The recent election (such as it was) in Zimbabwe brought to mind the Nando’s television advert of Robert Mugabe and his old mates.

Gaddafi, Mao, Saddam, and Idi Amin all make an appearance, and even (somewhat incongruously) die ou krokodil, P.W. Botha.

A reminder that Russell Kirk once described the piano nobile of the Old State House in Hartford, Connecticut, as:

“perhaps the most finely proportioned rooms in all America”

Given the elegant restraint and classical detail of the old Senate chamber, it’s hard to disagree.

Pursuant to my post of John Bartlestone’s photographs of City Hall, I came across this photo the other day and it reminded me that this is still one of my favourite rooms in all New York. There’s something about that particular shade of green. I previously wrote about this suite of three rooms in 2006.

The above photo is by Ramin Talaie while below, in 2010, Mayor Bloomberg inspects a city flag being sent to a New Yorker serving in Afghanistan as reported by the Daily News.

The late & much-missed New York Sun also reported on the portraits hanging in City Hall in 2008.

The interior of Eton’s chapel has changed markedly over the past hundred or so years, mostly so thanks to the rediscovery of the priceless medieval wall paintings which had been hidden for centuries by the choir stalls. Painted in the Flemish style in 1479–87, they were whitewashed over by the college barber in 1560 on orders from the wicked new Protestant authorities who had taken over this Catholic school.

The wall paintings were rediscovered in 1847 but it wasn’t until 1923 that the stall canopies in the photograph above were permanently removed, allowing the medieval paintings to be cleaned, restored, and permanently viewed.

In addition to this, in the 1880s (after this photograph was taken) the Great Organ was installed in the broad entrance arch between the narthex and the body of the chapel. The Victorians very handsomely painted it in the medieval fashion and it fits in rather well.

More recently, most of the stained glass was blown out by a German bomb landing in the adjacent Upper School in 1940. A decade later, deathwatch beetles claimed the wooden roof, which was then replaced by fan vaulting (of stone-fronted concrete) in line with the original intentions of Eton’s holy founder, King Henry VI.

What the Practice of ‘Pricking the Lites’ Tells Us About Territorial Division in Anglo-Saxon England

As cheekily noted by Ned Donovan on his Twitter feed, HM the Q has recently engaged in the old practice of ‘pricking the lites’ to appoint High Sheriffs for the three ceremonial counties of Lancashire, Greater Manchester, and Merseyside. But in order to know what ‘pricking the lites’ is it’s worth looking at the territorial division of Anglo-Saxon England and the old offices that emerged therefrom.

In those days, the land was divided into hides, a hide being the amount of land on which a family lived and supported itself. Ten hides together were known as a tithing, and ten tithings were collectively a hundred.

As hundreds go, the best-known today are the Chiltern Hundreds because of the parliamentary role they play. Members of Parliament are not allowed to resign, but nor are they allowed to hold an office of profit under the Crown.

So whenever an MP wants to resign, he or she is appointed Crown Steward and Bailiff of the three Chiltern Hundreds of Stoke, Desborough, and Burnham and, having accepted such office, is deemed to have disqualified themselves from continuing to sit in the House of Commons. (The Manor of Northstead is also used alternately with the Chiltern Hundreds.)

Anyhow, each hundred was supervised by a constable, and groups of hundreds were collected into shires. Each shire was overseen by an earl, of whom the French equivalent is a count, so after the Normans turned up shires became more often known as counties. These now divvy up territory across the English-speaking world, from Kenya to California.

Each level of these Anglo-Saxon divisions had a relevant court for decision-making, and the officer who administered or enforced these decisions was known as the reeve. Amongst these titles – town-reeve and reeve of the manor, etc. – there was the shire-reeve, or sheriff as it was contracted.

In the 1970s, for reasons unknown to me, all the sheriffs in England & Wales were elevated to high shrievalties.

Every February or March, a parchment is prepared for the Queen in her capacity as Duke of Lancaster with three names of candidates for high sheriff in the three current ceremonial counties covered by the old duchy. This parchment is known as the lites (a cognate of ‘list’, I believe).

At a meeting of the Privy Council, the Queen takes a silver bodkin and pricks the parchment next to the name of the candidate she chooses to be high sheriff. In practice, this is always the first name on the list, and customarily the following names move up a notch and serve in later years.

A similar process takes place for the Duke of Cornwall to appoint their high sherriff but without the aid of the Privy Council.

Macmillan’s Attitude to Class and Race in the Late Empire

Left: Harold Macmillan touring Africa in 1960; Right: Sir Ahmadu Bello, the Sarduana of Sokoto.

Staying over with some Kenyan friends in Wiltshire the other day, the old observation came up that, after the war, the officers settled in Kenya while the sergeants went to Rhodesia. While some of the leading lights of UDI had, in fact, been officers — Ian Smith an obvious case — it’s interesting to note that most of them came from humble backgrounds.

“Smithie” was born well-off in Rhodesia but his father had been a butcher’s son who went out to Africa and made good. Clifford Dupont, the first president of the Rhodesian republic, was born in London of poor East End Huguenot stock. His father had done well in the rag trade and got his son to Cambridge; Clifford became an artillery officer before emigrating to Africa.

Rhodesian Prime Minister Roy Welensky’s father was a Russian Jewish horse smuggler who married a ninth-generation Afrikaner. Roy was the couple’s thirteenth son, and left school at 14 to work on the railways and found success through the trade union movement.

Harold Macmillan, meanwhile, was a Guards officer and Old Etonian who had studied at Oxford. His famous ‘Wind of Change’ speech was just part of the British prime minister’s grand tour of Africa. “Supermac” started in Nigeria, where — unlike in some other parts of the continent — much of the native aristocracy had been preserved and coopted throughout colonial rule.

Proving Orwell’s observation that the English are the most class-ridden nation on earth, the PM felt comfortable amongst black African patricians in a way he couldn’t amongst members of the ruling white African elite from humble backgrounds.

In one of the ICBH’s oral history group discussions, Perry Worsthorne relates:

Somebody at some point has to mention, in any discussion of British politics, snobbery and class. I remember travelling and reporting on the ‘Wind of Change’ speech. We went to stay on the last bit, just before going on to Salisbury, was it the Sardauna of Sokoto who was he the premier of the Northern Nigerian region. Macmillan talked to us after he had seen him, he was flying on to Welensky the next day.

Macmillan used to have a sundowner with the correspondents covering his trip, and over whisky and sodas he told us how much more at home he felt with the Sardauna, who reminded him of the Duke of Argyll – ‘a kind of black highland chieftain’ – than he would feel in Salisbury as the guest of a former railwayman, Sir Roy Welensky. Snobbery, pure snobbery.

The British metropole was always ready to make racial distinctions and discriminate accordingly, yet it still tended to look upon outright racism with an air of disdain, as something slightly unsporting (or worse: foreign).

In the imperial periphery, racial attitudes amongst whites often differed greatly from Britain. This was most obviously so in South Africa, which for all intents and purposes embarked upon a radical revolutionary rejection of the British model of governance from 1948 with the implementation of apartheid. Rhodesia, needless to say, was another exception, if arguably more mild. “How different it would all have been,” Worsthorne somewhat patronisingly wondered, “if Ian Smith had been a gentleman.”

Meanwhile Nigeria’s Sir Ahmadu Bello — the Sarduana of Sokoto — was a statesman of cautious action, and his refusal to become Nigerian prime minister upon independence (he preferred sticking to his existing role as the powerful premier of the northern province) sadly deprived the federal state of the wisdom and experience which may have prevented its later descent into disarray. He was murdered by Major Nzeogwu during the 1966 coup d’état.

Differences of race or class aside, it’s telling that both the white low-born railwayman Welensky and the black patrician Bello ended up as knights of the realm.

Sir Roy Welensky with Harold Macmillan

Crossing the Thames as I walked home from the pub last night, I looked down the river and saw the sturdy dome of St Paul’s standing out, illuminated in the winter night.

As it happens, it was exactly seventy-seven years ago last night — on the 29th of December 1940 — that the iconic photograph often called ‘St Paul’s Survives’ (above) was captured.

Hopeful as that sight must have been, it was a pretty grim time. But four and a half years later (below) the cathedral was illuminated not by the lights of enemy firebombs but by great searchlights forming a massive ‘V’ in the sky: it was 8 May 1945 — Victory in Europe.

Another year gone. We’ve survived.

Helen Andrews on Zimbabwe

Robert Mugabe leading Ian Smith into the Zimbabwean parliament, 1980.

It is rare to find journalism as informed and insightful as this piece on Zimbabwe by Helen Andrews in National Review. In the aftermath of Mugabe’s clumsy downfall and his succession by a powerful apparatchik and experienced political operator, Helen explores the Rhodesian crisis and attempts to answer the question: could it really have gone any other way?

Any idea that liberal reform on the part of the Rhodesian state could have saved it is a non-starter, because the anti-imperialists were implacable and — I do not know a gentle way to put this — they were quite happy to lie. I do not mean just the professional liars of the Soviet propaganda shop, or the pundits who lazily referred to the Rhodesian system as “apartheid,” or the guerrillas who told Shona villagers that ZANU had successfully dynamited the Kariba Dam, or the foreign journalist who scattered candy around a garbage bin and captioned the resulting photo “Starving children searching for food in Salisbury.” Ralph Bunche had a doctorate from Harvard, a Nobel Peace Prize, and a co-author credit on the Universal Declaration of Human Rights, and when it came to imperialism, he lied.

“Colonial authorities like the noted Englishman, Lord Lugard, doubt that the African race, whether in Africa or America, can develop capability for self-government.” When I first read that in Bunche’s 1936 pamphlet “A World View of Race,” I felt a lurking suspicion that I had read a sentence of Lord Lugard’s beginning with the very words “The method of their progress toward self-government lies…” I had. His next words are “along the same path as that of Europeans.” Even making allowances for CTRL-F’s not having been invented yet, Bunche’s remark is plain slander. With Harvard Ph.D.s pulling stunts like this, it is hard to summon much indignation at a garden-variety diplomatic lie like the U.N. claim, by which sanctions were justified, that Rhodesia had committed an act of aggression by maintaining its status quo.

She does go a little easy on Smith, who despite his many strengths was just as willing to play fast and easy with the truth. (He was a politician, after all.) But then as we are so used to hearing that Smithie was a little Hitler it’s a welcome restorative.

When I moved to South Africa, I did so at least in part because I wanted to see it before it became “the next Zimbabwe”. Having come back, I was impressed by the relative robustness of many of its institutions, and the certain robustness of many of its people. Rather than a Zimbabwe-style collapse, South Africa seemed destined for a slow, ungainly descent into perpetual malaise.

The recent ascent of Cyril Ramaphosa – who on behalf of the ANC ran rings round the NP negotiators during the transition talks of the early ’90s – gives hope to many. I’m too cautious to be optimistic, but Mr Ramaphosa is clever, intelligent, skilful, and more likelier to keep the unions on side.

Stereotypes of Nazi generals in British war films

“The reason for my uniform being a slightly different colour to yours
is never explained.”

The British are, of course, obsessed with the Nazis. There are many reasons for this, amongst which we must include the large number of really quite good war films produced during the 1950s and 1960s.

For some indiscernible reason these movies have the virtue of being eternally rewatchable and many a cloudy Saturday afternoon has been occupied by Sink the Bismarck!, Where Eagles Dare, or The Colditz Story.

The genre also deploys with a remarkable regularity a number of familiar tropes of ze Germans which the above clip from a British comedy sketch programme (introduced to me by the indomitable Jack Smith) aptly mocks.

Stumbling across the newspaper clipping above was a sad reminder of a lost world. Taken from the front page of the Manchester Guardian of Monday 29 September 1952, it describes the Egyptian leader General Naguib attending a Yom Kippur service just two months after the coup that overthrew the country’s monarchy. None of the Jewish places of worship in Cairo are known as the “Great Synagogue”, so I presume this must have been the Adly Street Synagogue (Sha’ar Hashamayim).

The Chief Rabbi of the Sephardic community in Egypt at the time would have been Senator Rabbi Chaim Nahum Effendi. A creature of the Ottoman world, Rabbi Nahum was born in Smyrna in Anatolia, went to yeshiva in Tiberias on the Sea of Galilee, and finished his secondary education in a French lycée.

After earning a degree in Islamic law in Constantinople, he started his rabbinic studies in Paris while also studying at the Sorbonne’s School of Oriental Languages. Returning to Anatolia he was appointed the Hakham Bashi, or Chief Rabbi, of the Ottoman empire in 1908 and honoured with the title of effendi.

After that empire collapsed, Rabbi Nahum was invited to take up the helm of the Sephardic community in Egypt in 1923. A natural linguist and a gifted scholar, the chief rabbi’s talents were apparent to all, and he was appointed to the Egyptian senate as well as being a founding member of the Royal Academy of the Arabic Language created to standardise Egyptian Arabic.

Rabbi Nahum (front row, third from left) at the foundation of Egypt’s Arabic academy.

The foundation of the State of Israel was a godsend for many Jews but spelled the beginning of the end for Egypt’s community. Zionists were a distinct minority among Egyptian Jews — many of whom were part of Egypt’s (primarily anti-British) nationalist movement — but Israel’s defeat of the Arab League in the 1948 War embarrassed Egypt’s ruling classes and stoked anti-semitism amongst the populace. Violent attacks against Jewish businesses were tolerated by the authorities and went uninvestigated by the police. Unfounded allegations of both Zionism and treason were rife, and discriminatory employment laws were introduced.

The 1952 Revolution did not improve things, as the tolerant but decaying monarchy was replaced by a vigorous but nationalist and pan-Arabist military government. Faced with such continuing depredations, the overwhelming majority of Jewish Egyptians fled — to Israel, Europe, and the United States. Rabbi Nahum eventually died in 1960, by then something of a broken man I imagine.

Cairo was once a thriving cosmopolitan city of Muslims, Christians, and Jews — and many communities of outside origin. The Greeks, who first arrived twenty-seven centuries ago and in 1940 still numbered tens of thousands, have all left. The futurist Marinetti was the most famous of the Italian Egyptians, whose numbers in the 1930s were numerous enough to warrant several branches of the Fascist party. Since the 1952 Revolution they are all gone too. Some Armenians remain, but not many. As for Jews, there are six left in Egypt.

Sic transit gloria mundi.

Poet, Polemicist, Polymath, and Priest

Relic and emblem of a storied past.
Thrice happy they whose lines in thee are cast
Thy records summon all in thy embrace
To emulate the virtues of the race.
Thy stately halls of courtly manners tell,
Where only Ladies Bountiful should dwell.
Thy solid frame is pledge of future glory,
And links our doings with our country’s story.

Work on the Drostdy (magistrate’s house) at Tulbagh in the Western Cape began late in 1804 but progressed rather slowly and expensively. This is probably because — after construction commenced — the plans by Bletterman, the landdrost at Stellenbosch, were torn up by the architect Louis Michel Thibault and replaced by his own design.

This meant part of the work already completed had to be demolished and re-done, which Bletterman only went along with assuming Thibault’s plan had the approval of the Batavian Republic’s governor of the Cape, Jan Willem Janssens. As it happens, they did not, and when Bletterman found out he was none too pleased.

Francis Masey, a partner at Herbert Baker’s firm, noted that “[w]hilst it proved to be the last building begun upon Dutch soil in South Africa, it was destined to be the first completed upon the passing of the Cape into the hands of the British.”

This brief ode was written by Frederick Charles Kolbe (right) in 1909. The great-great-grandson of the magistrate (or landdrost) at Stellenbosch, F.C. Kolbe was the son of a Congregational missionary in Paarl who studied law at the Inner Temple in London. There, in 1876, he was received into the Catholic Church and continued on to study in Rome where he was ordained a priest in 1882.

While his poetry was tended towards the middling, Kolbe was a distinctive polymath. In addition to catechetical writings, he published a number of works on Shakespeare, and lectured on Socrates not long after his 1882 return to the Cape. Eventually he was appointed Reader in Aesthetics at the University of Cape Town.

Kolbe also wrote a Catholic criticism of the 1926 book Holism and Evolution by the statesman General Smuts. (Not many people realise that the word ‘holistic’ was donated to the English language by a son of Stellenbosch.) The general and the priest had corresponded as early as 1915 when Smuts was Minister for Defence, and Smuts was so taken with Kolbe’s critique that he wrote a foreword to a later edition of it.

In a 1935 letter to “Dr. Kolbe”, the General wrote:

Although I am not acquainted with the Catholic prayers, I am deeply versed in the Psalms of the Old Testament, which seem to me the greatest and noblest outpourings of the human spirit ever put into language. The inexpressible finds expression there. Emotions almost too deep for utterance somehow find an outlet there. …

I also agree with you as to the nobility of the language which Catholic Christianity has evolved. What could match the beauty of De Imitatione Christi? Somehow it breathes a spirit which is beyond all language. It is curious how in such a case the human soul sets on fire its own earthly vesture, and language becomes a blaze of glory…

From Smuts’ letters to others we know that he actually read more works by Kolbe, in particular his Up the slopes of Mount Sion: or, A progress from Puritanism to Catholicism.

Disputation and discussion were also among Kolbe’s talents. He used the pages of South Africa’s Catholic Magazine to counter the accusations of what he called a “narrow clique” of anti-Romish ministers of the Dutch Reformed Church.

One of Kolbe’s most lasting legacies was the effect of his writing on the young Afrikaner philosopher Marthinus Versfeld (1909–1995) who converted to Catholicism under the late Monsignor’s influence. (Kolbe had died in 1936.) Versfeld’s familiarity with Augustine and Aquinas helped him launch intellectual attacks against the so-called “Christian-national” thinking behind apartheid, particularly in his first book Oor gode en afgode (“Of Gods and Idols”, 1948 & republished 2010).

Kolbe, according to Versfeld, “lived out a certain apprehension of the presence of the universal in the particular, just as Newman lived out his vision of the Catholic Church in the material of English circumstances.”

An Afrikaner Newman, perhaps? Worth reading more about.

One of the great triumphs of Magna Carta was the assertion of the right of those accused of crimes to trial by one’s peers, or per legale judicium parium suorum if you insist on the Latin. For commoners this meant trial by other commoners, but for peers it meant just that: trial by other peers of the realm. It was a bit murkier for peeresses, though after the conviction for witchcraft of Eleanor, Duchess of Gloucester, (sentence: banishment to the Isle of Man) statute was passed including them in the judicial privilege of peerage.

Thanks to the ’15 and the ’45, there were a number of trials in the House of Lords in the eighteenth century, including that of the Catholic martyr Earl of Derwentwater. The whole of the nineteenth century, however, witnessed but one: the 7th Earl of Cardigan was acquitted of duelling by a jury of 120 peers. In 1901 the 2nd Earl Russell was found guilty of bigamy, and the last ever trial came in 1935 when the 26th Baron de Clifford was found not guilty of manslaughter.

Cardigan’s trial was in the temporary Lords chamber while the last two trials took place in the Royal Gallery of the Palace of Westminster (central to current debates over renovation plans). For Cardigan’s trial the Lord Chief Justice of the Queen’s Bench was appointed Lord High Steward for the occasion, while for the final two the Lord Chancellor was likewise appointed to the role in order to be presiding judge with the Attorney General prosecuting the case.

The Royal Gallery is primarily used for the State Opening of Parliament (as above) and for the occasional address to both Houses of Parliament when important figures are invited to do so. De Gaulle was famously invited to speak here to both houses rather than in the larger Westminster Hall. It is thought that this is because the walls of the Royal Gallery feature two large murals, one of the Battle of Trafalgar, the other of the Battle of Waterloo – both British victories over the French.

The most famous trial in the Royal Gallery was fictional. In the 1949 Ealing comedy “Kind Hearts and Coronets”, the 10th Duke of Chalfont is tried for the one murder in the film’s plotline he didn’t actually commit. Ealing Studios did a mock-up of the chamber for the occasion (above), which compares reasonably accurately with the Royal Gallery as set up for the Baron de Clifford’s trial in 1936 (below).

The Lords, however, were uncomfortable with exercising this judicial function and passed a bill to abolish the privilege in 1937. The Commons, facing more serious tasks, declined to give it any attention. In 1948, the Criminal Justice Act abolished trials of peers in the House of Lords, along with penal servitude, hard labour, and whipping.

The twenty-second letter of the alphabet became a powerful symbol during the Second World War — ‘V’ for Victory, and all that. Even the Morse code for the letter — dot-dot-dot-dash — became useful, echoing as it did the famous four-note motif from Beethoven’s fifth symphony.

In South Africa, however, the two main languages were English and Afrikaans, and the Afrikaans word for victory, oorwinning, does not start with a ‘V’. Instead the letter was used to stand for vryheid, or freedom, just as in Belgium it stood for both victoire for the Walloons and vrijheid for the Flemings.

When the Second World War started Prime Minister Hertzog announced a policy of neutrality, only to be toppled as premier by his deputy and ally Smuts who brought South Africa into the war a few days later than Canada, Australia, and New Zealand.

This wartime propaganda poster, produced by the Staatsdrukker in Pretoria, urges South Africans to ‘keep the iron hot for freedom’. The country’s industrial production made a valuable contribution to the war effort in addition to the volunteer manpower of the Union Defence Force and, perhaps most importantly, the gold that came from the Witwatersrand mines.

South Africa’s transition from a monarchy to a republic coincided with a change of currency. Out went the old South African pound (with its shillings and pence) and in came the decimilised rand.

Luckily the republican government had the good taste to commission George Kruger Gray, responsible for the country’s most beautiful coinage, to design the new coins. HM the Queen was replaced by old Jan van Riebeeck, and the country’s arms were deprived of their crown.

Champagne can provoke a great deal of philosophy. I’ve often said that champagne and the Catholic faith are the only two universally applicable things in the universe – appropriate for births, deaths, good times and bad, early, late, or a mundane afternoon.

Iain Martin has a brief but excellent piece ‘On Wine’ discussing Churchill’s drinking habits, and wondering whether he really was permanently pissed during the war (unlike the teetotal vegetarian Mr Hitler).

Interesting in itself, but Mr Martin relates a trip to Épernay where he blind tastes a Margaux from 1873. By that time it should have tasted like vinegar but instead it was “beautifully balances and perfectly drinkable”.

Looked after carefully, not shaken about or disturbed unnecessarily, it evolved and endured. It retained its essential characteristics, giving pleasure to later generations. If only we nurtured political institutions and good government according to the same principle.

Nothing could better show the essence of a sound worldview.

The old National Library on Calle Mexico in Buenos Aires

The intellectual Alberto Manguel grew up amidst the library of the Argentine diplomatic compound in Tel Aviv, as he recalls in this piece for Britain’s strangely underappreciated Literary Review.

At the end of 2015 Señor Manguel was appointed director of Argentina’s National Library, taking up his position in the middle of last year. In this role he steps into the shoes of Jorge Luis Borges who led the institution from 1955 until he resigned upon Peron’s return in 1973.

Returning to the ‘Queen of the Plata’ after a long career in exile was not a simple affair. As Señor Manguel writes:

The city, of course, was different. I found it difficult to look at the actual streets and houses without remembering the ghosts of what had been there before, or what I imagined had been there before. Buenos Aires felt now like one of those places seen in dreams, the geography of which you think you know but which keeps changing or drifting away as you try to make your way through it.

The National Library I had known during my adolescence was a different one. It stood on Mexico Street in the colonial neighbourhood of Montserrat. The building was an elegant 19th-century palazzo originally built to house the state lottery but almost immediately converted into a library. Borges had kept his office there when he was appointed director in 1955, when ‘God’s irony’, he said, had granted him in a single stroke ‘the books and the night’. Borges was the fourth blind director of the library, a curse I’m intent on avoiding. It was to this building, during the 1960s, that I used to go to meet Borges after school and walk him back to his flat, where I would read stories by Kipling, Henry James and Robert Louis Stevenson to him. After he became blind, Borges decided not to write anything except verse, which he could compose in his head and then dictate. But some ten years later he went back on his resolution and decided to try his hand again at a few new stories. Before starting, Borges wanted to study how the great masters had gone about writing their own. The result was two of his best collections, Doctor Brodie’s Report and The Book of Sand.

The library I discovered half a century later was lodged in a gigantic tower designed in the brutalist style of the 1960s. Borges, passing his hands over the architect’s model, dismissed it as ‘a hideous sewing machine’. The building is supposed to represent a book lying on a tall cement table, but people call it the UFO, an alien thing landed among pretty gardens and blue jacaranda trees. […]

In my adolescence, I tried to write, no doubt under the influence of Borges, a few fantastical stories, now fortunately lost. One of them was about an unbearable know-it-all to whom the devil, in exchange for I don’t recall what, entrusted the overseeing of the world. Suddenly, this oaf realises that he has to deal with everything at once, from the rising of the sun to the turning of every page of every book, and the falling of every leaf, and the coursing of every drop of blood in every vein, and he is crushed by the inconceivable immensity of the task.

I had wanted to try to put my ideas about reading and libraries into action ever since I received my first books. Now I have got my wish with a vengeance. I have never in my life done anything as demanding and overwhelming as directing the National Library of Argentina. I have become, from one day to the next, an accountant, technician, lawyer, architect, electrician, psychologist, diplomat, sociologist, specialist on union politics, technocrat, cultural programmer and, of course, librarian. I hope that, time and Argentinian politics permitting, I’ll be able to start a few things that may allow us to have, in the not too distant future, a national library we can be proud of.

This historical film about the early days of the Cape was probably produced for the van Riebeeck tercentenary festival of 1952.

The clip here covers the days of Governor Willem Adriaan van der Stel, depicting them as carefree days of harmony and merriment in South Africa – in contrast to Europe where war and persecution reigned. Doubtless this was how the apartheid government sought to portray South Africa at the time: a haven of peace and prosperity in contrast to a Europe still recovering from war, with half the continent now under the Soviet boot.

Simplistic propaganda of course, but the film conveys a certain charm regardless, as does almost every depiction of the Cape before the British. The sight of geese flocking before an old Cape Dutch homestead (circa 7:00) never fails to touch the Cusackian heart…

Returning home to India from the second London Round Table Conference in 1931, the genial Indian nationalist leader Mr Gandhi decided to call in on that most ancient, venerable, and eternal city of Rome. He accepted the invitation to stay as a guest of the aviation pioneer (and later fascist senator) General Maurizio Moris and, purporting to be of something of a spiritual aficianado, hoped to be granted an audience with the Holy Father. Gandhi had by then adopted an unwavering costume of sandals and homespun which was thought unsuitable for the papal court, and Pius XI — in many ways a wise man — decided against the Indian’s request. Mussolini, however, was less fussy and granted the “Mahatma” a private audience on the very evening of his arrival.

In some ways they were similar: Gandhi and Mussolini shared a gift for the theatrical as well as an unshakeable self-belief. Mussolini fancied himself the leader of his people, despite the King above him, and Gandhi thought likewise of himself despite the entire apparatus of the Raj standing apart from and above him. Gandhi, however, never stooped to the level of the buffoon, unlike his Italian friend, and (even after independence) wisely abjured himself from ever taking on the actual responsibilities of government and state office. (more…)

At Chartwell one weekend in Churchill’s presence, Sir John Rodgers made the mistake of referring to Clement Attlee, wartime deputy prime minister and postwar prime minister, as “silly old Attlee”. Churchill was having none of it.

“Mr Attlee is a great patriot,” he said. “Don’t you dare call him ‘silly old Attlee’ at Chartwell or you won’t be invited again.”

The leader of the Conservative party and the leader of the Labour party were obvious political rivals but developed a great bond by their shared experience in the cross-party War Cabinet.

En route to a dinner party the other night I happened to run into Attlee’s greatgrandson (an old friend) on the upper deck of the 414 bus. It reminded me of this photo (above) printed in the Observer. When the great bulldog went on to his eternal reward in 1965, the incredibly frail Earl Attlee insisted on attending the state funeral in St Paul’s Cathedral. Though younger, he only managed to outlive him by two years.

Attlee had been raised to the House of Lords (where he spoke against Britain joining the EEC) in 1956 and, rather appropriately, he chose as the motto for his coat of arms Labor vincit omnia — Labour conquers all.

Via delle Quattro Fontane, Rome

Next month I’m off to Rome and the last time I was there I happened to walk past the old Scots College on the via delle Quattro Fontane. The Pontifical Scots College is probably the oldest Scottish institution abroad and certainly one of the most important, both historically and today. As Scotland’s primary seminary it has — almost literally — helped form the soul of the country, particularly during times of widespread persecution back in the mother country.

The church of Sant’Andrea degli Scozzesi (St Andrew of the Scots) was built in 1592 during the reign of Clement VIII, and early in the seventeenth century the church and neighbouring hospice were given over to the Scots College which had been founded a few years before. The seminary building itself was (I believe) built much later, in the nineteenth century after the college briefly ceased instruction due to the tumult of the French Revolution.

Sadly the building was not very well maintained and by 1960 it was falling apart. It was decided to sell the old college buildings in the Via delle Quattro Fontane and move to a larger site out the middle of nowhere in the Via Cassia. The move was made in 1964, and the Scots College has remained there ever since, while the old college housed a bank for many years and more recently a lawfirm.

(more…)

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• L G Clark on Equality
• B T Van Nostrand on Rough Notes of Kinderhook
• Ned Hancock on The Spott Estate, Dunbar

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