The events of May 1968 have been fetishised by the romantic radical left but ended in the triumph of the popular democratic right. Battered by two world wars, France had enjoyed an unprecedented rise in living standards since 1945 — especially among the poorest and most hard-working — and a new generation untouched by the horrors of war and occupation had risen to adulthood (in age if not in maturity). The ranks of the middle class swelled as more and more people enjoyed the material benefits of an increasingly consumerised society, while those left behind shared the same aspirations of moving on up.
Like any decadent bourgeois cause, the spark of the May events was neither high principle nor addressing deep injustice but rather more base impulses: male university students at Nanterre were upset they were restricted from visiting female dormitories (and that female students were restricted from visiting theirs). The ensuing events involved utopian manifestos, barricades in the streets, workers taking over their factories, a day-long general strike and several longer walkouts across the country.
The French love nothing more than a good scrap, especially when it’s their fellow Frenchmen they’re fighting against. Working-class police beat up middle-class radicals but for much of the month both sides made sure to finish in time for participants on either side to make it home before the Métro shut for the evening. But workers’ strikes meant everyday life was being disrupted, not just the studies of university students. When concessions from Prime Minister Georges Pompidou failed to calm the situation there were fears that the far-left might attempt a violent overthrow of the state.
De Gaulle himself, having left most affairs in Pompidou’s hands, finally came down from his parnassian heights to take charge but then suddenly disappeared: the government was unaware of the head of state’s location for several tense hours.
It turned out the General had flown to the French army in Germany, ostensibly to seek reassurance that it would back the Fifth Republic if called upon to defend the constitution. De Gaulle is said to have greeted General Massu, commander of the French forces in West Germany, “So, Massu — still an asshole?” “Oui, mon général,” Massu replied. “Still an asshole, still a Gaullist.”
The morning of 30 May 1968, the unions led hundreds of thousands of workers through the streets of Paris chanting “Adieu, de Gaulle!” The police kept calm, but the capital was tense and there was a sense that things were getting out of hand. Pompidou convinced de Gaulle the Republic needed to assert itself.
Threatened by a radicalised minority, de Gaulle called upon the confidence of the ordinary people of France. At 4:30 he spoke on the radio briefly, announcing that he was calling for fresh elections to parliament and asserting he was staying put and that “the Republic will not abdicate”.
Before the General even spoke some his supporters (organised by the ever-capable Jacques Foccart) were already on the avenues but the short four-minute broadcast inspired teeming masses onto the streets of central Paris, marching down the Champs-Élysées in support of de Gaulle.
Sir Basil Spence was just about the last (first? only?) British modernist who was any good. His British Embassy in Rome is hated by some but combines a baroque grandeur appropriate to the Eternal City with the crisp brutalism of modernity that makes it true to its time.
In 1963, Spence accepted the commission from the Royal Shakespeare Company and the Ballet Rambert for a London venue to host the performances of both bodies.
The poet, playwright, and theatre manager Ashley Dukes had died in 1959, leaving a site across Ladbroke Road from his tiny Mercury Theatre (in which his wife Marie Rambert’s ballet company performed) for the building of a new hall.
The design moves from the sweeping curve of the street frontage up to a series of angular concoctions and finally the large fly-space above the stage itself.
It made the most of a highly constricted site and would have housed 1,100-1,600 patrons (historical sources vary on this figure). This was a big step up from the old Mercury Theatre which housed 150 at a push.
Ultimately, the plan failed. London County Council was worried there wasn’t enough parking in the area, and the Royal Shakespeare Company was tempted away by the City of London Corporation which was building the Barbican Centre.
A seventeenth-century pottery tile from Safavid Persia — from the collection of the late Pierre Le-Tan.
General James C. McConville, Chief of Staff of the United States Army, dropped into London this week to meet with General Sir Patrick Sanders, who will take over as his British opposite number (Chief of the General Staff) later this year.
Both are the head of their countries’ respective armies and subordinate to overall defence chiefs, the Chairman of the Joint Chiefs of Staff in the US and the Chief of the Defence Staff here in the United Kingdom.
General McConville was welcomed to the official Army Headquarters at Horse Guards, Whitehall, by the Major General Commanding the Household Division, Maj. Gen. Chris Ghika.
A contingent from the Coldstream Guards and the Band of the Irish Guards put together a ceremonial display and Gen. McConville took the salute.
Gen. McConville will also deliver the Kermit Roosevelt Lecture at the Royal Military Academy Sandhurst this week.
The general’s visit provided a chance to show off the US Army’s new service uniform — modelled on the popular old pinks and greens.
This provides a much welcome alternative to the Dress Blues which, to my mind, make soldiers look like glorified policemen.
As I wrote when discussing similar changes in Peru, it’s not turning the clock back: it’s choosing a better future.
There are almost as many Londons as there are Londoners. There’s Shakespeare’s London, Pepys’s London, Johnson’s London — even fictional characters like Sherlock Holmes have their own London.
The city of Saint Thomas More takes form in a representation made by the excellent map designer Mike Hall, Harlow-born but now based in Valencia.
This map was commissioned from Hall by the Centre for Thomas More Studies in Texas and the designer based the view and the colour scheme on Georg Braun and Frans Hogenberg’s map of London from their 1617 Civitates Orbis Terrarum
From his birthplace in Milk Street to the site of his execution, all the sites from the great points of More’s life are here in this map.
The future Lord Chancellor was educated at the school founded by the Hospital Brothers of Saint Anthony, one of the best in the City of London, and when he finished at Oxford returned to London to study law at New Hall and Lincoln’s Inn.
Crosby Place, the house that he bought in 1523 is not far from St Anthony’s School though its surviving remnant was moved brick by brick to Cheyne Walk in 1910 — a site close to More’s Chelsea residence of Beaufort House.
The chapel of Ely Place — town palace of the Bishop of Ely — still survives as St Etheldreda’s, the only mediæval church in London now in use as a Catholic parish.
God’s own Borough of Southwark gets a look in as well, with the Augustinian priory of St Mary Overs (now the Protestant cathedral of Southwark) and the town palace of the bishops of Winchester. Remnants of the great hall of Winchester Palace remains standing to this day.
As is the mapmaker’s privilege, Mr Hall has taken some liberties: in order to fit Lambeth Palace — the residence of the Archbishop of Canterbury (and Primate of All England) he’s shifted it a bit north of its actual spot.
I wish he’d kept the Rose and Globe theatres which he included in his initial sketch for the map — Southwark was the theatre district of its day.
Hall also completed a sketch of Beaufort House as it would have appeared during St Thomas More’s lifetime. The house was demolished in 1740, and today’s Beaufort Street runs the line of the main drive leading up to it.
The Church of All Saints at Chelsea (now known as Chelsea Old Church) is at the bottom of the sketch and is where the More family burial vault is. His severed head is believed to be entombed there to this day.
The Connecticut town of Lebanon is known for many things. It is the birthplace of Jonathan Trumbull, the only colonial governor to turn traitor during the American Revolution, as well as of his son the famous painter. The Rev. Eleazar Wheelock founded Moor’s Charity School in the town to teach Native Americans, later moving it to New Hampshire where it became Dartmouth College. Prince Saunders, the Free Black socialite and later Attorney General of the Empire of Haiti, was probably born in Lebanon too.
The town’s most famous feature, however, is its mile-long town green: the longest village common in the world. New England is famous for its town and village greens, originally enclosed land held in common and put to practical use for locals to use as pasture for their animals. Given the size of farms in New England, this purpose quickly faded and the green became a meeting or strolling place. Usually the most important buildings could be found either on or bordering the green: the church, the school, the town hall or court house, and eventually the library.
Part of Lebanon Green is still worked as a hay field, which means this is the last town green in New England that is still in agricultural use. There is even an adjacent vineyard, God bless them.
The green also provoked a recent legal case of some interest. When the Town of Lebanon proposed expanding the public library, located right on the green alongside the Congregationalist church, a problem arose.
Before a permit could be issued, the State of Connecticut required proof of ownership of the land on which the library to be submitted. Alas, no proof could be found, the green having been held in common more or less from the town’s incorporation in 1700.
The last known owners of the green were believed to be the town proprietors listed in 1705, and delineating their heirs or assigns over the dozen or more generations that had passed in the meantime was deemed impossible, or at least strenuous beyond any desirable effort. The town historian estimated there may be as many as 10,000 descendants with a potential claim.
In January 2018, the Town of Lebanon instead requested the court grant them quiet title to three parcels of the town green hosting the library, the town hall, and the town’s public works facilities. In March 2019, their request was granted, and the First Congregational Church likewise took legal action to see it recognised as the owner of the parcel of the green it has occupied for centuries.
Courts have also granted the local historical society conservation authority over 95 per cent of the green — excluding the church, town hall, and library. This means the local histos will have a say on any future use, though the courts declined extending this to the whole of the green. So it looks like the future of Lebanon Green will be safe for some centuries yet.
Above, the New England baroque of Dunster House, one of the residential colleges at Harvard.
Below, a simple boathouse built at the highwater mark on a New England beach.
Both images (c.f. here & here) from the blog of a twelfth-generation New Englander.
The Feast of the Annunciation — “Lady Day in Lent” to distinguish it from the Assumption which is “Lady Day in Harvest” — was for much of Christendom the first day of the new calendar year and remains one of the traditional Quarter Days of England.
Eleanor Parker — aka “A Clerk of Oxford” — explains here why Lady Day is so important:
It was both the beginning and the end of Christ’s life on earth, the date of his conception at the Annunciation and his death on Good Friday.
To underline the harmony and purpose which, in the eyes of medieval Christians, shaped the divinely-written narrative of the history of the world, 25 March was also said to be the date of other significant events: the eighth day of Creation, the crossing of the Red Sea, the sacrifice of Isaac, and other days linked with or prefiguring the story of the world’s fall and redemption.
The date occurs at a conjunction of solar, lunar, and natural cycles: all these events were understood to have happened in the spring, when life returns to the earth, and at the vernal equinox, once the days begin to grow longer than the nights and light triumphs over the power of darkness.
The last time I wrote about today’s feast I also pointed out it’s also the reason why many English pubs are called ‘The Salutation’.
It was also on this day in 1654 that the English Catholic colonists aboard the Ark and the Dove arrived in the New World and founded the city of Saint Mary in Maryland, as depicted in the painting above.
Thus the Feast of the Annunciation is officially recognised as the State Day of Maryland.
The cause of all this joy is related best in the Gospel according to St Luke:
AND IN THE SIXTH MONTH, the angel Gabriel was sent from God into a city of Galilee, called Nazareth, To a virgin espoused to a man whose name was Joseph, of the house of David; and the virgin’s name was Mary.
And the angel being come in, said unto her: Hail, full of grace, the Lord is with thee: blessed art thou among women.
Who having heard, was troubled at his saying, and thought with herself what manner of salutation this should be.
And the angel said to her: Fear not, Mary, for thou hast found grace with God.
Behold thou shalt conceive in thy womb, and shalt bring forth a son; and thou shalt call his name Jesus.
He shall be great, and shall be called the Son of the most High; and the Lord God shall give unto him the throne of David his father; and he shall reign in the house of Jacob for ever. And of his kingdom there shall be no end.
And Mary said to the angel: How shall this be done, because I know not man?
And the angel answering, said to her: The Holy Ghost shall come upon thee, and the power of the most High shall overshadow thee. And therefore also the Holy which shall be born of thee shall be called the Son of God.
And behold thy cousin Elizabeth, she also hath conceived a son in her old age; and this is the sixth month with her that is called barren: Because no word shall be impossible with God.
And Mary said: Behold the handmaid of the Lord; be it done to me according to thy word. And the angel departed from her.
The latest round of news or commentary of Gaullist content or interest:
Mercator: Charles de Gaulle: a wise ruler of France
Financial Times: France invokes the golden age of de Gaulle
Politico: Why all French politicians are Gaullists
Variety: Cliché-Ridden ‘De Gaulle’ is Unworthy of Its Iconic Subject
One of the great Northumbrian traditions is the yearly Scoring the Hales, a mediaeval football match between the parishes of St Michael and St Paul in Alnwick. The first records of this match are from 1762 but it almost certainly began many, many generations earlier. This year’s match marked a return after a two-year absence thanks to the virus.
The match takes place every Shrove Tuesday but this is football as seen long before the modern rules of the sport were codified into ‘soccer’ (association football) and ‘rugger’ (rugby football).
The day begins with the Duke of Northumberland dropping the ball from the barbican of his seat, Alnwick Castle. Led by the Duke’s piper, the two teams are led down the Peth to the furlong-deep pitch beside the River Aln called the Pastures.
Rules are very few but the match consists of two teams of usually about 150 players from their respective parishes, battling it out over two halves of half-an-hour each. The goal posts are covered with greenery and stand 400 yards apart. Whoever scores two ‘hales’ first is deemed the winner. If the score is even after two periods, a further 45-minute period decides the match.
Once the match is over, the football is then thrown in the River Aln and all the players scramble to capture it and whoever gets it through the river to the other bank is allowed to keep it.
Like golf, Scoring the Hales used to be played in the streets but its destructive potential has seen it moved to an open space — here in Alnwick’s case since the 1820s.
The Newcastle Chronicle (founded 1764) sent a photographer along to this year’s match, duly won by the denizens of St Paul’s parish. (more…)
A TINY RELIC of Saint Nicholas the Wonderworker has provided an excuse for Amsterdam Catholics to organise a whole year of festivities dedicated to the holy man and his legacy. The Basilica of St Nicholas stands just across from Centraal Station, gateway to the Dutch capital for so many visitors, and the parish has received as a gift the relic from the Benedictine abbey of St Adalbert’s in Egmond.
The tiny sliver of St Nicholas’s rib was enshrined in the Basilica at a special Mass opening the Nicolaasjaar on the eve of the saint’s feast in December. Bishop Jan van Burgsteden presided and prayers were also offered for HKH Princess Catharina-Amalia whose eighteenth birthday fell days later on 7 December.
The opening of the year met with wide coverage in the media, with even the website of the city proclaiming “There will always be a bit of Sinterklaas in Amsterdam from now on”.
“Saint Nicholas is really coming to Amsterdam now,” deacon Rob Polet told the evening news on Dutch television, “and here he will stay”.
“From the Friesch Dagblad to the Nederlands Dagblad, from Trouw to De Telegraaf: hardly any newspaper wanted to miss it,” the parish reports. “De Stentor, the Eindhovens Dagblad, the Zeeuwse PZC, and many other titles spread the news of St Nicholas. NRC Handelsblad and Het Parool even used it twice.”
The soi-disant “Catholic Apostolic Church” was one of the strangest but most fascinating Protestant sects the Victorian world brought forth. It was entirely novel — perhaps outright bizarre is a better description — in its combination of millenarian theology, evangelical preaching, and inventive ceremonialism. They were often referred to as Irvingites as a shorthand, owing to their origins amongst the followers of the Rev. Edward Irving, a Church of Scotland minister who led a congregation in Regent Square, London.
The Irvingites — after the death of Irving, it must be said — invented an elaborate hierarchy of twelve “apostles”, under whom served “angels”, “priests”, “elders”, “prophets”, “evangelists”, “pastors”, “deacons”, “sub-deacons”, “acolytes”, “singers”, and “door-keepers”. Coming from a very Protestant, low-church background, they curiously concocted elaborate liturgies influenced by Catholic, Greek, and Anglican forms of worship.
Another unique aspect of this group was its lack of denominational thinking: the Catholic Apostolic Church did not demand any strict or exclusive communion but was happy for its members and supporters to continue to be members of other churches or denominations.
One of the founding “apostles” of the Irvingite Church, Henry Drummond, married his daughter off to Algernon Percy, later the 6th Duke of Northumberland. That duke and his two immediate successors were known to be supporters of the Catholic Apostolic Church without disowning their established Anglican affiliation.
Despite this aristocratic land-owning connection, socially the Irvingite church spread most rapidly amongst the well-to-do mercantile classes, which meant they had congregations in places like Manchester, Birmingham, Liverpool, Edinburgh, and even Hamburg. They were also very strict about tithing, which — combined with their mercantile status — meant they had a fair amount of money to spend on church building.
In Liverpool their church was built on the corner of Canning Street and Catherine Street in 1855-56. The design by architect Enoch Trevor Owen was influenced by Cologne Cathedral, with a nave more than 70 feet high.
Owen later moved to Dublin where he was employed as architect to the Board of Works, though he also designed the Catholic Apostolic Church in that city as well. (Today that building serves as Dublin’s Lutheran Church.) There’s some indication he designed the Catholic Apostolic Church in Manchester, so he might very well have been a member of the sect himself.
Another centrally important fact about the Irvingites: they didn’t believe that their original “apostles” could appoint further apostles. So when the last living “apostle” ordained his last “angel”, no further angels and so forth could be created. It endowed the clergy of this unique branch of Protestantism with an effective end date, but you have to give them credit for sticking with it. The last “apostle” died in 1901, the last “angel” in 1960, and their last “priest” in 1971.
Gone are all their elaborate inventive liturgies, and unsurprisingly the congregations have tended to fade away as well. The last clergy often recommended the lay people in their charge attend Church of England services when their own services stopped. The body continues to exist, and beside paying for the maintenance of its properties also makes annual grants to mostly Anglican but also Catholic and Eastern Orthodox bodies. In some very rare places, like Little Venice, prayer services are still held.
Indeed they still own their great central church in Gordon Square in Bloomsbury, though its chief use in the past decades has been being rented out first to an Anglican university chaplaincy, and now to the use of High-Church Anglicans as well as an Anglican evangelical mission.
In Liverpool their church was given Grade II listing protection in 1978, possibly when prayers services were still being held. By 1982 the church was up for sale, but without a buyer it succumbed to a fire in 1986.
The church lingered in ruins until the late 1990s when it was demolished and a nondescript block of flats erected on the site.
Elsewhere: Liverpool: Then and Now | Velvet Hummingbee
The ‘House or College of Scholars of Merton in the University of Oxford’ — more commonly called Merton College — is one of the smaller colleges in Oxford, located right next door to lovely little Corpus.
Aside from rendering the architecture well, townscapes from the eighteenth century often give delightful little hints of city life. Michael Rooker (1746–1801) painted this scene of Merton College from its eponymous street in 1771, and the view today is hardly changed at all.
One of my favourite cityscapes is Canaletto’s view of the back end of Downing Street looking towards the old Horse Guards which you can pop into the Tate and see thanks to the generosity of Lord Lloyd-Webber. Incidentally, both scenes depict carpets being hung out for beating.
If you love the capital of the Netherlandosphere I recommended adding to your library Kijk Amsterdam 1700-1800: De mooiste stadsgezichten (‘See Amsterdam 1700-1800: The Most Beautiful Cityscapes’), the well-produced catalogue of the 2017 exhibition of the same name at the Amsterdam City Archives which includes 300 illustrations in full colour.
It’s high time the Museum of Oxford or the Ashmolean — or anyone really — put together a similar exhibition of Oxford cityscapes from the same century.
Incidentally, it was in Merton Field as a teenager that I played my first game of cricket. Who would have guessed then that eighteen years later your humble and obedient scribe would be facing the Vatican on the field of battle in the same sport? (We lost.)
“Lebanese money was worth more and there was more to eat when militias were fighting each other in the streets of Beirut 40 years ago than there is today.”
One of the great ironies of Lebanon’s current decline (Fernandez points out) is that, as destructive as the Civil War was, the country’s hopes were finally crushed by bankers and politicians rather than warlords.
— A bumper from The European Conservative: Tim Stanley says “Stay away from politics!” (I couldn’t agree less: we need brighter people involved!)
■ Idealists in Europe refusing to bow to reality have provided false hope to countries that have no real prospect of becoming members of NATO or the EU.
Damir Marusic muses on the Ukraine in How Not to Bend the Arc of History.
■ I ran into my friend João at a dinner party last night and he described the very existence of Brazil as “the greatest thing Portugal ever did”.
In 2018, Americas Quarterly claimed the now-deceased Olavo de Carvalho was the most important voice in Brazil’s then-incoming government (even though he didn’t live there).
More bizarrely fascinating is Nick Burns’s 2019 article on Bruno Tolentino, Carvalho, Ernesto Araújo, and the origins of the new Brazilian right.
Brazil’s foreign minister “penned an eyebrow-raising article for Bloomberg in which he blamed Ludwig Wittgenstein for Brazil’s debility on the world stage”.
If you’ve never lived in Latin America (I claim to have been at least partly educated there) you will never really understand quite how different it is.
■ When Algeria became independent, President Ben Bella had spent so long in French prisons that he had almost forgotten his Arabic.
One million French Algerians left within months, as American diplomats in Paris and Algiers at the time recall.
French Algerians “not only controlled the whole private sector, they had all the top government positions, and more importantly, they filled all the minor positions. The guy who read the gas meter in the utility company was a Frenchman. The women who worked the switchboard in the telephone company were all French. So the economy just came to a screeching halt.”
— Ex Africa semper aliquid novi: A new documentary (watchable online) explores Algeria under Vichy while another looks at Jacques Foccart, de Gaulle’s “Mister Africa”.
■ I am not much of a “Substack” aficionado, but I have recently given in and signed up to receive The Postliberal Order in my inbox. It’s penned by the quadrivirate of Vermeule, Deneen, Pappin, and Pecknold — all of whom have become household names in Cusackistan.
Patrick Deneen’s latest contribution on emerging postliberalism amidst the political persuasions of his students is worth a read.
He sent along this passage from Waugh’s novel Helena in which the saint (and mother of the Emperor Constantine) arrives at Bethlehem, the city of Our Saviour’s birth, on the very feast of the Epiphany. She addresses the Magi in prayer.
“Like me,” she said to them, “you were late in coming. The shepherds were here long before; even the cattle. They had joined the chorus of angels before you were on your way. For you the primordial discipline of the heavens was relaxed and a new defiant light blazed among the disconcerted stars.
“How laboriously you came, taking sights and calculations, where the shepherds had run barefoot! How odd you looked on the road, attended by what outlandish liveries, laden with such preposterous gifts!
“You came at length to the final stage of your pilgrimage and the great star stood still above you. What did you do? You stopped to call on King Herod. Deadly exchange of compliments in which there began that unended war of mobs and magistrates against the innocent!
“Yet you came, and were not turned away. You too found room at the manger. Your gifts were not needed, but they were accepted and put carefully by, for they were brought with love. In that new order of charity that had just come to life there was room for you too. You were not lower in the eyes of the holy family than the ox or the ass.
“You are my especial patrons,” said Helena, “and patrons of all late-comers, of all who have had a tedious journey to make to the truth, of all who are confused with knowledge and speculation, of all who through politeness make themselves partners in guilt, of all who stand in danger by reason of their talents.
“Dear cousins, pray for me,” said Helena, “and for [the generally believed still unbaptized Emperor Constantine] my poor overloaded son. May he, too, before the end find kneeling-space in the straw. Pray for the great, lest they perish utterly. And pray for… the souls of my wild, blind ancestors…
“For His sake who did not reject your curious gifts, pray always for the learned, the oblique, the delicate. Let them not be quite forgotten at the Throne of God when the simple come into their kingdom.”
IS THIS the most beautiful door in England? The Watts Chapel in the village cemetery of Compton in Surrey is certainly one of the most remarkable buildings in the land.
I have to admit it completely escaped my notice until a friend of mine founded a distillery a few years ago and based the logo on the seraphs depicted within the chapel. While the interior is indescribable it is also curiously incapable of being captured by photography to any satisfactory degree.
Being a Celt with a Norman surname who loves the Romanesque, it’s the entry portal that captures my imagination. It beams at the very same frequency as my heart.
What a wonderful melange of elements — Celtic, Saxon, Romanesque, and Nordic — are combined here with blithe ease.
Incessant stylistic purity is the realm of the boorishly tiresome, as Ninian Comper knew well, and here the eclectic blend works well.
As architects are incapable of learning the proportion required by Georgian and neo-classical styles, I’ve long believed the Romanesque (or ‘Norman’ as the English often call it) must be the starting point for the recovery of good solid modern architecture.
I, for one, welcome our Norman-Romanesque future with open arms — while prizing this late Victorian gem.
While John Russell Pope won the competition to design the New York State Theodore Roosevelt Memorial currently under attack, not every aspect of his design was executed.
The architect planned for an avenue to be built in Central Park to provide a suitable approach to the American Museum of Natural History and his memorial to the twenty-sixth president.
160 feet wide and 500 feet long, it would feature a broad central lawn flanked by drives and forming an allée of trees. Other versions of the plan have a roadway heading down the middle of the approach.
The idea of this ‘museum walk’ was originally that of Henry Fairfield Osborn, for a quarter-century president of the American Museum of Natural History.
Osborn was also president of the New York Zoological Society — they who run the Bronx Zoo — while his brother was president of the Metropolitan Museum across Central Park.
His son Fairfield also led the NYZS (renamed the Wildlife Conservation Society in 1993) and both père et fils held dodgy pseudoscientific Malthusian views about race and eugenics.
Their family house, Castle Rock, has one of the finest views of West Point across the Hudson and is still in private hands.
For whatever reason — possibly not wanting to redirect the 79th Street Transverse Road through the park that was in the way — Obsborn/Pope’s approach was never built.
It’s a shame as, aside from augmenting the impact of Theodore Roosevelt Memorial, it also would have provided a better vista from the steps of Museum itself.