Charley Botts heard ‘In The Mood’ he gathered up the jitterbugs and sent them scampering around in a breathless Big Apple, much to the delight of the wiser and unbruised amongst us who resisted his wiles.”

“Several of the more energetic members closed the evening by visiting that well-known late spot, the Kit-Kat Club, and are now offering mortgages on the family homestead to settle future bills.”

All the faces, the mode of dress — it’s a picture of a vanished New York, a year and a half before the attack on Pearl Harbor. (Incidentally, December 7, 1941 was also the day Col. Cusack — aka ‘Uncle Matt’ — was baptised.)

On another level, it looks just like the Seventh Regiment Mess I knew from my childhood, when it was in the firm but welcoming hands of Linda MacGregor.

The building has been restored physically but since the military was kicked out it is a beautiful but lifeless hulk, preserved as if in formaldehyde and reduced to being a mere “venue”.

Sic transit gloria mundi.

The Influence of James II on the Present-Day Municipal Sigillography of Suffolk County, L.I.

THE KEEN STUDENT of town and municipal seals, when perusing the emblems of some of the towns on Long Island, will be intrigued by the curious presence of seemingly inexplicable letters on those of Brookhaven and Huntingdon. Their origin is an intriguing and somewhat surprising one.

The great state of New York takes its name from our late and much-lamented monarch, James II (viz. here and here), who was given the province while still Duke of York during the reign of his brother Charles II. This was a little bit cheeky as the land wasn’t actually Charles’s and was happily occupied by our Dutch forefathers of old, who had every intention of keeping it within the merry garth of their seabound empire.

Nonetheless, a few English ships were sent over and the mercantile population persuaded old peg-legged Peter Stuyvesant not to lose his other leg as they generally thought the prospect of New Amsterdam being shelled and burnt to the ground was not an altogether welcome one and what difference does it make which side of the North Sea one is governed from.

The Province of New York was a proprietary colony of the Duke of York, who promulgated an initial set of regulations known as “the Duke’s Laws” to aid the good administration of the colony. Somewhat eccentrically, rather than proceeding by rank of importance, the Duke’s Laws were arranged alphabetically — e.g. under headings Absence, Actions, Administration, etc.

Under ‘H’ came ‘Horses and Mares’ which provided:

That every Town within this Government, shall have a marking Iron or flesh Brand for themselves in particular to distinguish the Horses of one Town from another, besides which, every Owner is to have, and Mark his Horse or Horses with his owne Particular flesh Brand having some distinguishing mark, that one mans Horses may be known from anothers.

An appendix to the Laws provided that these town horse brands would take letter form, starting on the far end of Long Island with ‘A’ for East Hampton and ‘B’ for Southampton and moving all the way along to ‘Q’ for ‘Utricht’ (New Utrecht) and ‘R’ for Gravesend in Brooklyn on the western end of the island.

Caroline Church, Setauket —
1729, named after Queen Caroline, the wife of George II

‘Seatalcott’, or Setauket as we now call it, was assigned the letter ‘D’. Setauket and Brookhaven were basically interchangeable names for the same place, and Brookhaven eventually won out as the town’s official cognomen.

The town seal was authorised by Governor Thomas Dongan — later the 2nd Earl of Limerick — who in 1686 ordained that “the said trustees of the freeholders and commonality of the Town of Brookhaven do, and may have, and use a common Seale”.

It features the town’s horse brand letter alongside a lance and harpoons signifying the whaling trade which was so prominent in this and many English towns here and further up the Atlantic coast.

Huntington, meanwhile, was assigned the letter ‘E’ for its horse brand and as the fifth town also included five dots alongside the letters HVN representing, (with ‘V’ for ‘U’ in the Latin manner) the town’s name. The rope surrounding the town seal represents the shipping that moved the agricultural products grown in the interior to the shore and on towards their final markets.

The town must have been one in which unsound thinking was rife, as it is believed to be named after the genocidal king-murderer Oliver Cromwell’s home town. Worse, much later the town adopted a coat of arms that was modified from Cromwell’s.

Luckily, wiser counsels have prevailed in more recent times. For the town’s 350th anniversary in 2003 it was decided to stop using the Cromwellian arms and rely solely on the town’s seal.

Huntington’s motto — THE TOWN ENDURES — has an almost cryptic quality. The town church — “Old First” — was founded in 1658 and when its second building was finished in 1715 it acquired a bell from England. Sometime during the Revolution, it was carried away by loyal troops and ended up on HMS Swan, where Huntington native Zebulon Platt noticed it while being held prisoner.

If legend is to be believed, one Nathaniel Williams arranged the return of the bell and had it recast in 1793, including the phrase ‘THE TOWN ENDURES’. This may reflect the 1773 town resolution which provided money for the purchase of a parsonage for the church “to lye forever for that purpose as long as the town endures”.

There are precious few suitable uses for former church buildings.

At the worst end of the spectrum is nightclub, though bar or restaurant often doesn’t fall terribly far behind either. To my mind, I can hardly think of a more suitable use for an elegant and beautiful former church than to be turned into a library.

An example: the former Anglican parish church of St Philip, Stepney, in Whitechapel. Designed by Arthur Cawston, of whom I know little, it reminds me of J.L. Pearson’s Little Venice church for the eccentric “Catholic Apostolic Church”.

St Philip’s was declared redundant in 1979, at which time the neighbouring London Hospital still had its own medical school. This has since merged with that of St Bartholomew’s into “Barts and the London” or “Barts” or “BL”, under the auspices of Queen Mary University of London.

As St Philip’s sat pretty much smack dab in the middle of the campus of the London Hospital (augmented to the Royal London Hospital from 1990) and the college was surviving in cramped accommodation, it was decided to restore the fabric of the church and convert it to a library and study centre. The crypt of the church was adapted to house computer, teaching, and storage rooms as well as the museum of the Royal London Hospital.

Rather than preserve it in aspic, the medical school decided to keep this as a living building by commissioning eight new stained-glass windows to replace plain glass. They are completed along rather forthright German modernist designs and are dedicated to such themes as Gastroenterology and Molecular Biology. They will not be to everyone’s taste, but it is admirable for a medical school to commission stained glass windows at the turn of the millennium.

The Survey of London’s Whitechapel Project has a typically thorough entry on QMUL’s Whitechapel Library / the former church, including these applaudable photographs the Survey commissioned from Derek Kendall.

New York’s Lost Second Empire Gem

The Second Empire as an architectural style in America has always bad rap. The most prominent example in the New World is the Old Executive Office Building next to the White House in Washington, D.C. — formerly known as the State, War, and Navy Building after the three government departments it housed in the days of a slimmer federal state.

The OEOB was designed by Alfred B. Mullett, a Somerset-born architect who had immigrated to the United States when he was eight years old. Mullett trained as an apprentice under Isaiah Rogers who was Supervising Architect of the U.S. Treasury Department. In practice, the Treasury’s architect designed all the American federal government’s office buildings across the Union, and Mullett inherited the job in 1866.

At that time, the ever-expanding city of New York was desperately in need of a new post office, having occupied the former Middle Dutch Church since 1844. Congress approved funds for a new building, and an architectural competition attracted fifty-two entries. Instead of choosing one of the entries, five leading contenders were selected to collaborate on producing a single design.

Mullett criticised the joint design as too expensive and called in the job to his own office so that he could design the building himself.

Mullett’s Second-Empire design provided for a post office open to the public on the ground floor, mail sorting rooms below it, and space for federal courtrooms as well as offices for federal agencies in the floors above the postal facilities.

The original design (above) called for only four storeys but during the design process the need for more space to serve the growing city moved Mullett to slip another floor in beneath the mansard roof. (more…)

Wren’s post-Fire St Paul’s Cathedral was an icon of resistance to German aggression and an emblem of survival during the Blitz, but while the dome survived the church did suffer damage: A bomb fell threw the roof of the east end on the evening of 10 October 1940, tumbling masonry and destroying the high altar.

Despite the reredos remaining largely intact, as can be seen in the photograph above, it was decided to remove it and rebuild the High Altar under a baldacchino as Sir Christopher Wren had intended.

In 1958 the new High Altar, designed by W Godfrey Allen and Steven Dykes Bower, was dedicated with an American Memorial Chapel behind it.

This was proposed by the Dean of St Paul’s and General Eisenhower volunteered to raise money for it in the United States.

The Dean turned down the Supreme Commander’s offer, saying that this would be paid for by Britons as an appreciation of the American sacrifice during our common struggle.

A roll of honour lists the names of the 28,000 Americans who gave their lives while stationed from Great Britain.

Perhaps more intriguing than either view is the one below of the interior of St Paul’s before the Victorian scheme for the High Altar was executed.

For those looking for an explanation as to the notable success of the Ukrainians on the battlefield in the current unpleasantness taking place in their country, look no further.

In a thread of tweets, the biblophile Incunabula reveals the Ukraine’s secret weapon: the Peresopnytsia Gospels (Пересопницьке Євангеліє).

“All six Ukrainian Presidents since 1991,” Incunabula writes, “including Volodymyr Zelensky, have taken the oath of office on this book: the sixteenth-century Peresopnytsia Gospels, one of the most remarkably illuminated of all surviving East Slavic manuscripts.”

“The Peresopnytsia Gospels were written between 15 August 1556 and 29 August 1561, at the Monastery of the Holy Trinity in Iziaslav, and the Monastery of the Mother of God in Peresopnytsia, Volyn.”

“This manuscript is the earliest complete surviving example of a vernacular Old Ukrainian translation of the Gospels. Its richly ornamented miniatures belong to the very highest achievements of the artistic tradition of the Ukrainian and Eastern Slavonic icon school.”

“The Peresopnytsya Gospels were commissioned in 1556 by Princess Nastacia Yuriyivna Zheslavska-Holshanska of Volyn, and her daughter and her son-in-law, Yevdokiya and Ivan Fedorovych Czartoryski. After its completion the book was kept in the Peresopnytsya Monastery.” (more…)

RELATIONS BETWEEN THE Court of St James’s and the Holy See have evolved in the many centuries since the Henrician usurpation. At times, such as during the Napoleonic unpleasantness, the interests of London and the Vatican were very closely aligned — despite the lack of full formal diplomatic relations. Later in the nineteenth century Lord Odo Russell was assigned to the British legation in Florence but resided at Rome as an unofficial envoy to the Pope.

It wasn’t until 1914 that the United Kingdom sent a formal mission to the Vatican, but this was a unique and un-reciprocated diplomatic endeavour — a full exchange of ambassadors would have to wait until 1982. (Until then, the Pope was represented in London only by an apostolic delegate to the country’s Catholic hierarchy rather than any representative to the Crown and its Government.)

Within a year of the Special Mission to Rome being established, John Duncan Gregory (later appointed CB and CMG) was assigned to it. A diplomat since 1902 who had previously worked in Vienna and Bucharest, he was one of the central figures in the curious ‘Francs Affair’ of 1928, when two British diplomats were believed to have unduly abused their positions to speculate in currency. Despite being cleared of illegality, J.D. Gregory was dismissed from his diplomatic posting — though he was later rehabilitated.

If there are any enthusiasts of the curious subcategory of accoutrement known as the despatch box, J.D. Gregory’s one dating from his time in Rome is currently up for sale from the antiques dealer Gerald Mathias.

It was manufactured by John Peck & Son of Nelson Square, Blackfriars, Southwark — not very far at all from me as it happens. (more…)

ONE HUNDRED AND SEVENTY-FIVE years ago, at a time of great uncertainty in Europe, St George’s in Southwark was opened solemnly by Bishop Wiseman — writes the Cathedral Archivist Melanie Bunch. The ceremony was attended by thirteen other bishops in all their finery, of whom four were foreign. Hundreds of clergy of all ranks were in the procession and many of the Catholic aristocracy of England were present. The music was magnificent, the choir including professional singers.

Pugin’s neo-Gothic church was impressive but not finished, and it was not to be a cathedral for another four years. Dr Wiseman, who was both the chief celebrant and the preacher, was bishop of a titular see, as the Catholic dioceses of England and Wales did not yet exist. Nonetheless the opening marked a significant stage in the revival of the Catholic Church in this region. The spur had been the spiritual needs of the poor Irish who had long formed settled communities in parts of London and other cities. The plans for the church had been drawn up in 1839 – before the severity of the famine in Ireland, which began in 1845, could have been foreseen. Some had considered the size of the new church unnecessary, but it turned out to be providential, as immigration from Ireland to this locality and elsewhere was reaching a peak at this time.

The extraordinary turmoil in Europe that had started early in the year in Sicily could not be ignored. In February Louis-Philippe was dethroned in France. There was anxiety that revolution might cross the Channel. Pugin decided that he should obtain muskets to defend his church of St Augustine under construction in Ramsgate. Revolution spread to German and Italian states and countries under Austrian rule. For four days in late June, there was a brief and bloody civil uprising in Paris.

While Europe was ablaze, London was calm, and the opening went ahead. In his homily, Wiseman praised God for all his mercies to this country. From our perspective, we might have expected that he would have spoken about the dark days of persecution, or at least the struggles of the recent past to get such a large church built, constantly hampered by lack of funds. Rev. Dr Thomas Doyle, whom we honour as the founder of the Cathedral, was present and assisting at the Mass, but his courage, faith, and dogged persistence over many years were not acknowledged on this occasion.

We might remember that a Catholic event like this had not been witnessed in England since the Reformation, seemingly prompting Wiseman to take the opportunity to explain to the non-Catholics present that the ceremony and display of the Catholic Church came from a desire to show greater respect for God. To the foreign bishops he said that their presence proved the unity and diversity of the Church. At the end of his homily, Wiseman caused a sensation by reading out a letter from the Archbishop of Paris, Mgr Affre, regretting that he could not attend the opening. By then it was known that he had already died from wounds received on the barricades while he was trying to mediate with the rebels. Wiseman called him a martyr.

Among others who never saw the opening are some who served St George’s mission with Thomas Doyle at the earlier chapel in London Road. Three of them had died before their time, only a few years before, from diseases endemic among their flock. We remember them and all who have served the Cathedral with gratitude. At the time of the opening, St George’s was the largest Catholic church in London, and for the next fifty years was to be the centre of Catholic life in the metropolis. Much has changed since, including the rebuilding of the Cathedral, but we give thanks to Almighty God who continues to sustain it. (more…)

The United Kingdom of the Rio de la Plata, Chile, and Peru

If we give in to temptation and attempt to see things without the benefit of hindsight, Brazil’s path to independence as a monarchy is less surprising than the fact that Argentina didn’t pursue a similar trajectory. After all: Argentina’s ‘Liberator’, José de San Martín, was himself a monarchist, as was Manuel Belgrano.

Belgrano’s project was to unite the Provinces of the River Plate with Chile and the old viceroyalty of Peru in one united kingdom under a Borbón king. This was to be the Infante Don Francisco de Paula, the youngest son of Charles IV of Spain, but the Spanish king ardently refused to yield his throne’s sovereignty over the new world, nor to allow any of his offspring to take part in the various projects for local monarchies.

When that failed, Belgrano proposed to the Congress of Tucumán that they crown an Incan as king. San Martín, Güemes, and others supported this, but Buenos Aires resisted the plan. They proposed instead to crown Don Sebastián, a Spanish prince living in Rio de Janeiro with his maternal grandfather, King João VI of Portugal.

João thought the scheme would end up injurious to Portugal’s interests and so put the kibosh on it.

And don’t get us started on Carlotism, which was a whole ’nother pile of tricks.

Belgrano’s monarchic project in its 1815 iteration was to unite the provinces of the River Plate with Chile and the old viceroyalty of Peru to create a single realm out of these Spanish-speaking territories.

He even drafted a constitution for the United Kingdom of the Rio de la Plata, Chile, and Peru, which is rudimentarily translated into English below. This even went so far as to specify the coat of arms and flag of the kingdom.

The best history covering these unconsummated plans remains Bernado Lozier Almazán’s 2011 book Proyectos monárquicos en el Río de la Plata 1808-1825: Los reyes que no fueron which sadly has not yet been translated into English.

“FORTUNATE IS SOUTHWARK in her possessions,” Sir Albert Richardson wrote, “for she holds in this fragment a key to the aspect of her many vanished inns…”

The George Inn features largely in the deep psychogeography of Southwark, ours the most ancient of boroughs. Here is the greatest living remnant of the coaching inns of old, even if much reduced in form. The current structure dates from the 1670s but we know an inn on this site was well established by the 1580s. It is now in the possession of the National Trust, but is a functioning Greene King pub where you can find a good pint.

Up and down our High Street, for centuries merchants, travellers, traders, and revellers would slake their thirst in a procession of pubs, inns, and taverns. English pilgrims heading to Canterbury would start off here, and recent arrivals to London from the Continent would make their first acquaintance with England’s capital by arriving at “The” Borough after journeying from the Channel ports.

“One enters the inn yard with pleasurable anticipation,” Sir Albert continues in his 1925 volume, The English Inn, Past and Present; A Review of Its History and Social Life.

“There is fortunately sufficient of the old building remaining to carry the mind back to the days of its former prosperity. There are the sagging galleries, the heavily-sashed windows and the old glass in the squares. The rooms are panelled. In the dining-room are the pews, and the bar is typical.”

In Richardson’s time, just a century ago, these rooms would have often been full of hop growers from Kent and the hop merchants who traded with them, though they are all gone now.

And yet, some things have not changed:

“Here we can obtain old English fare, and, heedless of the beat of London, commune with ghostly frequenters to whom the place was at one time a reality.” (more…)

Just as there aren’t enough films set in seventeenth-century Holland, we don’t get enough films set in God’s own Hudson Valley of New York. When I saw the trailer for ‘The Pale Blue Eye’, a semi-supernatural mystery set in 1830s West Point, I thought: yes, sign me up.

A cadet at the military academy is found hanged and, a day later, his heart carved out. USMA commandant Sylvanus Thayer enlists the help of Augustus Landor, a former detective from New York City — in the pre-NYPD days when crime was fought by an odd hodge-podge of the night watch, city magistrates, and a few dozen constables.

Conveniently for Thayer, the highly reputed Landor has retired to the Hudson Highlands. Thayer hopes his investigation will prevent any scandal giving impetus to the still-fledgling Academy’s enemies in Washington.

Conveniently for Landor, he is aided and abetted in this task by an eccentric bohemian amongst the “Long Gray Line” of cadets: Edgar Allan Poe. The paragon of American Gothick was indeed a cadet at West Point in 1830 under his own name, after having spent a few years in the Army as an enlisted man under a pseudonym.

It would be easy to reduce any film with Poe as a central character to a procession of campy retro-emo tropes, but the role is played by Harry Melling with surprising skill. Timothy Spall plays Sylvanus Thayer — rather unfairly, I thought — with Simon McBurney as the commandant’s sidekick Captain Hitchock.

Toby Jones is the academy doctor with Gillian Anderson as his scheming, driven wife, Lucy Boynton the beautiful daughter (apple of the eye of many a cadet) and Harry Lawtey as their smug son Artemis, also enrolled in the Academy.

It is a fundamental Cusackian principle never to let the perfect be the enemy of the good, so I won’t complain that ‘The Pale Blue Eye’ is actually filmed in western Pennsylvania rather than along the actual banks of the Hudson. Riparian overdevelopment makes it difficult to evoke the Hudson of 1830s effectively today, and the filmmakers have done well recreating the spirit of the gothic revival era in America’s Rhineland with the locations they chose and the set design. This is fiction, after all, and it needn’t be pedantically true to the time-period — so long as nothing jars.

As it proceeds, the plot is intriguing, fantastic, and absurd and it gives us a final twist in the end. Some strands develop a little two quickly — the connection between Poe and Lea — and Robert Duvall’s role as an expert in the occult is too much of a deus ex machina.

But this is simple fun, not high art, and as a gothick conjuring of a formative but under-explored time and place it is well worth a viewing. (more…)

Washington Irving’s Legend of Sleepy Hollow — perhaps better known as the tale of the Headless Horseman — is inevitably and almost universally linked to the great feast of Hallowe’en.

There are obvious reasons for this in that Hallowe’en has become the festival of ghoulish otherworldliness, sadly now devolved into plastic mawkishness in a manner old followers of the Knickerbocker ways must surely condemn and mourn.

But this tale is always worth a revisiting; even now in early Advent.

Irving purists — we exist — might point out there there is no indication Ichabod Crane’s fateful evening ride through the Hollow took place on Hallowe’en.

Indeed, Hallowe’en is not mentioned at all in the text of the Legend, and all the author shares with us regarding the date is that it was “a fine autumnal day”:

…the sky was clear and serene, and nature wore that rich and golden livery which we always associate with the idea of abundance.

The forests had put on their sober brown and yellow, while some trees of the tenderer kind had been nipped by the frosts into brilliant dyes of orange, purple, and scarlet.

Streaming files of wild ducks began to make their appearance high in the air; the bark of the squirrel might be heard from the groves of beech and hickory-nuts, and the pensive whistle of the quail at intervals from the neighboring stubble field.

It makes for a luscious harkening of old Westchester and the Hudson Valley in the early days of the republic.

Tastier still is the scene set as the Yankee newcomer Crane enters the home of an old Dutch household for the evening’s revelries:

Fain would I pause to dwell upon the world of charms that burst upon the enraptured gaze of my hero, as he entered the state parlor of Van Tassel’s mansion.

Not those of the bevy of buxom lasses, with their luxurious display of red and white; but the ample charms of a genuine Dutch country tea-table, in the sumptuous time of autumn.

Such heaped up platters of cakes of various and almost indescribable kinds, known only to experienced Dutch housewives!

There was the doughty doughnut, the tender oly koek, and the crisp and crumbling cruller; sweet cakes and short cakes, ginger cakes and honey cakes, and the whole family of cakes.

And then there were apple pies, and peach pies, and pumpkin pies; besides slices of ham and smoked beef; and moreover delectable dishes of preserved plums, and peaches, and pears, and quinces; not to mention broiled shad and roasted chickens; together with bowls of milk and cream, all mingled higgledy-piggledy, pretty much as I have enumerated them, with the motherly teapot sending up its clouds of vapor from the midst—Heaven bless the mark!

I want breath and time to discuss this banquet as it deserves, and am too eager to get on with my story.

Happily, Ichabod Crane was not in so great a hurry as his historian, but did ample justice to every dainty.

So celebrate Hallowe’en not with plastic costumes and cheap trinketry but with Dutch delicacies and tasty treats. (And for helpful suggestions, see Peter G. Rose’s Food, Drink, and Celebrations of the Hudson Valley Dutch.)

Put aside the vampire capes and risqué nurses’ kit and, amidst candles and pumpkins of all shapes and sizes, think of the Dutch Hudson of long ago that lingers still in heart and mind.

Instagram: @andcusack

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