The Critic invited me to put together a few musings on the aesthetic, economic, and political impact of the JLE and the fundamentally Conservative vision that drove it. You can read it here:
■ The Half-Forgotten Promise of the Jubilee Line
Since it went up this morning, I received a kind email from Tom Newton, son of the late Sir Wilfred Newton who (as you can read in my piece) envisioned and managed the project:
You may be interested that as a family we well remember his intense frustration with the government of the time when they tried to cut back the cost of the project by reducing numbers of planned escalators across the new stations – he had to fight tooth and nail to keep the designs intact and indeed offered to resign over the matter and ultimately successfully defended the designs against cuts. He was very firm that he had no intention of building something which suffered the same capacity issues as the Victoria line resulting from similar reductions in capacity required by government during its construction. This was one of the very few times I ever saw him angry about anything.
He developed excellent relationships with railway engineers and architects whilst in Hong Kong and loved being involved in these large scale infrastructure projects – he was made an honorary member of the Royal Academy of Engineers as a result. He loved being involved in the JLE project very much. He was absolutely fascinated in how the engineers managed the risk of tunnelling across London without damaging other lines and keeping Big Ben standing.
He was asked to lead the construction of the new Hong Kong airport but decided it was time he had spent enough time in Hong Kong.
As a director of HSBC he knew Sir Norman Foster well from when he was the architect on the HSBC office building in Hong Kong. However, when he was asked by the HSBC board to oversee the building of the Canary Wharf office with Sir Norman as the architect, he was asked by the board to make sure Sir Norman was kept on a very tight leash on this build after the massive cost overruns on the Hong King building.
As regards the canopy at the JLE Canary Wharf station Dad had some robust conversations with Sir Norman about adjusting its design to make sure it would be possible to keep clean.
He always had an extraordinary ability to talk to anyone, cut through to the essentials of anything and take a very principled approach in dealing with people and problems.
Many thanks, Tom, for contributing this closer historical perspective of the Jubilee Line Extension’s construction.
Caro had been a Nieman Fellow at Harvard studying urban planning and land use when he came up with the idea for the book. He thought it would take him nine months, but extensive research and over five-hundred in-person interviews meant it took eight years to complete.
Caro then started working on his study of Lyndon Baines Johnson, the first volume of which emerged in 1982 and the fifth (and final?) one he is still working on. (At the end of the fourth, LBJ had just become president.)
But where does he write? Christopher Bonanos of New York magazine finds out:
It’s an ageless space, one where it could be last week or 1950 inside, matter-of-fact and utilitarian. A couple of bookcases, a plywood work surface, corkboard with outlines tacked up, an old brass lamp, an underworked laptop for emails, a Smith-Corona typewriter. The desk chair is hard wood with no cushion. There’s a saltshaker next to the pencil cup for when Ina brings a sandwich out at midday. The desk has a big half-moon cutout, same as the one back in New York, so he can rest his weight on his forearms and ease his bad back. That arrangement was recommended by Janet Travell, the doctor who grew famous for prescribing John F. Kennedy his Boston rocker. She, with Ina, is a dedicatee of The Power Broker.
He bought the prefab shack, he says, from a place in Riverhead for $2,300, after a contractor quoted him a comically overstuffed Hamptons price to build one. “Thirty years, and it’s never leaked,” he says. This particular shed was a floor sample, bought because he wanted it delivered right away. The business’s owner demurred. “So I said the following thing, which is always the magic words with people who work: ‘I can’t lose the days.’ She gets up, sort of pads back around the corner, and I hear her calling someone … and she comes back and she says, ‘You can have it tomorrow.’”
Does he write out here every day? “Pretty much every day.” Weekends too? “Yeah.” Does he go out much while he’s on the East End? “We have two friends who live south of the highway, and I said to Ina, aside from them, I’m not going this year.” There are other writer friends nearby in Sag Harbor, and they get together, but at this age, Caro admits a little sadly, they’re thinning out. He’ll be 89 this fall.
■ George Grant is a still-underappreciated giant of political thinking in the English-speaking world. He is too little known outside his native Canada, which he sought to defend from the undue overwhelming influence of its sparkling and glamourous southern neighbour. Next year marks the sixtieth anniversary of his Lament for a Nation.
Of all people, a research fellow at Communist China’s Institute for the Marxist Study of Religion — George Dunn — has written a thoughtful introductory overview of Grant’s life and thinking: George Grant and Conservative Social Democracy in Compact.
■ Katja Hoyer mused on an overlapping theme in a recent Berliner Zeitung column which she has helpfully presented in English as well:
A diplomat close to the SPD recently told me that he couldn’t understand why working-class people in particular voted for the AfD. Things weren’t so bad for them, after all. I didn’t bother pointing out that rampant inflation, high energy prices and rising rents have had a hugely detrimental effect on the living standards of people with low and middle incomes because his analysis completely misses the point.
Germany’s working-class voters, Katja argues, feel forgotten by the parties founded to represent them.
■ Since the fall of the Berlin Wall — and earlier in Angledom — political conservatism has effectively been taken over by economic liberalism.
This has denied the centre-right from learning from and deploying useful experience from outside liberalism, with the wisdom of figures as varied as Benjamin Disraeli, Giorgio La Pira, Charles de Gaulle, and Thomas Playford essentially ignored or sidelined.
Kit Kowol’s new book Blue Jerusalem: British Conservatism, Winston Churchill, and the Second World War explores the visionary side of wartime Conservatism. Dr Francis Young offers his take on Tory utopias in The Critic.
■ From a similar era, Andrew Ehrhardt writes at Engelsberg Ideas on Ernest Bevin and the moral-spiritual dimension of British foreign policy.
■ Our friend Samuel Rubinstein has studied at Oxford, Leiden, and the Sorbonne — technically the oldest universities in their three respective countries (although we all know that Leuven is in fact the doyen of Netherlandish academies).
Sam offers an incredibly interesting comparison of the experiences of these three institutions in a humble essay on his Odyssean education:
I arrived in Leiden, armed with my phrase-book, with some ambitions of learning Dutch. The first blow came at the Starbucks in the train station, when the barista answered my Ik wil graag in English without hesitating. The second came the following day when I tried again, at a different café – only this time it seemed that the barista (Spanish? Italian?) didn’t know much Dutch either: even the natives were placing their orders in English. So I gave up – save one hobby, reading Huizinga in the original. I got myself an attractive coffee-table edition of Herfsttij and managed a page or so a day, strenuously piecing it together from my English, German, and smattering of Old English. I still haven’t the faintest idea how to pronounce any of it.
■ And finally, those of us who love Transylvania will enjoy Toby Guise’s summary of the Fifth Transylvanian Book Festival in The New Criterion.
There is a wonderful glimpse of the old days in the memoirs of the late Lord Waddington (1929-2017).
David Waddington was a Lancashire man who became a lawyer, Member of Parliament, Government Chief Whip, Home Secretary, peer of the realm, and eventually Governor of Bermuda. (In that final role, he was the last of the big dogs — all the ones since have been civil servants.)
The old British constitution — before New Labour’s ill-judged reforms — had a lithe efficiency in those days aptly reflected in quite how few people were employed by the highest court in the realm — and how unfussedly they were officed:
I had only been in the House for two days when I received a telephone call from the clerk of my Manchester chambers asking me if later in the week I was prepared to sit as a deputy County Court judge somewhere in London. This would allow my colleague Bob Hardy, who had contracted with the Lord Chancellor’s Department, to sit as a judge on that day, to take over a brief of mine, a libel action in Leeds.
At the eleventh hour someone pointed out that if I were to sit, my career as an MP would come to an abrupt end because as a result of the House of Commons Disqualification Act I would have disqualified myself from membership of the House, thereby precipitating another by-election. I was then begged by Bob to go and explain to the lady in the Lord Chancellor’s Department why he could not sit and why I had turned out to be an inappropriate replacement.
I set off and, after journeying along many corridors and ascending and descending many staircases, I eventually found a little old lady sitting alone in a tiny office at the bottom of a gloomy stairwell somewhere in the bowels of the House of Lords.
I apologised for troubling her and she said: ‘I can assure you it is no trouble. In fact I am delighted to see you. I have been in this office for thirty-five years and you are the first person who has ever visited me.’
Sometimes the perfect house meets the perfect owner: if so, then Hawksmoor House and its current owners, Mark Borrie and Simon Olding, have been an ideal match. The old manor house of Waarburg probably dates from the mid-eighteenth century and, after falling victim to neglect and unsympathetic updates, has been meticulously restored in the twenty-first century.
The history of this property, with its various names and numerous owners, now spans three centuries. In 1701, the Dutch governor of the Cape, Willem Adriaan van der Stel, granted sixty morgen of land at Joostenburg in the district of Stellenbosch to the dominee Hercules van Loon.
He was the predikant of the Reformed congregation in the “City of Oaks”, where he lived in a house on Dorpstraat just a few doors down from my former abode.
Occupied in town, van Loon also purchased farmland in the surrounding district, naming one Hercules Pilaar and another Waarburg, after the German castle of Lutheran lore.
The earliest surviving map of the property shows that there was a house here by 1704, but it is believed it was rarely used by the preacher who was occupied with his duties in town.
One day in that same year, Ds. van Loon rode from Hercules Pilaar towards Stellenbosch and, in a field outside the town, cut his own throat with a penknife. His flock were astonished and recorded that no-one knew why the preacher had killed himself.
Matilda Burden has argued that the existing house was built between 1758 and 1765 by the then-owner Jacobus Christiaan Faure. By 1826, Waarburg became known as Matjeskuil or Matjieskuil which it retained for most of its existence.
IT SHOULD surprise no-one that the French Army awards an annual prize for military literature. Since 1995, the Prix littéraire de l’Armée de terre – Erwan Bergot is awarded every year for “a contemporary work of French literature that demonstrates active commitment, of a true culture of audacity in service to the collective whole” and is named in memory of the paratrooper officer, writer, and journalist Erwan Bergot (1930-1993).
This year’s prize has been awarded to Gen. François Lecointre, the former Chief of the Defence Staff who now serves as the Chancellor of the Légion d’honneur.
A graduate of Saint-Cyr, Lecointre’s book Entre Guerres (Between Wars) relays his long service to France in the land forces, including operations in Central Africa, Rwanda, Bosnia, the First Gulf War, and elsewhere.
As a young captain in Bosnia, Lecointre was concerned when his company lost radio contact with the French UNPROFOR observation post on Vrbana bridge early on the morning of 27 May 1995. When he went himself to investigate, Captain Lecointre discovered that Bosnian Serb soldiers in captured French uniforms had seized the post and taken French soldiers hostage.
Lecointre immediately informed Paris, where President Jacques Chirac circumvented the UN chain of command in Bosnia by allowing soldiers under Lecointre’s command to retake the post on the northern end of the bridge with a bayonet charge that overran the Serb-held bunker. Vrbana bridge is believed to have been the last bayonet charge of any French military operation to date.
General Pierre Schill, Chief of the Army Staff, awarded his comrade-in-arms the Prix Erwan Burgot this weekend. The prize includes a monetary award of €3,000 which Gen. Lecointre has donated to the association Terre Fraternité that provides support to France’s wounded soldiers and their families.
Entre Guerres had already won the Prix Jacques-de-Fouchier awarded by the Académie française earlier this year. (Above: Gen. Lecointre with the académicien, lawyer, and writer François Sureau.)
The Erwan Burgot prize’s jury was chaired by Gen. Schill and included the son and widow of Erwarn Burgot, alongside Col. Loïc de Kermabon, Col. Noê-Noël Uchida, the journalist and writer Guillemette de Sairigné, literary figure Laurence Viénot, Général de Division Jean Maurin, Général de Brigade Gilles Haberey, prix Goncourt winning novelist Andreï Makine, writer Christine Clerc, former head army medic Dr Nicolas Zeller, journalist Jean-René Van Der Plaetsen, Professor Arnaud Teyssier, and the historian François Broche.
The Lebanese banker, writer, journalist, and politician Michel Chiha postulated that Beirut was “the axis of a three-pronged propeller: Africa, Asia and Europe”.
The city’s current airport was inaugurated in 1954, towards the height of its golden years.
In L’Orient-Le Jour, Lyana Alameddine and Soulayma Mardam-Bey report on how Beirut Airport’s story reflects the highs and lows of Lebanon’s history. (Aussi en français.)
■ Another one bites the dust: this time it’s London’s Evening Standard — traditionally the most London of London’s daily newspapers — which recently announced it will move to a single weekly printed edition.
In its heyday there were several editions per day, with “West End Final” on rare occasions topped up by a “News Extra” edition.
Stuart Kuttner, a veteran of the Standard, wrote a beautiful paean to the paper published in the Press Gazette.
■ Samuel Rubinstein shows how historians’ war of words over the legacy of the British Empire tells us more about the moral battles of today than shedding actual light on the past.
■ Wessie du Toit explores the curious columnar classicism persistent across the full spectrum of South African architecture.
■ With union presidents speaking at America’s Republic party convention, Senator Josh Hawley explores the promise of pro-labour conservatism.
■ Also at the increasingly indispensible Compact, Pablo Touzon explores how the Argentine left created Javier Milei.
■ Closer to home, Guy Dampier argues that Britain’s public services, housing, and infrastructure have reached their migration breaking point and the new Government has zero solutions.
■ Meanwhile, five hundred academics have signed a joint letter urging the Labour government not to scrap university free speech laws as the Education Secretary announced they will do.
Old Kinderhook is most famous for being the birthplace of the “Red Fox”, Martin van Buren — sometime inhabitant of London and later President of the United States.
He remains the only President who was not a native English speaker, and he spoke with a thick Dutch accent until the end of his days.
If legend is to be believed (and no evidence has been presented compelling us to do otherwise) the town is also the origin of the word “okay” or “O.K.” — for the “Old Kinderhook” clubs that sprung up to support van Buren’s bid for the White House.
Like many towns up and down the Hudson valley, Kinderhook had its own newspaper — originally named the Kinderhook Herald but which later took up the idiosyncratic name of Rough Notes.
As befits the newspaper of record of an old Dutch settlement, its banner bore the motto Een=dracht maakt macht, a Dutch translation of the old Latin motto of the Seven Provinces that means “Unity makes strength”.
These old and highly localised newspapers were once the chief source of information for people in the surrounding districts and one is pleasantly delighted by the sheer variety of the contents.
In addition to news, agricultural reports, poetry, and the moral and religious column there are reports of the meetings of Congress in Washington and the legislature in Albany, trials for murder, amusing notices from other newspapers in the New World, and news of battles and great events worldwide.
Thanks to the excellent New York State Historic Newspapers online archive you can virtually flip through the pages of this and numerous other periodicals.
The greatest event of the bonaerense calendar — nay, the entire Argentine year — is La Rural, the annual agricultural show of the Sociedad Rural Argentina. The silverine republic is a farming powerhouse and this show is probably second only in greatness to the annual Salon international de l’agriculture in Paris.
It is when the campo comes to town in all its glory, and mixes with the city-dwellers too. As the photographer Thomas Locke Hobbs put it, the crowd at La Rural is pretty much fifty per cent gaucho, fifty per cent Ralph Lauren.
Horses, cows, pigs, every beast of the Pampas, and every man that can ride, shoot, skin, or hunt it, manifests themselves somewhere here on the exhibition grounds in Palermo between the American embassy and the Plaza Italia.
Over a million visitors are expected across the ten days of the exposition, which are currently only halfway through.
Such are the glories of this great festival of Argentina’s living traditions I thought it worth sharing a few photos from the SRA’s own photographers.
And a gran saludo to the president Nicolas Franco Pino and all his team at the Sociedad Rural.
While elegant proportions and a certain timeless yet modern style might sound like some bavard’s evocation of a French woman, it seems most appropriate when describing French Railways House.
180 Piccadilly was designed by the architects Shaw & Lloyd to house the main London office of the SNCF, France’s state railway, and incorporated their sales desks and information bureau for tourists on the ground floor.
With interiors by Charlotte Perriand (left) and signage lettered by Ernő Goldfinger (right) — the architect so despised by Ian Fleming that he named a Bond villain after him — the excellent proportions of this little modernist gem exude the optimistic confidence of the Gaullist Fifth Republic.
While in the outer world the British people have been electing as their representatives, by the degrading process of universal suffrage, several hundred paid professional politicians, few of them owners of landed property, many of them positively base-born, in the closed world of this column a very different ceremony has been taking place.
In the dark, time-worn Gothic Hall of Assembly, amid crumbling tombs and carved symbols whose inmost meaning few can now read, the Great Feudatories of the Realm have been swearing fealty to the Regent, settling on their broad shoulders once more, for another year, the dreaming loads of Church and State.
In a thousand manors too, throughout the column, the Lesser Feudatories have been receiving the allegiance of village headmen bearing baskets of eggs, indigenous stones and symbolic flowers, of representatives of the craft-guilds – wood-carvers, arquebus-designers and organ-builders prominent as ever – and tenant farmers and yeomen, red-cheeked, bucolic figures in their holiday coats of decent frieze.
After these day-long, solemn ceremonies, rituals so intricate that none but the columnar heralds can understand them, high and low, through all their exact, foreknown, immutable degrees from the Regent to the humblest labourer, feel themselves united, confirmed once more, as the mighty order of society is confirmed.
In the outer world all is ephemeral, unstable, eddying and whirling this way and that in ceaseless, unreasonable change. Within, all is unchanging and unchangeable. As it was, as it is, as it will be, till Judgment Day.
Wag vir die bus — St George’s-straat, 1974 [link]
Inkopies saam met Pa, Die Parade (Grand Parade), 1960 [link]
Dame met Vespa, hoek van St George’s- en Waterkantstraat, 1960 [link]
Hoek van Darling- en Parlement-straat, 1946 [link]
Tydsrik verkoper, 1970 [link]
Die blommedames, 1946 [link]
Kortmarkstraat, 1960 [link]
“Tweee virrie prys van een!” J. Adonis vishandelaar, Distrikt Ses, 1968 [link]
Poseer vir die kamera, Bo-Kaap, 1962 [link]
Besoekers-buro, Adderleystraat, 1950s [link]
Die balkon by Stuttaford’s afdelingswinkel, 1968 [link]
Oud en nuut: die Koopmans-de Wet Huis, Strandstraat, 1981 [link]
Kampsbaai, 1974 [link]
Die Parade, 1962 [link]
Vierde Strand, Clifton, 1960s [link]
Clifton Hotel, 1961 [link]
Bloemstraat, Bo-Kaap, 1974 [link]
Bryantstraat, Bo-Kaap, 1978 [link]
Die Eerste-Minister sorg vir sy blomme, Groote Schuur, 1946 [link]
Muizenberg strand, 1965 [link]
Was dag, Bo-Kaap, 1961 [link]
Vishoekstrand, 1970 [link]
Stirling Castle vertrek vir Southampton, 1966 [link]
Boekkopers op die Parade, 1960 [link]
Pentzstraat, Schotschekloof, 1961 [link]
Nuwe kar, Blouberg, 1965 [link]
Simonstad spoorlyn, tussen Glencairn en Sandy Cove, 1989 [link]
’n SAS&H toeriste-bus, Groot Constantia, 1951 [link]
Saterdag-middag, Burgstraat, 1979 [link]
Wasdag is verby, Bo-Kaap, 1965 [link]
Kenilworth renbaan, die Metropolitan Handicap, 1962 [link]
Die prinses Elizabeth (later Elizabeth II, Koningin van Suid-Afrika), verwelkomingsparty by Tuynhuis, 1947 [link]
Die Noon Gun, Leeukop, 1967 [link]
Bloubergstrand, 1950s [link]
In the collections of the American Numismatic Society — formerly resident at Audubon Terrace but lately removed further south to Varick Street — there is a fine example of letters patent from the year 1786, signed by Governor George Clinton and validated by the Great Seal of the State of New York.
Letters patent are a form of open declaration by a sovereign or head of state, usually conferring the grant of an office, title, land, or rights. The most well-known patents are those covering the intellectual property of scientific inventions, issued by bodies like the United States Patent and Trademark Office or the UK’s Intellectual Property Office.
These particular letters patent deal with a land grant made to one Joshua Mersereau. From a family of Huguenot extraction, Mersereau studied at King’s College and ran a tavern on Staten Island. When America’s first civil war erupted in 1775, he joined the rebels and was commissioned a major in the “patriot” forces. He also represented his island’s coterminous County of Richmond in the rebel Provincial Congress that convened at Kingston.
Alongside other members of his family, Major Mersereau organised an effective spy ring that gathered useful operational intelligence on the movements of British and loyal American forces in the Hudson Valley, Staten Island, and neighbouring parts of New Jersey. It was likely for that contribution, as well as for his political influence more broadly, that this grant of land was made.
This feast of St Patrick marks the hundredth anniversary of the mosaic of Saint Patrick in the Central Lobby of the Houses of Parliament. At the heart of the Palace of Westminster, four great arches include mosaic representations of the patron saints of the home nations: George, David, Andrew, and Patrick.
The joke offered about these saints and their positioning is that St George stands over the entrance to the House of Lords, because the English all think they’re lords. St David guards the route to the House of Commons because, according to the Welsh, that is the house of great oratory and the Welsh are great orators. (The English, snobbishly, claim St David is there because the Welsh are all common.) St Andrew wisely guards the way to the bar (a place where many Scots are found), while St Patrick stands atop the exit, since most of Ireland has left the Union.
The mosaic of Saint Patrick came about thanks to the munificence of Patrick Ford, the sometime Edinburgh MP, in honour of his name-saint. Saint George had been completed in 1870 with Saint David following in 1898.
Sir William Raeburn MP commissioned the artist Robert Anning Bell (depicted right) to design the mosaic of Saint Andrew in 1922, which so impressed Patrick Ford that he decided to commission the same artist to depict the patron saint of Ireland.
Anning Bell had earlier completed the mosaic on the tympanum of Westminster Cathedral from a sketch by the architect J.F. Bentley. Following his work in Central Lobby he also did a mosaic of Saint Stephen, King Stephen, and Saint Edward the Confessor in Saint Stephen’s Hall — the former House of Commons chamber.
In the mosaic, Saint Patrick is flanked by saints Columba and Brigid, with the Rock of Cashel behind him. As by this point Ireland had been partitioned, heraldic devices representing both Northern Ireland and the Irish Free State are present.
On St Patrick’s Day in 1924, the honour of the unveiling went to the Father of the House of Commons, who happened to be the great Irish nationalist politician T.P. O’Connor, then representing the English constituency of Liverpool Scotland (the only seat in Great Britain ever held by an Irish nationalist MP).
“That day,” The Times reported T.P.’s words at the unveiling, “in quite a thousand cities in the English-speaking world, Saint Patrick’s name and fame were being celebrated by gatherings of Irishmen and Irishwomen. Certainly he was the greatest unifying force in Ireland.”
“All questions of great rival nationalities were forgotten in that ceremony. From that sacred spot, the centre of the British Empire, there went forth a message of reconciliation and of peace between all parts of the great Commonwealth — none higher than the other, all coequal, and all, he hoped, to be joined in the bonds of common weal and common loyalty.”
T.P.’s remarks were greeting with cheers.
The Most Honourable the Marquess of Lincolnshire, Lord Great Chamberlain, accepted the ornamental addition to the royal palace of Westminster on behalf of His Majesty the King.
My then-flatmate was getting married the next day and much pottering-about sorting things was required but the idiosyncratic beauty of this building captured my imagination — part Norman, part Moorish. I was almost insulted that I hadn’t come across it in any of my bookish explorations.
The historian Edmund Harris covers Chideock in his lusciously illustrated post on Recusancy in Dorset and the ‘other tradition’ of Catholic church-building.
■ Generations ago it was said that the three institutions no British politician dared offend were the trade unions, the Catholic Church, and the Brigade of Guards. In 2020s Britain there is only one caste which must always be obeyed: the ageing, moneyed homeowners.
Not only do these “NIMBYs” (“Not In My Back Yard”) jealously guard their freeholds, they do whatever they can to prevent more houses being built to guard the value of their prize possessions, vastly inflated by a combination of lacklustre housebuilding and irresponsible leap in migration. As old people vote and young people don’t — and when they do, vote badly — few sensible people can find a way out of this quagmire.
It might be worth looking to the Mediterranean, where Tal Alster tells us How Israel turned urban homeowners into YIMBYs.
■ It’s disappointingly rare to see intelligent outsiders give a considered impression of the current state of play in the Netherlands — that’s Mother Holland for us New Yorkers. Too often commentators in English are either rash cheerleaders for the hard right or bien-pensant liberals eager to castigate and chastise. Both rush to judgement.
What a rare diversion then to read Christopher Caldwell — the only thinking neo-con? — attempt to explore and explain the success of Geert Wilders in the recent Dutch elections.
■ One in ten of Lusitania’s inhabitants are now immigrants, and this discounts those — many from Brazil and other former parts of the once-world-spanning Portuguese empire — who have managed to acquire citizenship through various routes.
Ukrainian number-plates are now frequently be seen on the roads of Lisbon, as far in Europe as you can get from Big Bad Uncle Vlad.
Vasco Queirós asks: Who is Portugal for?
■ Speaking of world-spanning empires, in true andrewcusackdotcom fashion, we haven’t had enough of the Dutch — but we have had enough of their wicked wayward heresies.
Historian Charles H. Parker explores the legacies of Calvinism in the Dutch empire.
■ The City of New York itself is the best journalism school there is. Jimmy Breslin dropped out of LIU after two years, eventually taking up his pen. Pete Hamill left school at fifteen, apprenticed as a sheet metal worker, and joined the navy.
William Deresiewicz argues that a dose of working-class realism can save journalism from groupthink.
■ The New Yorker tells us how a Manchester barkeep found and saved a lost (ostensible) masterpiece of interwar British literature.
■ Our inestimable friend Dr Harshan Kumarasingham explores David Torrance’s history of the first Labour government on its hundredth anniversary.
■ And finally, one for nous les normandes (ok, ok, celto-normandes): Canada’s National Treasure David Warren briefly muses that the Norman infusion greatly refined Anglo-Saxon to give us the superior English tongue we speak today.
There’s a Dutch vibe to Cambridge that I rather like — but also a lingering Protestant Cromwellianism that I don’t. These two factors are not unconnected, and the highway that once was the North Sea is not so far away.
It is not a bad town. It’s like they took Oxford apart, put it back together again in not quite the same way, and added a lot of Regency infill. Oxford is more mediaeval, Georgian, and neo-mediaeval, whereas Cambridge is mediaeval, Tudor, and Regency.
The Cam is slower, quieter, and more peaceful than the Isis, which again gives it the quality of a Hollandic canal. I suspect the punting is better — or at least easier — here than at Oxford.
And of course it is rather more spacious than Oxford, which is hemmed in by geography in a way that Cambridge isn’t.
But it is also eerily quieter. A smart restaurant on a Thursday night was dead by half ten, and the staff refused our plaintive request for a second round of Tokay. (Protestantism.)
Lo, the Twenty-Ninth of February is upon us, which means another edition of the French newspaper La Bougie du sapeur. The printing of a newspaper is not often news itself, for most are dailies and some are weeklies. That rara avis, the fortnightly is — like the monthly — more common amongst magazines. But La Bougie du sapeur is unique in the world as it only comes out on this date, the once-every-four-years leap day. (Or, as the French foppishly put it, bissextile.)
This is the twelfth number of La Bougie, an amazingly indolent feat for a newspaper that began in 1980. Perhaps they take their inspiration from the venerable and beloved Académie française, which was given the task of drafting the dictionary of the French language back in the 1680s, and finally reached midway through the letter “E” in 1992.
The paper’s name translate as the Sapper’s Candle (for those outside of Angledom, “sapper” is another word for a soldier in the engineers). The soldier in question is Sapeur Camember, a stock character of French comic strips popularised by “Christophe” (Marie-Louis-Georges Colomb) in the pages of Le Petit Français illustré between 1890 and 1896.
Camember was born on 29 February and thus had only celebrated four birthdays by the time he enlisted in the army. Every leap year thus adds another candle on the sapeur’s birthday cake. The character seeped into the French mind, and there is even a statue of him in Lure.
The newspaper was born in 1980 as a bit of an in-joke between two friends, Jacques Debuisson and Christian Bailly, and Jean d’Indy (pictured above and below) is currently at the helm as editor and director. (His day job is working for the French body responsible for flat racing and steeplechases.)
Ever with an eye on expansion, La Bougie began to print a Sunday supplement in 2004, to appear even more rarely whenever 29 February falls on a Sunday. The next issue of the Dimanche supplement is expected in 2032. This year marks the advent of their sports supplement, La Bougie du sapeur – Sportif.
The tone of La Bougie is satirical, mocking, and politically incorrect — but not without a heart. For example, the profits from the 2008 edition were donated to a charity working amongst autistic adolescents.
Our French readers (we hope they are plural) will want to head out to the kiosk to purchase a copy today, lest they have to wait for the next edition. (more…)
In the collections of the New-York Historical Society there is a photograph deposited amidst the archives of the Seventh Regiment Gazette.
The scene is the Appleton Mess of the Seventh Regiment Armory on Park Avenue, where Company B of the “Silk-Stocking Regiment” was celebrating its one-hundred-and-thirty-fourth birthday.
It was May 1940. The other side of the Atlantic Ocean, British troops were evacuating from Norway, sparking the debate in the House of Commons that would lead to Winston Churchill being appointed Prime Minister.
But on the Upper East Side of Manhattan, all was still peaceful and calm.
With a packed calendar of events, the social life of B Company was as much of a whirl as any other in the Seventh Regiment.
“The members of the Second Company greeted the onrushing spring with a cocktail party and dance on the afternoon of February 11th,” the Gazette reported. “The time-stained rafters of the Veterans Room echoed back as melodious a medley of sweet, swing, and hot as these old ears have heard in many a year.”
“The spaghetti lovers are still meeting down at Tosca’s on Tuesdays,” the Gazette continued. “All members who drop in on this crowd are warned beforehand to eat fast and keep an eye on their plate. A darting fork awaits all unwatched portions and men have been known to sit down to a full dish of Italian cable only to arise half famished.”
Company B’s Entertainment Committee also found time for a Supper Dance at the end of March that year: “When Charley Botts heard ‘In The Mood’ he gathered up the jitterbugs and sent them scampering around in a breathless Big Apple, much to the delight of the wiser and unbruised amongst us who resisted his wiles.”
“Several of the more energetic members closed the evening by visiting that well-known late spot, the Kit-Kat Club, and are now offering mortgages on the family homestead to settle future bills.”
All the faces, the mode of dress — it’s a picture of a vanished New York, a year and a half before the attack on Pearl Harbor. (Incidentally, December 7, 1941 was also the day Col. Cusack — aka ‘Uncle Matt’ — was baptised.)
On another level, it looks just like the Seventh Regiment Mess I knew from my childhood, when it was in the firm but welcoming hands of Linda MacGregor.
The building has been restored physically but since the military was kicked out it is a beautiful but lifeless hulk, preserved as if in formaldehyde and reduced to being a mere “venue”.
Sic transit gloria mundi.
Here in Southwark I nipped in to Evensong in the late twilight of a winter’s day. They do it very beautifully with a full choir at the Protestant cathedral — old Southwark Priory or St Mary Overie to us Catholics, St Saviour’s to our separated brethren.
As it is the penitential season, the Lenten Array is up at Southwark Cathedral, theirs apparently designed by Sir Ninian Comper.
What is a Lenten Array? Sed Angli writes on the Lenten Array in general while Dr Allan Barton has written on Southwark Cathedral’s Lenten Array specifically.
And of course our friend the Rev Fr John Osman has one of the most beautiful Lenten Arrays at his extraordinary Catholic parish of St Birinus — a stunning church previously mentioned.
(The photograph of our local array is from Fr Lawrence Lew O.P.)
JA JA JA, ons onthou: die Amerikaanse Episcopaalse biskop Phillips Brooks was nie ’n bolwerk van ortodoksie nie. Hy het die ryk van gevoel bo die waarheid verhef, maar nie noodwendig teen die waarheid nie — hulle het in die negentiende eeu nog ’n bietjie politesse gehad.
Soos R.R. Reno geskryf het: Brooks “het geen moeilike teologiese kwessies gedink of enige nuwe intellektuele grond gebreek nie.” In Nieu-Engeland was hy “heeltemal afgeleide en uiters invloedryk”.
Reg genoeg… en vandag leef ons in Brooks se nawêreld. Maar hy het ’n klein geskenk aan die wêreld gegee, en sy klein geskenkie was ’n lofsang — ’n Kersfees liedtjie.
Die wysie wat in Amerika gebruik word, is sakkarien. Maar die Britse een — “Forest Green” — is melodieus en goed. (’n Video hieronder, en Engels, gesing deur die koor van St George’s in Windsor-kasteel.)
Toe God se Seun gebore is,
was daar geen plek vir Hom;
so word ’n donker dierestal
’n helder heiligdom.
O Koningskind daar in die krip,
U kom hier by ons woon.
Net U versoen ons sondeskuld
en maak ons lewe skoon.
THE KEEN STUDENT of town and municipal seals, when perusing the emblems of some of the towns on Long Island, will be intrigued by the curious presence of seemingly inexplicable letters on those of Brookhaven and Huntingdon. Their origin is an intriguing and somewhat surprising one.
The great state of New York takes its name from our late and much-lamented monarch, James II (viz. here and here), who was given the province while still Duke of York during the reign of his brother Charles II. This was a little bit cheeky as the land wasn’t actually Charles’s and was happily occupied by our Dutch forefathers of old, who had every intention of keeping it within the merry garth of their seabound empire.
Nonetheless, a few English ships were sent over and the mercantile population persuaded old peg-legged Peter Stuyvesant not to lose his other leg as they generally thought the prospect of New Amsterdam being shelled and burnt to the ground was not an altogether welcome one and what difference does it make which side of the North Sea one is governed from.
The Province of New York was a proprietary colony of the Duke of York, who promulgated an initial set of regulations known as “the Duke’s Laws” to aid the good administration of the colony. Somewhat eccentrically, rather than proceeding by rank of importance, the Duke’s Laws were arranged alphabetically — e.g. under headings Absence, Actions, Administration, etc.
Under ‘H’ came ‘Horses and Mares’ which provided:
That every Town within this Government, shall have a marking Iron or flesh Brand for themselves in particular to distinguish the Horses of one Town from another, besides which, every Owner is to have, and Mark his Horse or Horses with his owne Particular flesh Brand having some distinguishing mark, that one mans Horses may be known from anothers.
An appendix to the Laws provided that these town horse brands would take letter form, starting on the far end of Long Island with ‘A’ for East Hampton and ‘B’ for Southampton and moving all the way along to ‘Q’ for ‘Utricht’ (New Utrecht) and ‘R’ for Gravesend in Brooklyn on the western end of the island.
Caroline Church, Setauket —
1729, named after Queen Caroline, the wife of George II
‘Seatalcott’, or Setauket as we now call it, was assigned the letter ‘D’. Setauket and Brookhaven were basically interchangeable names for the same place, and Brookhaven eventually won out as the town’s official cognomen.
The town seal was authorised by Governor Thomas Dongan — later the 2nd Earl of Limerick — who in 1686 ordained that “the said trustees of the freeholders and commonality of the Town of Brookhaven do, and may have, and use a common Seale”.
It features the town’s horse brand letter alongside a lance and harpoons signifying the whaling trade which was so prominent in this and many English towns here and further up the Atlantic coast.
Huntington, meanwhile, was assigned the letter ‘E’ for its horse brand and as the fifth town also included five dots alongside the letters HVN representing, (with ‘V’ for ‘U’ in the Latin manner) the town’s name. The rope surrounding the town seal represents the shipping that moved the agricultural products grown in the interior to the shore and on towards their final markets.
The town must have been one in which unsound thinking was rife, as it is believed to be named after the genocidal king-murderer Oliver Cromwell’s home town. Worse, much later the town adopted a coat of arms that was modified from Cromwell’s.
Luckily, wiser counsels have prevailed in more recent times. For the town’s 350th anniversary in 2003 it was decided to stop using the Cromwellian arms and rely solely on the town’s seal.
Huntington’s motto — THE TOWN ENDURES — has an almost cryptic quality. The town church — “Old First” — was founded in 1658 and when its second building was finished in 1715 it acquired a bell from England. Sometime during the Revolution, it was carried away by loyal troops and ended up on HMS Swan, where Huntington native Zebulon Platt noticed it while being held prisoner.
If legend is to be believed, one Nathaniel Williams arranged the return of the bell and had it recast in 1793, including the phrase ‘THE TOWN ENDURES’. This may reflect the 1773 town resolution which provided money for the purchase of a parsonage for the church “to lye forever for that purpose as long as the town endures”.