• Autumn and winter are a time for ghouls and ghosts and eery tales. At Boodle’s for dinner two or three years ago I sat next to the wife of a friend and exchanged favourite writers. I gave her the ‘Transylvanian Tolstoy’ Miklos Banffy, in exchange for which she introduced me to the English writer M.R. James — whose work I’ve immensely enjoyed diving into. The inestimable Niall Gooch writes about Christmas, Ghosts, and M.R. James, as well as pointing to Aris Roussinos on how Britons’ love for ghostly tales is a sign of (little-c) conservatism.
• There can be few figures in English history more ridiculous than Sir Oswald Mosley. But the Conservative MP who became a Labour government minister and then British fascist führer-in-waiting was also forceful in his condemnation of the savagery unleashed by the Black-and-Tans. In 1952 a local newspaper in Ireland announced that Sir Oswald and Lady Mosley “charmed with Ireland, its people, the tempo of its life, and its scenery” had taken up residence at Clonfert Palace in Co. Galway. “Sir Oswald,” the paper noted with amazing restraint, “was the former leader of a political movement in England.” Maurice Walsh presents us with the history of Mosley in Ireland.
• The death of the late Lord Sacks, Britain’s former Chief Rabbi, was the subject of much lament. Rabbi Sacks was obviously no Catholic, but his intellect, frankness, and generosity were much appreciated by Christians. Sohrab Ahmari, one of the editors at New York’s most ancient and venerable daily newspaper, offers a Catholic tribute to Jonathan Sacks.
• “Education, Education, Education” has become a mantra in the past quarter-century and while there is a point there’s also a certain error of mistaking the means to an end for the end itself. After all, in the 1930s Germany was the most and highest educated country in the world. At Tablet, probably America’s best Jewish magazine, Ashley K. Fernandes explores why so many doctors became Nazis.
• Fifty years ago the great people of the state of New York rejected both the Republican incumbent and a Democratic challenger to elect the third-party Conservative candidate James Buckley as the Empire State’s senator in Washington. At National Review Jack Fowler tells the gleeful story of the unique circumstances that brought about this victory for Knickerbocker Toryism and how Mr Buckley went to the Senate.
Septuagesimo Uno is often believed to be the smallest park under the purview of the Parks Department of the City of New York. It’s not. (By my reckoning, the Abe Lebewohl Triangle where Stuyvesant Street meets 10th Street near St-Mark’s-in-the-Bowery is the smallest.)
Though not the smallest, this park on West 71st Street is charming all the same. The site was acquired in 1969 thanks to Mayor Lindsay (or “Lindsley” as my maternal great-grandfather always mispronounced his name) and his Vest Pocket Park initiative. The small building on the lot was condemned and demolished by the City though it was only handed over to the Parks Department in 1981.
Originally known as the “71st Street Plot”, Parks Commissioner Henry Stern thought the name was too boring so rechristened it under the Latin moniker Septuagesimo Uno — Latin for ‘seventy-one’. (more…)
GOVERNOR CUOMO — is there anything that man won’t fiddle with? Is there nothing that can escape his grasping hands? Are we to suffer from the incessant interference of this megalomaniac forever?
The latest trespass His Excellency has committed is to encroach upon the very sacred symbols of the Empire State itself: our beloved coat of arms — and, by extension, the flag which also bears it aloft.
Gaze upon its beauty, for you will see it fade. Azure, in a landscape, the sun in fess, rising in splendour or, behind a range of three mountains, the middle one the highest; in base a ship and sloop under sail, passing and about to meet on a river.
This beautiful device was adopted by the very first Assembly and Senate of the State of New York back in 1778, having been designed a year earlier. It has remained substantially unchanged since the 1880s until Governor Cuomo in one of his fits of fancy decided to sneak a change via the state budget, of all things.
“In this term of turmoil, let New York state remind the nation of who we are,” Governor Cuomo said in his State of the State address in January of this year. “Let’s add ‘E pluribus unum’ to the seal of our state and proclaim at this time the simple truth that without unity, we are nothing.”
Why the national motto should be interjected into the state flag when we have our own motto is beyond me. Rather than introduce a bill that would allow an open debate on the matter, the Governor decided to sneak it into the state budget. This passed in April, so the coat of arms, great seal, and flag of the state of New York have all now been altered to include the superfluous words.
That said, I have a sneaking suspicion the change might be honoured more in the breach than in the observance. Flag companies doubtless have a large back supply of pre-Cuomo flags to shift and customers are rarely up to date on matters vexillological and heraldic. I suspect that the next time you float down Park Avenue and see the giant banners fluttering from corporate headquarters very few will have updated their state flag.
Transacting some business in March before the plague struck us here in London I found myself with a moment to spare and made a brief pilgrimage to No. 7, Stratford Place. It was in this handsome townhouse that Martin van Buren, the first New Yorker to ascend to the chief magistracy of the American Republic, had his residence when he served as the United States’s minister to Great Britain in 1831.
While I often claim that Calvin Coolidge was America’s greatest president in reality my chief devotion in that contest is to the Little Magician himself, the Red Fox of Kinderhook.
Among the many characteristics of this esteemed Knickerbocker is that English was not his native language and throughout his career as a democratically elected politician he spoke with a thick Dutch accent. To his wife, he spoke almost entirely in Dutch.
Jay Cost and Luke Thompson’s Constitutionally Speaking podcast at National Review recently released the first of a two episodes about van Buren and while I’m no fan of podcasts in general this was worth listening to.
One of the factors Cost and Thompson highlight is the utility of the party machine structures of the day in solidifying the practice of America’s democracy and acting as a vehicle of accountability, something too little appreciated by most later observers of the period.
We keen Kinderhookers and Van Buren Boys await the second instalment with anticipation.
Shamefully I have not yet made the pilgrimage to Kinderhook itself, but it’s pleasing to learn that the dominie of the Dutch Reformed Church is a graduate of the greatest university in the southern hemisphere.
The visitor arriving at Albany, the capital of the Empire State, might be forgiven for presuming the riparian French gothic mock-chateau he first views is the most important building in town.
Built as the headquarters of the Delaware & Hudson, a canal company founded in 1823 that successfully transitioned into the railways, the chateau now houses the administration of the State University of New York. (Indeed, the Chancellor once had a suitably grandiose apartment in the southern tower.) That building, with its pinnacle topped by Halve Maen weathervane, is worthy of examination in its own right.
But next to this towering edifice is an altogether smaller charming little holdout: the ticket office of the Hudson River Day Line.
In the nineteenth century the Hudson River Valley was often known as “America’s Rhineland” and travel up and down the river was not just for business but also for the aesthetic-spiritual searching that inspired the Hudson River School of painters.
The Day Line’s origins date to 1826 when its founder Abraham van Santvoord began work as an agent for the New York Steam Navigation Company. Van Santvoord’s company merged with others under his son Alfred’s guidance in 1879 to form the Day Line. (more…)
The patroonship of Rensselaerswyck was erected in 1630 giving its patroon, Kiliaen van Rensselaer, feudal powers over a large parcel of land on the banks of the Hudson River. Despite exercising a strong influence on the growth and development of New Netherland and the Hudson Valley, Kiliaen never actually stepped foot in the new world but kept close control of his domain from across the ocean in Amsterdam.
Jan Baptist was Kiliaen’s second surviving son, and served as director at the ‘colony’ as it was often known from 1652 to 1658. He commissioned Evert Duyckinck to make this painted-glass window displaying his coat of arms in 1656 and gave it to the Dutch Reformed Church in Beverwyck (today’s Albany).
While the congregation still exists — and celebrated its 375th anniversary in 2017 — the original church was demolished in 1805 and the window moved to the Van Rensselaer Manor House which itself survived til 1890 before facing the wrecking ball. The window was preserved and was left to the Metropolitan Museum of Art through the 1951 bequest of Mrs J. Insley Blair and while well documented it does not appear to be on display at the moment.
The patroonship itself was converted into a manorial lordship by the English authorities after they took over and survived until it was broken up amongst relatives after the death of Stephen van Rensselaer III in 1839.
This last great patroon had proved an indulgent lord and the efforts of his inheritors to claim uncollected back rents led to the 1839-1845 “Helderberg War” or “Anti-Rent War” of tenants revolting against the system. The great landholders, seeing the end was nigh, were convinced to sell up and in 1846 the state of New York adopted a new constitution abolishing feudal tenure. The era of patroonships and manors in the Hudson Valley had come to an end.
The dome of the old Police Headquarters Centre Street in New York.
Areas shaded in orange are the counties of New York with Dutch-influenced flags
Natives and outsiders alike are often surprised when it’s pointed out just quite how much New York continues to be influenced by its Dutch foundation to this day, even though Dutch rule ended in the seventeenth century.
Previously I explored a number of local or regional flags in the state of New York that show signs of Dutch influence: those of the cities of New York and Albany, the Boroughs of Manhattan, Brooklyn, the Bronx, and Queens, and the counties of Westchester, Nassau, and Orange.
I’ve since found a few more counties to add to our survey of Dutch flags in the Empire State.
Dutchess County
One of the original counties of New York established in 1683, Dutchess retains the archaic spelling of Mary of Modena’s title while she was Duchess of York. Appropriately for a county that was until very recently largely agricultural, the county seal depicts a sheaf and plough, and sits on the county’s flag with its horizontal tricolour of orange, white, and blue.
Ulster County
Across the Hudson from Dutchess County is Ulster, another of New York’s first counties. Its handsome seal features an early farmer wielding a sickle in front of a sheaf and a farmhouse, with the year of the county’s erection proudly included. The Dutch had begun to trade here as early as 1614, and the village of Wiltwijck was given municipal status by Peter Stuyvesant in 1663. Wiltwijck became Kingston in 1669 and remains a very handsome town today.
Schenectady County
The county of Schenectady is of later origin, 1809, and became industrialised in the latter half of the nineteenth century — the General Electric Company was founded here in 1892. Like Ulster and Dutchess, the county flag is just the seal displayed on an orange-white-blue tricolour.
The seal is a relatively boring depicting of crossed swords combined with the scales of justice, but on the flag it is depicted with a locomotive, canal boat, broomhead, and lightning bolt and atom.
As by now you are all well aware, today is the feast of Saint Nicholas, the patron-saint of New York. His patronship (patroonship?) over the Big Apple and the Empire State date to our Dutch forefathers of old – real founding fathers like Minuit, van Rensselaer, and Stuyvesant, not those troublesome Bostonians and Virginians who started all that revolution business.
Despite being Protestants of the most wicked and foul variety, the New Amsterdammers and Hudson Valley Dutch maintained their pious devotion to the Wonder-working Bishop of Myra and kept his feast with great solemnity.
After New Netherland came into the hands of the British (and was re-named after our last Catholic king) the holiday continued to be celebrated by the Dutch part of the population, and was greatly popularised in the early nineteenth century by the publication of a curious volume entitled A History of New York from the Beginning of the World to the End of the Dutch Dynasty which purported to be by one Diedrich Knickerbocker.
In fact it was by Washington Irving, the first American writer to make a living off his pen, who did much to popularise St Nicholas Day in New York as well as to revive the celebration of Christmas across the young United States.
While, aside from hearing Mass and curling up with a clay pipe and a volume of Irving (being obsessive, I have two complete sets) here are a few links that shed some light on New York’s heavenly protector.
Historical Digression: Santa Claus was Made by Washington Irving
New-York Historical Society Quarterly: Knickerbocker Santa Claus
The History Reader: The 18th Century Politics of Santa Claus in America
The New York Times: How Christmas Became Merry
The Hyphen: Thomas Nast’s Illustrations of Santa Claus
– plus: Santa Claus and the Ladies
National Geographic: From Saint Nicholas to Santa Claus
Previously: Saint Nicholas (Index)
Before the age of the skyscrapers, New York’s church spires dominated the horizon and dwarfed their neighbours just like in the medieval towns and cities of the old world — as this photo from the 1900s shows.
Here St Patrick’s Cathedral holds court, with the St. Nicholas Collegiate Reformed Protestant Dutch Church poking up a few blocks down Fifth Avenue.
Slightly north on that same boulevard sits the grand renaissance palazzo of the University Club, with the spire of the Fifth Avenue Presbyterian Church poking up behind it.
This intriguing little island in New York Harbour has always held something of a fascination for me — viz. articles previous on the subject. Aside from its interesting history there is the matter of the complete lack of foresight in ending its military use as well as the failure to imagine a future use suitable to its history and, if the word is not hyperbole, majesty.
Gothamist recently featured a new peek inside some of the abandoned buildings on Governors Island, a mere selection of which are reproduced here. (more…)
Pursuant to my post of John Bartlestone’s photographs of City Hall, I came across this photo the other day and it reminded me that this is still one of my favourite rooms in all New York. There’s something about that particular shade of green. I previously wrote about this suite of three rooms in 2006.
The above photo is by Ramin Talaie while below, in 2010, Mayor Bloomberg inspects a city flag being sent to a New Yorker serving in Afghanistan as reported by the Daily News.
The late & much-missed New York Sun also reported on the portraits hanging in City Hall in 2008.
These images of City Hall show the superb skill and eye for detail of the architectural photographer John Bartelstone — a licensed architect in his own right — and date from the completion of the most recent set of renovations in 2015.
The huge and spacious interior of the Church of the Intercession, New York. One of Bertram Grosvenor Goodhue’s masterpieces; so much so that he decided to be interred in the north transept of the church.
In one of the galleries of the Metropolitan Museum’s American wing, behind the Tuckahoe-marble façade of the old Assay Office (moved here from Wall Street), hangs this portrait of Col. Marinus Willett of the Continental Army’s 5th New York Regiment.
Born in 1740, the second of thirteen children, Willett attended King’s College before being commissioned a lieutenant in a New York provincial regiment during the Seven Years’ War (or French and Indian War as it’s known more locally). (more…)
Well, actually it’s Broad Street looking down past the New York Stock Exchange to Federal Hall, which itself is on Wall Street.
Most of Broad Street was originally a canal (hence its width) but in 1676 it was filled in and laid out as a street.
If there is any season which is plus New-Yorkaise que les autres then it must be autumn, and around the time of Hallowe’en in particular.
Thanks to the fertile imagination of Washington Irving, buried in the cemetery of the Old Dutch Church in Sleepy Hollow, the Hudson Valley is the spiritual home of this ancient Celtic feast now implanted in the New World.
The other day I dusted off the huge single-volume complete works of Irving – almost the size of an old Statenvertaling – and re-read his most famous tale, “The Legend of Sleepy Hollow”.
Irving describes the position of the Old Dutch Church:
The sequestered situation of this church seems always to have made it a favorite haunt of troubled spirits. It stands on a knoll surrounded by locust trees and lofty elms, from among which its decent whitewashed walls shine modestly forth, like Christian purity beaming through the shades of retirement. A gentle slope descends from it to a silver sheet of water bordered by high trees, between which peeps may be caught at the blue hills of the Hudson. To look upon its grass-grown yard, where the sunbeams seem to sleep so quietly, one would think that there at least the dead might rest in peace.
On one side of the church extends a wide woody dell, along, which raves a large brook among broken rocks and trunks of fallen trees. Over a deep black part of the stream, not far from the church, was formerly thrown a wooden bridge; the road that led to it and the bridge itself were thickly shaded by overhanging trees, which cast a gloom about it even in the daytime, but occasioned a fearful darkness at night. Such was one of the favorite haunts of the Headless Horseman, and the place where he was most frequently encountered.
The tale of the Headless Horseman is now, partly thanks to various popular reinterpretations of it, well known even outside the Hudson Valley. I remember as a wee lad growing up in that part of the world our Scout uniforms had a badge bearing the image of the “Galloping Hessian”.
AMONG THE LEGACIES of my New York childhood is a sentimental fondness for the United Nations, and especially for the stylish swank of its headquarters at Turtle Bay in Manhattan. The name of the small neighbourhood originates (scholars tell us) not from the turtles which were once abundant upon the shores of the island and its environs but rather from a small inlet shaped, in the eyes of the old New Netherlanders, like a particular type of bent or curved blade called a deutal knife in Dutch. The woods and meadows surrounding Deutal Bay were easily rechristened as Turtle Bay once the English established their ascendancy and New Amsterdam became New York.
Over the course of the eighteenth and nineteenth centuries the tiny port founded at the bottom tip of Manhattan grew further and further up the island, swallowing up the old colonial villages like Greenwich, Bloemendal, and Haarlem, or farms like Turtle Bay, Inclenberg, and Kip’s Bay, until as today there is just one giant urban mass stretching from the Battery at the bottom tip of the island all the way to Spuyten Duyvil at the top.
While New Yorkers like to think that there is no possible competitor to the city’s status as capital of the world, there was of course a great debate over where the United Nations should be based. Geneva was an obvious candidate, as the beautiful art-deco Palais des Nations provided a ready-made home for an international organisation. The fathers of the UN, however, did not want to associate themselves so closely with the failure of the old League of Nations the Palais was built for, and so the Geneva option was nixed.
Given the shifting balance of world power, it was thought a New World site might be a wiser choice than a European location. Quebec, as I have written previously, was an obvious possibility as the city is a beautiful melange of Old World and New, and for Europeans was easily accessible by passenger liner. Australia, New Zealand, and the Pacific states, however, were in favour of San Francisco for geographic reasons to their obvious benefit, and cited the Californian city’s hosting the 1945 Conference on International Organisation which brought forth the UN Charter.
Fears that the United States would refuse to participate fully in the UN (as with the League of Nations of old) almost guaranteed that the US permanently hosting the world body in order to solidify American resolve in the UN’s favour, but the squabble over precisely where dragged on. The Rockefeller family intervened by offering to the fledgling United Nations Organisation, at no cost whatsoever, a large riparian site at Turtle Bay on the banks of the East River, largely consisting of slaughterhouses at the time. Settled then, but what would the complex look like? (more…)
NYC & Company, the official tourism and marketing board of New York City, has cottoned on to the fact that in such a vast metropolis many parts of the city are virtually unknown to the natives of whichever particular borough.
They recently launched the ‘See Your City’ campaign encouraging New Yorkers to visit places perhaps less familiar to them within their own city. Part of the campaign involves the above series of posters for display in bus shelters.
The style evokes old-school travel posters of the 1920s & 30s, and NYC&Co commissioned one for each of the five boroughs.
Elsewhere: Adweek | New York Times | Untapped Cities | NYCgo
In New York, good things are only allowed to last a little while: eventually they must all be destroyed. The latest to add to the pile is the Rizzolli bookshop on West 57th Street, which has received notice that the landlords intend to demolish the 109-year-old structure in which the bookshop is housed.
Rizzoli, publishers of some of the finest and most luxuriously printed books on the market, have not yet said whether they will be opening shop elsewhere.
If so, it would be the second move for the shop, which opened in 1967 at 714 Fifth Avenue (below), just around the corner. A developer tried to tear that building down as well, but preservationists managed to have the façade, with its lalique glass, incorporated into the new tower. It’s now home to Henri Bendel.
Other New York bookshops to close in recent years include the Librairie française, Coliseum Books, Gotham Book Mart, Urban Center Books, and further back more venerable institutions like Scribner’s and Brentano’s.
Top three photos: Mais Uma Pagina