You can probably deduce a great deal about a country from its television advertisements: its sense of humour, its values perhaps, maybe even its sense of itself. Below are a cross-section of South African television ads, all of them leaning towards the humourous end of the marketing spectrum. I’ll let the reader come to his own conclusions. (more…)

In October of last year, a relic ex ossibus of Blessed Charles I was formally received at the Basilica Church of Our Lady of Mercy & St. Michael Archangel in Barcelona, the capital city of the Spanish principality of Catalonia. The bone fragment is the first relic of the last Emperor of Austria, Apostolic King of Hungary, and King of Bohemia to be publicly venerated in the Kingdom of Spain. It was requested by His Grace the Bishop of Solsona, Don Jaume Traserra y Cunillera, at the request of the Catalonian Delegation of the Constantinian Order. The relic has been enshrined in the chapel of St. Michael the Archangel, alongside a portrait of the Emperor.

A grandson of Blessed Charles, HIRH the Archduke Simeon of Austria, attended (with his wife) as the representative of HRH the Infante Don Carlos, Duke of Calabria, the Grand Master of the Constantinian Order and head of the Royal House of Bourbon-Two Sicilies. Also in attendance were Lt. Gen. Don Fernando Torres Gonzalez (Army Inspector General), General Mainar Don Gustavo Gutierrez (Chief of the 3rd Sub-inspection Pyrenees and Military Commander General of Barcelona and Tarragona), as well as representatives of the Order of Malta, the Order of the Holy Sepulchre, various guilds and corps of Spanish nobility, and lay fraternities.

Written and illustrated by Andrew Cusack (at 7 years of age)

Were I to review this book, I would say it is riddled with inaccuracies and depicts a stereotypical Hollywood version of Scotland far-removed from reality. But then, it was written in 1991 by a seven-year-old (yours truly), which is already eighteen years ago now. The ultimate schoolboy error is that I was apparently incapable at age 7 of producing a vexillologically accurate reproduction of the Saltire. My incorrect version of the Scottish appears like the old Greek flag, a white cross extended across a blue field. (See the correct flag here). (more…)

The veteran South African journalist Rian Malan last year made a documentary for Al Jazeera on recent events in the country. It’s an interesting and well-balanced programme that presents multiple points of view. Importantly, it avoids the all-too-frequent stereotyping of the Mbeki/Zuma rivalry. It also includes a scene of Hellen Zille speaking (in English) to Stellenbosch students in the Sanlam Saal of the Neelsie.

The 45-minute documentary is available in four parts on YouTube below. (more…)

The Queen’s Sculptor Plans Great Literary Monument in the West of Scotland

Word reaches me that Alexander Stoddart, the Queen’s Sculptor in Ordinary for Scotland, has dreamed up a massive monument to Ossian. “For fifteen years Stoddart has planned ‘a national Ossianic monument’ on the west coast of Scotland,” writes Ian Jack in The Guardian. “The scale is immense. Stoddart wants a great amphitheatre cut into the rock with Ossian’s dead son, Oscar, also cut from rock, prone on his shield on the amphitheatre’s floor.” The project would be the biggest literary monument in the world, surpassing the Scott Monument on Princes Street in Edinburgh. It could be the project of a lifetime for Stoddart.

“He says a lot of people are keen, including Scottish government ministers, landowners and historians, and that a site has been identified in Morvern and a preliminary survey completed by the engineers Ove Arup. There is also environmental opposition: the kind of people, according to Stoddart, who will ‘always find two mating ptarmigan no matter where we choose’ and haven’t taken into account Schopenhauer’s view that ‘the sound of nature is the sound of perpetual screaming’. It may account for the two death threats he says he has received.”

“The Ossian poems, especially ‘Fingal’, took Europe by storm,” the journalist continues, “and gave it a new notion of the savage and sublime. A cave on Staffa became ‘Fingal’s Cave’. Goethe incorporated Ossian into The Sorrows of Young Werther and Schubert used passages of Goethe’s translation in his lieder. By Stoddart’s estimate, nothing, not even the work of Burns, has made a larger Scottish contribution to European culture. Ossian established the Scottish wilderness as a destination for Europe’s earliest tourists. Also, by ennobling Celtic antiquity, it changed Scotland’s sense of itself.”

The traditional style of Alexander Stoddart, an avowed neo-classicist, has provoked foaming at the mouth in the rather dull arts establishment, but his works — such as the David Hume statue on the Royal Mile and the frieze on the Sackler Library at Oxford — have proven popular. Scotland’s greatest living sculptor has completed a bust of Scotland’s greatest living composer, James Macmillan, as well as of Britain’s greatest living philosopher Roger Scruton. (The old-school lefty Tony Benn — another living national institution — is the subject of a Stoddard bust as well).

“The paradox is that, by revering and understanding abandoned traditions, [Stoddart] has emerged as one of the most original artists in Britain: a stranger to his times.”

Charles Courtney Curran, Early Morning, Madison Square
Oil on canvas, 22 in. x 18 in.
1900, National Arts Club, New York

In his column in the Daily Telegraph, former editor Charles Moore praises Miklos Banffy as ‘the Tolstoy of Transylvania’. Ardent Banffyites like myself are always pleased when the Hungarian novelist gets attention in the English-speaking world, which happens all too rarely. I can’t remember how on earth I stumbled upon the works of Banffy, probably through reading the Hungarian Quarterly, a publication that — covering art, literature, history, politics, science, and more — is admirably polymathic in our age in which the specialist niche is worshipped.

To put it simply, Banffy is a must-read. If you love Paddy Leigh Fermor’s telling of his youthful walk from the Hook of Holland to Constantinople (the third and final installation of which we still await), then Miklos Banffy will be right up your alley. Start with his Transylvanian trilogy — They Were Counted, They Were Found Wanting, and They Were Divided.

The story follows two cousins, the earnest Balint Abady and the dissolute László Gyeroffy, Hungarian aristocrats in Transylvania, and the varying paths they take in the final years of European civilization. The novels “are full of love for the way of life destroyed by the First World War,” Charles Moore points out, “but without illusion about its deficiencies.”

Three volumes of nearly one-and-a-half thousand pages put together, they make for deeply, deeply rewarding reading, transporting you to the world that ended with the crack of an assassin’s bullet in Sarajevo, 1914.

After finishing his trilogy, Banffy’s autobiographical The Phoenix Land is worthwhile; some of the real events depicted shadow those in the fictional novels. As previously mentioned, it contains a description of the last Hapsburg coronation (that of Blessed Charles) and numerous amusing tales.

After that, I’m afraid you will have to learn Hungarian, which I have neglected to do, as no more of this author’s oeuvre has yet been translated into English.

Yesterday, in a beautiful sung requiem at St. Agnes, we paid our final respects to our friend Joyce Linton. I had known Joyce for quite some time before I ever actually met her because we tended to sit in the same neighborhood of pews (in the back of the church towards the left) at the 11 o’clock Mass at St Agnes every Sunday. While a schoolteacher by profession, she was also a trained vocal musician, and her voice carried as the congregation belted out our Credos and Glorias. She became known to me as “the Lady with the Voice”, and every so often I would see her making her way towards the church just before 11:00 and, without knowing her name, I would say to myself “That’s the Lady with the Voice”.

Eventually, I got to know Joyce well, and joined the regular tea-drinking crowd of which she was a devoted and prominent member. Vim. Moxie. Determination. Those are the words that come to mind when I think about Joyce, a spirited lady if ever there was one. But she was, also, a woman with a certain style. Think of 1950s New York, swanky, bright, and modern, but still traditional, and never out of date. That was Joyce.

Now, if there was one thing that undoubtedly went along with Joyce’s vim, moxie, and determination, it was that she had an opinion. She enjoyed a vibrant discussion and the interaction of ideas, but she made certain that even if you didn’t happen to share her opinion, you would at least be familiar with it. As it happens, Joyce and I were lucky enough to agree with one another on many things, but by no means all things. More than once did I attempt to refute her position on this, that, or another thing. After the back-and-forth had exhausted itself, she would say, “Well, I don’t think it’s quite as simple as that”, I would shrug my shoulders and say “Perhaps”, and we would sip our tea and rejoin the larger conversation.

She was a woman who was grateful for the graces in her life. She was grateful for the blessings of her family, though it was not without hardships. She was grateful for the magnificent inheritance of centuries of art and culture she was born on the receiving end of. She was a patriot if ever there was one — a proud American, but one with a devoted filial love of Europe, and especially of Italy.

I think the first time Joyce visited Italy was when she did her voice studies in Florence in the 1970s, and she never stopped going back. She had a devotion to Padre Pio and paid her respects to the great saint by pilgrimming to San Giovanni Rotondo. Towards the later years of her life she had a special love and appreciation for summer days spent at Gardone on the shores of Lake Garda, enjoying the intellectual stimulation of the annual summer symposium organized by the Roman Forum. The Italian airs invigorated her Celtic blood and she would return to New York in late summer rejuvenated and refreshed.

She always knew lots of things about New York. You can get great freshly baked bread here. They do a good brunch there. If you really want to do X, then you’ve got to Y at Z on Nth Street. I remember one drizzly November Sunday afternoon Joyce showed me “the best way to cut through Saks” as she and I made our way to the annual Choral Evensong & Flag Service for the Patriotic, Historical, and Hereditary Societies at the Church of St. Thomas, Fifth Avenue.

Joyce loved her job as a high school teacher at Manhattan Center on the Harlem River, just a few doors away from Our Lady of Mount Carmel on 115th Street. Any and all bureaucratic encroachments upon the teaching profession were vociferously opposed by her, and she had an enormous pride when her students did well (especially her girls). Latin was another excuse to spend time in Italy, where she studied the language under the famous Fr. Reggie Foster in Rome. She taught English as well, and was adamant that her students learn important lessons from writers like Orwell and Wilde, rather than a rote set of facts or ideas or quotes. She was always on the lookout for a new way of explaining the old truths to the students in her charge. She loved them, but she also loved her colleagues, and more than once had us praying for this one or that one.

When she was first diagnosed with cancer, many of us prepared ourselves mentally for The End. I think Joyce said to herself “Well I’m not having any of that.” She beat it the first time round (remember what I said about vim, moxie, determination?) to the surprise of many, probably her devoted doctor most of all. She went back to work, and her own hair grew back, allowing her to dispense with the peppy wig she had specially styled. Life, it seemed, returned to normal, for one last Halcyon day before the Hour approached. When the time did appear on the horizon, her descent was rapid. I’m glad I had a chance to see her one last time, surrounded as she was by friends in Lenox Hill Hospital.

Joyce would have loved her requiem, the priest in mournful black trimmed by resplendent gold, acolytes and torch-bearers aiding in the sanctuary, the Dies Irae rising from the choir loft, and those who knew and loved her pleading God’s mercy and quick remission of her earthly transgressions. It was beautiful — as the most beautiful things are — because it pointed towards that Heavenly place from whence our only glories come, where we pray “the Lady with the Voice” will enjoy perpetual light and rest eternal.

Left, contemplating the winter snow. Right, contemplating how the deuce a bear of his particular stature can light the Easter candle.

This is a perfectly charming film. “La Grande Séduction” comically celebrates the dignity of work and the assault on the human character that inevitably results from reliance upon government welfare for survival. The inhabitants of the small fishing village of Ste-Marie-La-Mauderne have refused to abandon their homes after the collapse of fishing, but lack the resident doctor a potential investor requires in order to build his factory in the town. “La Grande Séduction” (released in Anglophone cinemas as “Seducing Dr. Lewis”) depicts the efforts of prominent townsfolk to unite and persuade the arrogant city-slicker Dr. Lewis to sign up as doctor for their little corner of the world.

Fans of “Local Hero” or “Waking Ned Devine” will find the theme familiar, but with a remote corner of maritime Quebec substituting for the Celtic hinterlands of the British Isles. If anything, the film allows the viewer an opportunity to hear that charming Québécois back-country accent. There are also elements that will grate somewhat the prudish tendencies of Anglos like us, but one must make allowances for the Latin temperament that survives in la Nouvelle-France and the other Romance realms.

Overall, a celebration of place, work, and community, and an interesting exploration of the conflict between artificiality and authenticity.

CULEMBORG in the Netherlands is the birthplace of Jan van Riebeeck, the Dutch East India Company bureaucrat who founded Cape Town, and thus in a sense the city is the birthplace of South Africa. That country’s had more than its fair share of racial tensions, but NRC Handelsblad reports that race riots recently erupted in Holland’s Culemborg. The rioting was not between Dutchmen and foreigners but rather between Moroccan and Moluccan youths in the district of Terweijde.

“It’s typical of ‘young male syndrome’ says a riot-expert with 25 years experience,” the article informs us. There’s rather something of Peter Simple in referring to a “riot expert with 25 years experience”. In NRC’s case, they are referring to behavioural scientist Otto Adang, but one could easily imagine Michael Wharton referring to a football hooligan or some other ne’er-do-well as “a riot expert with 25 years experience”.

Photograph by Dave Henniker.

Some Selections from the Work of Photographer Bernard Bravenboer

Bernard Bravenboer is a Stellenbosch photographer whose website I stumbled across some time ago. In their vivacity and their variety, Meneer Bravenboer’s photographs capture something elemental about life in the Cape. Here are some selections from his work. (more…)

After the passing of the Hapsburg empire, which had been so protective of its Jewish subjects (especially compared to the regimes which succeeded it), numerous prominent Jews were received into the Catholic faith, perhaps having come to a full appreciation of precisely what they had lost. The subject of “Literary Jewish Converts to Christianity in Interwar Hungary” is worthy of further investigation (some graduate student should write a dissertation on just such a matter). I am no longer surprised when, in my researches, I come across yet another fascinating Hungarian Jew — be he a writer, playwright, poet, or patron — and discover, usually buried in some footnote, that he died a good Catholic.

While there are but a few days to go, I can’t let this year depart without finally showing you photos of the 2009 Paris-Chartres pilgrimage which takes place every year on the weekend of Pentecost. (See 2008, 2005, 2004). The theme for the upcoming 28th Pilgrimage from Notre-Dame de Paris to Notre-Dame de Chartres was recently announced by the Association Notre-Dame de Chrétienté which organises the event. The 28th Pilgrimage will take place on the 22nd, 23rd, and 24th of May 2010, with the theme “The Church is Our Mother”. The themes for the individual days will be: 1) Teaching, under the patronage of St. Peter; 2) Sanctifying, under the patronage of St. Jean Vianney, the Curé d’Ars; 3) Governing, under the patronage of St. Pius X.

The following photos, however, are compiled from various sources, and show the pilgrimage which took place this past Pentecost. (more…)

THOUGH THE BORING brains of tawdry metropolitan Londoners are all too quick at relegating Dublin to the provincial periphery of the mind, the Irish capital is a perpetual treasure trove for the old-fashioned and right-minded. A number of items of interests have recently been sold at the auction houses of the fair city, including two ceremonial uniforms (above) of that famous Dubliner, Sir Edward Carson QC. Carson was the lawyer and statesmen who passionately, but without bigotry, opposed the cause of Irish home rule. He was the defending barrister in the Archer-Shee case and led the Marquess of Queensberry’s team in Oscar Wilde’s doomed libel action. Carson and Wilde had been at Trinity together (where — little known fact! — Carson was a keen hurler), and the famous wit quipped of Carson “I trust he will conduct his cross-examination with all the added bitterness of an old friend.”

Having a fine mind for the law and being politically active meant that Carson moved through several layers of British government, holding numerous offices and positions. He was a Privy Counsellor twice over (of both Ireland and the United Kingdom), a Queen’s Counsel, served in the House of Commons as leader of the Irish Unionists, and held portfolios in the British Cabinet. The two ceremonial uniforms auctioned at Whyte’s of Molesworth Street are from his appointment as Solicitor General for England & Wales in 1900. (He had been Solicitor-General for Ireland in 1892, and was later Attorney General for England & Wales, in which position he was succeeded by the F.E. Smith of Chesterton’s famous poem).

The two black wool morning coats feature gold bullion trimming and buttons, and are sold with a pair of trousers with gold filigree stripe matching the lesser uniform, and knee breeches & silk stockings for the greater uniform. The vellum appointment as Solicitor General was also included, in a red leather box with a gilt impression of the royal arms. Whyte’s estimated a sale of €50,000-€70,000, but the lot’s realised price was €42,000. (more…)

Since we explored Brompton Oratory as it might have been, here is the Oratory as it was built. The façade were finally completed in 1893 to a design by George Sherrin, with the dome following in 1894-95 by Sherrin’s assistant E. A. Rickards. How is the Oratory as depicted above different from the Oratory today? The fence and gates were replaced with a curved design at some date unknown to me, perhaps in response to a road-widening scheme.

Die Volksraad

The House of Assembly (always called the Volksraad in Afrikaans, after the legislatures of the Boer republics) was South Africa’s lower chamber, and inherited the Cape House of Assembly’s debating chamber when the Cape Parliament’s home was handed over to the new Parliament of South Africa in 1910. The lower house quite soon decided to build a new addition to the building, and moved its plenary hall to the new wing. (more…)

In it’s long history, the address of No. 82 Eaton Square in London has housed a Major-General of the East Indian Cavalry, a Lord Strafford, a Lord Bagot, an Earl of Dalhousie, an Earl of Clare, a Duke of Bedford, and Queen Wilhemina of the Netherlands — thankfully not all at once. It’s probably best know for its half-century as the Irish Club, a much-favoured drinking & smoking spot for the community of Gaels in London. The club was founded in 1947, with a number of pre-existing Irish clubs merging into it. George VI — grateful for the devoted service of the Irish who volunteered for his armed forces during the Second World War — heard that the club was in search of premises and asked the Duke of Westminster, one of the largest landowners in London, if he could help. The Duke provided the leasehold of No. 82 Eaton Square to the Irish Club for a nominal sum. (As it happens, the 4th Duke’s son served as a Unionist MP for Fermanagh & South Tyrone, and later in the Northern Irish Senate). (more…)

Did you know that Le Figaro used to have a “dingbat”? No, neither did I, until I was stumbling through the archives the other day. For a brief period in the 1930s, the Fig stylistically dropped the article “le” from its nameplate, while continuing to be known as “Le Figaro” for all intents and purposes. Simultaneously, they introduced a handsome horizontal dingbat to sit atop the newspaper’s unique name. (more…)

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