Prague is traditionally known as “Praga Caput Regni” — the capital of the realm, or indeed the head of the Bohemian body. Changing times and a different form of government mean that the arms of this ancient city now bear the motto “Praga Caput Rei Publicae” instead. The photographer Libor Sváček was born in the be-castled city of Krummau, and has a splendid book of photographs of that town, but here are a number of his photographs of Prague, which splendidly exhibit the Old Town at its most beautiful. (more…)
Quiringh Gerritsz. van Brekelenkam, Family Group at Dinner Table
Oil on canvas, 22 5/8 x 28 3/8 in.
1658-1660, J. Paul Getty Trust
Note: Previously attributed to Cornelis de Man.
THE SENATE OF South Africa has had something of a tempestuous history, a fact which is attested to by the vicissitudes of the Senate chamber in the House of Parliament in Cape Town. The Senate formed the upper house of South Africa’s parliament from the unification of the country in 1910, in accordance with the proposals agreed to by Briton & Boer at the National Convention of 1908. Its members were originally selected by an electoral college consisting of the Provincial Councils of the Cape, the Transvaal, the Orange Free State, and Natal, and the members of the House of Assembly (the parliament’s lower house), along with a certain number of appointments by the Governor-General on the advice of the Prime Minister. When South Africa abolished its monarchy, the State President took over the appointing role held until then by the Governor-General, but the Senate remained largely intact until 1981, when it was abolished in advance of the foolish introduction of the 1984 constitution with its racial tricameralism.
The Senate made a brief comeback in 1994, when the interim constitution provided for a Senate composed of ninety members, ten elected by each of the provincial legislatures of the new provinces. The 1994 Senate, however, was replaced by the “National Council of Provinces” in the final 1997 constitution. (more…)
When I was a youngin’, one of the joys of Sundays was the trip to the bakery and the newsagent after church. A vast array of newspapers was on hand for perusal while Pop nipped into Topps Bakery next door. We usually only bought The European, but I browsed everything on hand. One of the available titles was the New-Yorker Staats-Zeitung, founded in 1834, and the oldest German newspaper in the New World. The “Staats” was daily from 1854 until 1953, when it went weekly. In the late 1930s, the circulation was about 80,000, falling to 25,000 in the late 1990s, and stands around 10,000 today. It seems a pity that this “New York” newspaper is now edited from Sarasota, Florida instead of from Manhattan, but at least the Staats-Zeitung survives.
CAPE TOWN IS justifiably known as the “mother-city” of all South Africa, paying tribute to that day over three-hundred-and-fifty years ago when Jan van Riebeeck planted the tricolour of the Netherlands on the sands of the Cape of Good Hope. Numerous political transformations have taken place since that time, from the shifting tides of colonial overlords, to the united dominion of 1910, universal suffrage in 1994, and beyond. The history of self-government in South Africa has unfolded in a well-tempered, slow evolution rather than the sudden revolutions and tumults so frequent in other domains. No building has born greater witness to this long evolution than the Parliament House in Cape Town.
The British first created a legislative council for the Cape in 1835, but it was the agitation over a London proposal to transform the colony into a convict station (like Australia) that threw European Cape Town into an uproar. The proposal was defeated, but the colonists grew concerned that perhaps they were better guardians of their own affairs than the Colonial Office in far-off London. In 1853, Queen Victoria granted a parliament and constitution for the Cape of Good Hope, and the responsible government the Kaaplanders so desired was achieved. (more…)
I’ve sometimes thought that the Director of the Metropolitan Museum is New York’s unofficial Minister of Culture. Concerned New Yorkers were at the edge of their seats with anticipation to discover who would be chosen to direct this great museum once it was announced that the legendary Philippe de Montebello was relinquishing the throne. As The New Criterion put it “Few events have been awaited with more trepidation in the world of culture — we were going to say ‘the art world,’ but it embraces much more than that — than the appointment of the next director of the Metropolitan Museum of Art.”
The massive sigh of relief when Thomas Campbell was announced as the successor could probably be heard as far as the Louvre (or even the Hermitage), even though Campbell’s name was on none of the supposed shortlists for the job. Judging by his past as curator of tapestries, Campbell is widely believed to be utterly reliable at continuing the high standard maintained during de Montebello’s reign. May God guide him well in his task! (more…)
BY NOW THE denizens of this little corner of the web are surely aware of Krummau, the splendid castle and town that towers above the banks of the Moldau river in Bohemia. I was never particularly interested in Bohemia until Fr. Emerson came up to St Andrews and gave a talk on the Hapsburgs. Unfortunately, this was before they began to record the talks (and offer them online) as it was an excellent brief lecture that I’d love to revisit. Now Bohemia is one of my passions, in addition to an increasingly large burden of passions (Scotland, New York, Argentina, the Netherlands, South Africa, France, Hungary, Transylvania, Canada, Scandinavia, … ). The architecture is superb and varied, and of course the Duke of Krummau is none other than a certain Prague pol. The complex is no longer in the Schwarzenberg family, but is instead now the State Castle of Český Krumlov.
The Chapel of Saint George in the Castle once contained the skull and bones of Pope St. Callixtus I. The remains were obtained by the Emperor Charles IV, who gave them to the Rosenberg family who built the castle, from whom they (and the castle itself) passed to the Schwarzenbergs, only to be lost after 1614. Nonetheless, the skull of an unknown North African martyr came here in 1663, and tradition donated to the unknown saint the name of Callixtus also.
by ‘REDSHANK’
With the prolonged fine weather, all kinds of exotic creatures have appeared in our part of the countryside for the first time in living memory. Hummingbird hawkmoths are plentiful. I have seen not one but a dozen at a time hovering over the snapdragons in our flower garden.
Not only hummingbird moths but hummingbirds have appeared. Calling at the Three Tuns, I found the regulars in an uproar as a whole bevy of these beautiful little creatures hovered over their pint pots, causing the less wide-awake to drop them on the floor.
At last Old Ted, the landlord, fairly lost his temper. “Get away, you pesky little varmints!” he shouted, lunging at the glittering little beauties, then chasing them across the room until he tripped over an antique horsecollar he keeps for grinning through and fell heavily to the ground, cursing all tropical interlopers.
There was a big laugh at this, and Old Jim, who always keeps a stuffed magpie on his person to avoid bad luck if he should meet a single magpie, annoyed the landlord even more by producing it and waving it in his face.
Meanwhile, the hummingbirds were hovering over the shove-halfpenny board, putting Old Frank and Old Amos off their game. Rustic oaths bombinated about the smoky room, growing ever more archaic and outlandish as I tried to make hurried notes in phonetic script.
I‘m sure I’m not the only one whose information-gathering habits have changed for the worse since Le Figaro started charging for access to their online digital version. I much prefer flipping through digital “e-paper” versions to trying to sort through a newspaper’s actual website. When you flip through a laid-out newspaper, you get an overall picture of news and information as the editors have sought to present it to you. On websites, it’s all too easy to ignore all but that which you click on. I was about to complain that Le Figaro‘s change means I will no longer be able to stumble upon interesting articles on Romanian restitution cases and a bold Hungarian countess, but in truth those were from the days when I tended to pick up the actual printed edition rather than flip through it online.
by ‘REDSHANK’
THE badgers were out again last night. Not content with taking three pockets from the billiard table. Old Brock had made off with all the billiard balls as well, as I discovered when proposing a game with a fellow nature diarist this morning. What can your average badger want with billiard balls? Will this sagacious beast barter them for more useful objects with owl or weasel?
Musing on this, we wandered out across the garden in the golden September sunshine, and into the village giving a “good morning” now to Old Jim the Poacher, sweating in his heavy multi-pocketed poacher’s greatcoat, now to Old Miss Briggs, the former dame school economics teacher, now to a foursome of commercial travellers setting off for a solo whist session in Bragg’s Wood.
Passing the lopsided thatched cottage of Old Seth Gummer the Waspkeeper, last of his kind, we knew by the unusually loud buzzing from his garden croft that he was busy with the ancient custom of “telling the wasps”, so different from that equally ancient custom “telling the bees”. A grizzled figure dressed in waspkeeper’s sacking, with a perforated tin pail over his head, he was telling his vespine charges about all the happenings in the neighbourhood this summer that he thought would interest them.
Sure enough, their eager buzzing grew frenzied as he described, in lurid detail, adulterous affairs, divorces, rapes, lesbian elopements, cases of drug addiction, paedophilia, muggings and other assaults, and, most exciting of all, the formation of a retro-techno-sado-rap group in the village.
Pausing only to say a hurried “good morning” to Old Seth, who was fumbling vaguely with his antique Edison Bell recording apparatus, we walked on, accompanied by a few enterprising wasps, pondering on the strange mixture of old and new, of immemorial tradition and brash modernity in our part of the countryside.
A surprisingly handsome newspaper, especially considering it is owned by (and, indeed, was founded by) Rupert Murdoch. Reminds me of The Scotsman in its broadsheet days.
“He looked up from Scottish Field and all the colour, all the warmth of the world of those pages seemed to drain away.” So writes Alexander McCall Smith in The World According to Bertie, in which the eponymous minor’s enforced visits to the child psychiatrist at the command of his overbearing mother are made at least somewhat bearable by the freedom to flip through the pages of the magazine. Scottish Field is an institution, a staple of doctors’ waiting rooms and bed-and-breakfast sideboards, as well as acting as a Caledonian companion to Country Life and The Field (both of which are produced south of the Tweed, a world away). Your humble & obedient scribe even once graced the high-and-mighty social pages of Scottish Field, beside Lt. Col. Bogle and His Eminence the Cardinal Archbishop of St Andrews & Edinburgh.
Scottish Field recently underwent a bit of a redesign, which included a typographical change to its old-fashioned nameplate (often called a banner or, erroneously, the masthead). (more…)
WHEN I WROTE about the Danish film “Flammen et Citronen” in July, I mentioned that it’s not very often that a big-budget period film comes out of Scandinavia, but that recently there’ve been not just one, but two. Readers may have been wondering about the other film which remained unmentioned. I caught the single showing of “Max Manus” during Norwegian Film Week (actually a fortnight) at Scandinavia House on Park Avenue here in New York. This was undoubtedly one of the best films I’ve seen all year, vying with “The Baader-Meinhof Complex” for the top position.
The film begins with newspaper headlines showing the increasingly precipitous situation in Europe from the beginning of the Great Depression onwards. Germany’s economy is ruined and inflation is rampant, Hitler rises to power, Hitler and Stalin invade and divide Poland, Great Britain and France declare war on Germany, and finally Stalin invades Finland. The eponymous hero of our film, Max Manus, is Norwegian but volunteers to fight for Finland when it is invaded by its Nazi-aligned totalitarian neighbour the Soviet Union in the Winter War of 1939-1940. (more…)
This year’s summer issue of The Walrus featured a cover from the cartoonist Joost Swarte, which occasioned a post about the Dutch ligne-clairist on the magazine’s blog. Mijnheer Swarte actually invented the term ligne-claire (or klare lijn) to describe the Tintin-esque school of bandes-dessinees, and has collaborated with the noted Peter van Dongen on the latter’s Rampokan series depicting the late years of the Dutch East Indies before it became Indonesia. Swarte’s work has also featured in The New Yorker, our “local” weekly which partly inspired the Canadian Walrus. Jumping from the printed page to brick and mortars, the new Musée Hergé in Louvain-le-Neuve was actually designed by Swarte. His previous architectural work includes a theatre building in his home town of Haarlem in North Holland. (more…)
This place opened up in Stellenbosch just before I left South Africa, but I never had the chance to check it out. I like to look of the place, even though the colours are a bit too subdued for my taste. (more…)