Good news everyone! We can fire the architects! That much-hated subset of humanity who have inflicted banality and cheap unpleasantness on the rest of us for nearly a century can finally be chucked into the dustbin of history.

As Nikos Salingaros reports in The Critic, Artificial Intelligence (AI) is revealing what experts deny, exposing the stubborn ignorance of the architectural profession.

Basically, humans don’t like bad architecture because it often communicates psychological threat, like the looming cantilevers that human brains subconsciously have difficulty making sense out of. The body then converts the psychological threat into stress as a defence mechanism, which only works if we in turn avoid bad architecture.

As Christopher Alexander and others have noticed, the key to good architecture is not a specific style but the patterns to which humans respond positively. While trained/brainwashed architects continue to feed us mush and gruel, Artificial Intelligence might be able to step in and provide us the good architecture we not only want, but need as human beings.

Inspired by this theory, I decided to use OpenAI research lab’s DALL-E platform which uses verbal descriptions and transforms them into digital images. E.g. if you put in ‘teddy bear waving a French flag’ it transforms it into an image of a teddy bear waving a French flag.

That might not seem so remarkable when you’re dealing with teddy bears, but when you feed architectural prompts into DALL-E, it delivers the goods.

My favourite architectural style is the Cape Dutch, and my favourite town is Oxford, so I decided to feed this combination into DALL-E by prompting it to give me Oxford colleges designed in a Cape Dutch style.

The results are pretty impressive — OK, to me at least — and below are about two dozen examples.

Not a single one of these buildings exists, but AI takes the parameters of what it ‘knows’ an Oxford college looks like and what it ‘knows’ the Cape Dutch architectural style is, and combines them pretty effectively.

Look at these examples and ask yourself this: would you rather live/work/study in these AI-‘designed’ buildings or in the architect-designed ‘Maison du Savoir’ in Luxembourg?

The reason why architecture is the most influential — and most oppressive — of the arts is that we effectively cannot escape it. Modern man has precious little choice over the architecture of his workplace or place of study, and increasingly less and less control over where he lives.

Too often we are condemned to spend most of our existence in bad architecture, which the body continues to convert into prolonged, low-key stress. The effects on human health, psychology, and general well-being are predictable.

Bad architecture is ultimately the fault of the innumerable powers — house builders, property developers, city councils, and other institutions — who tolerate it. Even if we don’t fire the architects just yet, we can taunt them endlessly and mercilessly by pointing out a machine can design more enjoyable and more humane buildings than they can.

(more…)

Students from St Andrews University have accompanied their Catholic chaplain to receive a relic of St Margaret of Scotland from the Archbishop of St Andrews & Edinburgh, Dr Leo Cushley.

The relic was put in the care of Canmore, the Catholic chaplaincy at St Andrews, whose chapel is dedicated to the Hungary-born English princess who became Scotland’s saintly queen.

When the relic in St Margaret’s Church in Dunfermline — the country’s royal centre in the twelfth and thirteenth centuries — were being removed from their reliquary the piece of bone fragmented.

The Archdiocese decided to make this an opportunity for the relics of the royal saint to be distributed further.

This relic of St Margaret will remain in Canmore where it will be available for veneration by students and other visitors.

SAINT MARGARET
QUEEN OF SCOTLAND
pray for us

When the shop purveying diacritical marks opened one morning in Vienna, in my mind the writer Ödön von Horváth turned up and said “Thanks. I’ll have the lot.”

It wasn’t even his real name, of course — which was Edmund Josef von Horváth. A child of the twentieth century, von Horváth was born in Fiume/Rijeka in 1901. His father was a Hungarian from Slavonia (in today’s Croatia) who entered the imperial diplomatic service of Austria-Hungary and was ennobled, earning his “von”.

“If you ask me what is my native land,” von Horváth said, “I answer: I was born in Fiume, grew up in Belgrade, Budapest, Preßburg, Vienna, and Munich, and I have a Hungarian passport.”

“But homeland? I know it not. I’m a typical Austro-Hungarian mixture: at once Magyar, Croatian, German, and Czech; my name is Hungarian, my mother tongue is German.”

From 1908 his primary education was in Budapest in the Hungarian language, until 1913 when he switched to instruction in German at schools in Preßburg (Bratislava) and Vienna.

Von Horváth went off to Munich for university studies — where he began writing in earnest — but quit midway through and moved to Berlin.

He once told his friends the story of when he was climbing in the Alps and stumbled upon the remains of a man long dead but with his knapsack intact.

Intrigued, he opened the knapsack and found an unsent postcard upon which the deceased had written “Having a wonderful time”.

“What did you do with it?” his friends naturally inquired. “I posted it!” was von Horváth’s reply.

In 1931 he was awarded the Kleist Prize for literature, but two years later the National Socialists took the helm and von Horváth thought it best to move across the border to his old imperial capital of Vienna.

Despite his anti-nationalism, he did initially join the guild for German writers set up by the Nazis, possibly to keep his works in print in the Reich while he was living in still-independent Austria.

It was in Vienna he published his best-known work: Jugend ohne Gott — “Youth without God” (first translated into English as The Age of the Fish), which marked his public point-of-no-return break with the Hitlerites.

The novel depicts a jaded schoolteacher increasingly disconnected from his profession and the world around him as the ideology of National Socialism begins to take root in the education system. (Bizarrely, it was also scantly used as the basis for a 2017 dystopian thriller.)

When Hitler’s troops marched into Austria the following year, von Horváth fled to Paris.

“I am not so afraid of the Nazis,” he told a friend there one day. “There are worse things one can be afraid of, namely things you are afraid of without knowing why. For instance, I am afraid of streets. Roads can be hostile to you, can destroy you. Streets frighten me.”

Days later, in the middle of a thunderstorm, von Horváth was walking down the Champs-Élysées — the most famous street in Paris — when a flash of lightning struck a tree, felled a branch, and struck the writer dead. He had been on his way to the cinema to see Walt Disney’s ‘Snow White and the Seven Dwarfs’.

Years ago someone recommended The Eternal Philistine: An Edifying Novel in Three Parts to me, but I have to admit I haven’t yet read it, or much else of von Horváth’s work. (He’s on my fiction wish-list though.)

His plays have been revived, too — here in London at the Almeida and the Southwark Playhouse in the past decade or so — and both The Eternal Philistine and Youth Without God are available in English from the estimable Neversink Library imprint of Melville House.

Though constantly mourning the never-ending decline in the quality of newspaper design, I hope everyone can agree that a vast depreciation has taken place at The Villager of Greenwich Village, New York.

Whereas the Village Voice was always the pretentiously showy alternative beat-turned-hippie-turned-bobo upstart of Village publications, The Villager has played the role of the actual neighbourhood sheet that gave you the local news.

Absurdly, the otherwise magisterial and much-loved Encyclopedia of New York City doesn’t even have an entry for The Villager — not even in its second edition! — despite the paper being founded back in 1933. (The Voice was 1955.)

Behold — witness the decline:

An issue from this past week in October 1959. The nameplate features distinct lettering, flanked by the supporters of a town crier (or perhaps we should say village crier) on one side and an image of the Washington Arch on the other.

No fewer than nine stories on the front page. (It’s a standard Cusackian rule of newspaper design that the more stories on the front page the better off you are.)

There is also a helpful reminder of the upcoming election so Village denizens can do their civic duty. (more…)

Plymouth Congregational Church, Coconut Grove, Miami

The traveller passing down Devon Road in the Grove neighbourhood of Miami might be forgiven for thinking he had stumbled across one of the ancient mission churches that Spanish antecedents had established across the American realms of His Most Catholic Majesty the King of Spain.

The traveller would be mistaken, for what he has discovered is in fact the Plymouth Congregational Church.

It was completed in 1917 by one man Felix Rebom — to a design by architect Clinton MacKenzie. According to local lore, Rebom finished the building himself using just a T-square, a plumbline, a trowel, and a hatchet.

The congregation was founded in 1897 and four years later appointed as its pastor the Rev. Solomon G. Merrick — father of the developer George Merrick who built Coral Gables.

In one of the seemingly endless series of Florida property booms, the elder Merrick’s successor encouraged the congregation to buy a large parcel of land in Coconut Grove.

Dividing it into residential plots allowed them to raise the money to build the new church on the remaining part of the land.

The massive door — hand-carved walnut backed in oak — is in fact four centuries old and comes from a disused Pyrenean monastery.

Architecturally one of the few hints that this is delightful theatre rather than historic reality is that the style, while Spanish, is more Mexican than Floridian.

Florida’s lush climate also means half the building has been taken over by surrounding greenery. I love it.

Image: source.

For the first century or so in the history of the United States, there was no more popular Frenchman in America than the Marquis de Lafayette. This nobleman of the Auvergne was an officer in the King’s Musketeers aged 14 and was purchased a captaincy in the Dragoons as a wedding present aged 18 in 1775. Within a year the rebel faction in North America had sent Silas Deane of Groton to Paris as an agent to negotiate support from the French sovereign, but Paris acted cautiously at first.

Lafayette — a young aristocratic freemason and liberal with a head full of Enlightenment ideas — escaped to America in secret and was commissioned a major-general on George Washington’s staff in the last of his teenage years.

Given his relative youth, Lafayette inevitably turned out to be the final survivor of the generals of the Continental Army, and his 1824 trip to the United States solidified his popularity. He visited each of the twenty-four states in the Union at the time, including New York where the predecessor of the Seventh Regiment named itself the National Guards in honour of the Garde nationale Lafayette commanded in France.

This was the first instance of an American militia unit taking the name National Guard, which in 1903 was extended to all of state militia units which could be called upon for federal service.

In honour of this connection and on the centenary of Lafayette’s 1834 death, the French Republic presented the Seventh Regiment with a copy of Joseph-Désiré Court’s portrait of the general that hangs in the 1792 Room of the Palace of Versailles. The Seventh set this in the wall of the Colonel’s Reception Room in their Armory, facing a copy of Peale’s portrait of General Washington.

The privilege of unveiling the portrait went to André Lefebvre de Laboulaye, the French Ambassador to the United States, who was given the honour of a full dress review of the Seventh Regiment on Friday 12 April 1935 before a crowd of three thousand in the Amory’s expansive massive drill hall.

Also present at the occasion was his son François, who eventually in 1977 stepped into his late father’s former role as French Ambassador to the United States. His Beirut-born grandson Stanislas served as French Ambassador to Russia 2006-2008 before being appointed to the Holy See until 2012. In April 2019, Stanislas de Laboulaye was put in charge of raising funds for the rebuilding of Notre-Dame following the fire that devastated the cathedral.

General Charles O’Hara and the Surrender of Lord Cornwallis

Today marks two-hundred-and-forty-one years since the British general Lord Cornwallis surrendered to a joint Rebel-French force at Yorktown in Virginia — perhaps the most embarrassing British defeat until the Fall of Singapore to the Japanese more than a century and a half later.

Every American schoolboy, or indeed any visitor to the United States Capitol, is familiar with John Trumbull’s oil painting of the scene at Yorktown.

Somewhat pitifully, Lord Cornwallis pled ill health and did not attend the formal ceremony of surrender.

Instead, he sent his adjutant to act on his behalf: a wily character by the name of General Charles O’Hara.

O’Hara had soldiering in his blood, being the illegitimate son of a Portuguese woman and Field Marshal the Rt Hon James O’Hara, 2nd Baron Tyrawley and 1st Baron Kilmaine. The elder O’Hara was the sometime envoy-extraordinary to the King of Portugal, where he made the acquaintance of the woman who bore him one of at least three of his sons-born-the-other-side-of-the-blanket.

Lord Tyrawley looked after his son, sending him to Westminster School before buying him an army commission and keeping him close by in the Coldstream Guards which the father commanded himself.

Young Charles was at one point sent on assignment to Senegal commanding a corps of African army convicts which, reading between the lines, may have been a punishing demotion.

He soon regained his command with the Guards though and was sent to America where the royal troops were fighting against a surprisingly cohesive force of rebel English colonists.

Despite being surrounded by numerous American loyalists, O’Hara tended to distrust the colonists and viewed them with suspicion, tarring them all with the brush of rebellion openly practiced only by a distinct (but ultimately successful) minority.

He was wounded at the Battle of Guildford Court House in March 1781, and by the Siege of Yorktown had been promoted to Cornwallis’s second-in-command. (more…)

For much of Manhattan’s early colonial history, the island was home to two primary settlements: the port of New Amsterdam (later, from 1664, New York) way down at the southern tip and the town of Harlem up where the East River meets the Harlem River.

Christened after the Dutch city, Harlem is one of Manhattan’s most visible links to the Netherlands. The local newspaper is even called the New York Amsterdam News, once a prominent voice in Black America given this neighbourhood became predominantly African-American in the early twentieth century, and Amsterdam Avenue runs up as the spine of West Harlem.

Harlem was founded in 1658, thirty-four years after New Amsterdam was founded and thirty-two since Peter Minuit bought the whole island of Mannahatta off the Indians for sixty guilders.

The town’s first church was founded in 1660 but didn’t have its own dedicated building for a few years. The Harlem Reformed Dutch Church, or Collegiate Church of Harlem, was built in 1665-67 right on the banks of the Harlem River, around the site of East 127th Street and First Avenue today.

Both the building and site was abandoned twenty years later when the congregation moved to its second building, completed 1687, just a little bit further south — near where East 125th meets First Avenue, or where the entrance ramp to the Triborough Bridge meets 125th.

It is this second building, which is depicted in the view above of Harlem village from Morissania across the river in the Bronx in 1765 (below).

(more…)

ONE OF THE historical anecdotes I enjoyed being taught at school was the death of the Emperor Julian the Apostate — as relayed by our much-esteemed teacher Dr Nathaniel Kernell. This was in the Christian era with the capital at Constantinople rather than the Eternal City itself — Julian had (as betokened by his moniker) abandoned Christianity aged 20 and sought to frustrate its spread.

He wanted to promote the old Greek gods, dabbled in vegetarianism, and even tried to rebuild the Temple of Jerusalem. Mysterious fires consumed the workers tasked with that final project and it is presumed many Jews didn’t want to be dragged into the Emperor’s political project the animus of which was opposition to Christianity rather than promotion of Judaism.

Anyhow, none of Julian’s projects came to much fruition and as he lay dying from an injury in battle, the apostate emperor realised the futility of his life’s work with his final words: νενίκηκάς με, Γαλιλαῖε, or ‘Thou hast defeated me, Galilean!’

At the moment I am reading a book by Arturo Pérez-Reverte and stumbled across a mistranslation from the Spanish that would have been avoided if only the translator had enjoyed the privilege of being taught by Dr Kernell.

It turns out that the Spanish word for ‘Galilean’ is ‘Galileo’. Pérez-Reverte’s translator, alas, failed to understand one of the characters reference to Julian’s final words and mistook Christ our Saviour for an Italian astronomer, mistranslating the phrase as “You have defeated me, Galileo”.

Worth a wry smile, given the solid 1,200-year gap between the death of Julian the Apostate and the birth of Galileo Galilei.

The Dumas Club is a delightfully weird and intriguing tale, though, and I look forward to reading more by Pérez-Reverte — no matter who the translator is.

Níall McLaughlin Architects at Worcester College, Oxford

WORCESTER is one of the most spacious and scenic of Oxford’s colleges. The classical symmetry of its entrance terminates the view down the gentle curve of Beaumont Street from the Ashmolean Museum. The twenty-six acres of its grounds are pastoral, with lake, gardens, and the broad expanse of a cricket pitch.

Craftily inserted into this arcadia is the Sultan Nazrin Shah Centre designed by Níall McLaughlin Architects. Collegiate work is familiar to this firm, whose new library at Magdalene College, Cambridge, has won them this year’s Stirling Prize, and the Shah Centre provides new useful facilities for the college without giving it the middle finger.

It is named in gratitude to the generosity of an old boy of the college, HRH Nazrin Ali Shah of Perak, who delights in the title of Sultan, Sovereign Ruler, and Head of the Government of Perak, the Abode of Grace, and its dependencies. Judging by the outcome — itself shortlisted for a Stirling Prize in 2018 — I think he spent his money well.

Tempting though it might be to have a gentle wander through the grounds of the college first, the Shah Centre is best approached through the humble entrance lodge nestled in the corner of the L-shaped Worcester Place north of the college.

You are led to a little piazza — the Sainsbury Courtyard — framed by a pair of just-below-foot-level diamond-shaped shallow ponds of Kahn-ian geometry. (They are actually a tiny extension of the college lake.) The broad expanse of cricket pitch beyond, connected by a flat wooden bridge segmenting the two diamond ponds, is alluring. But off at a 45-degree-angle on the right, the entrance to the Shah Centre bids the visitor on.

Beyond the limestone cladding you move indoors to a sea of light-treated oak, in the thin supporting columns of the one-storey entrance hall curving around the arc of the lecture theatre and in the trelliswork ceiling.

To the left, the dance studio looks out onto the pools through three giant panes of floor-to-ceiling glass.

To the right, a small bar can double as a registration desk.

The lecture theatre seats 170 and is accessed through a curve of wooden slats that hide panels that can swing out if closing the space is necessary.

Auditoria with ceilings sloping down toward the stage usually feel cramped but here the ceiling is arranged in sharp corrugations (like the flanges of the Gonbad-e Qabus) which capture the light from the clerestory behind.

The feeling is one of spaciousness: rather than facing downwards they are like rays of the sun reaching outwards and up. Instead of wings offstage, there are tall windows of a single sheet of glass flanking, offering natural side light.

The view from the stage is even better, looking out at the gentle curve of clear windows breaking at near-half-way, dividing the anterior spaces below from the open skies above.

Straight out from the auditorium is the terrace with its steps flowing gently down to the field beyond.

It is from the cricket ground that we get the best view of the Shah Centre. The lines are elegant, and there’s a hint of the better architects from Italy’s fascist era — Pagano or Terragni, not Piacentini. The easy movement of space and light, with a gentle breeze rolling off the green.

The architectural genius of the Oxford college as a type is that it allows for the magnificent to be completed on a humane scale for an intimate community of students, scholars, and academics. Níall McLoughlin’s skill at achieving this in a modern idiom is what makes the accolades he accrues — fickle gifts at the best of times — so justified in his case.

A century-old geopolitical cartoon is updated for today

Tse Tsan-tai — or 謝纘泰 if you fancy — was by any standard a remarkable man. Born in New South Wales, this Chinese-Australian Christian was a colonial bureaucrat, nationalist revolutionary, constitutional monarchist, pioneer of airship theory, and co-founded the South China Morning Post — still one of the most prominent newspapers in the Orient.

Tse’s most important visual contribution was a widely distributed political cartoon usually known in English as ‘The Situation in the Far East’ or in Chinese as the ‘Picture of Current Times’ (below).

Crafted as a propaganda measure to warn his fellow Chinese of the designs of foreign powers, the cartoon depicts the perils facing the Middle Kingdom.

Japan, with its expanding navy, proclaims it will watch the seas with its ally, Great Britain. The Russian bear looms from Siberia, crossing the border into China. A British lion sprawls over the land, its tail tied up by the “German Sausage Ambitions” at Tsingtao. The French frog guards Indochina while the American eagle lurks from the Philippines.

Meanwhile, the Chinese figures show sleeping bureaucrats and carousing intelligentsia unresponsive to the external threats.

Now the exiled Hong Kong artist Ah To (阿塗) has updated ‘Situation’ to reflect the realities of 2022. (more…)

The revered Sovereign’s death was announced in the evening. The daily anxieties of the people and the press’s usual reporting on quotidian political strife temporarily evaporated on contact with the momentous royal bereavement. Though long anticipated, the loss was profound, raw.

To many it felt like a moment of overdue reckoning. As if the frail body of the elderly monarch had somehow been holding the great, ancient, long-weakening and precariously multinational state together. The world of the previous century had finally, almost imperceptibly, slipped away. Franz Joseph was dead. …

In the October 2022 number of The Critic, Dr John Ritzema explores the parallels between the recent demise of our late sovereign with the death of the Emperor Franz Joseph over a hundred years earlier — and wonders whether there are any lessons for the reign of King Charles III: Rebuilding a Monarchy and a Nation.

One of those minor curiosities that both Franz Joseph and Elizabeth II were succeeded by Charleses — the latter by her son, and the former by his grand-nephew Blessed Charles of Austria.

Out with the old, in with the new: the King has released his new royal cypher, with a stylised CR III replacing the familiar EIIR. As with so many things, I am sure we will get used to it with time.

Given the longevity of the late Queen’s reign it will be some time before we see it appearing on pillarboxes, but it will enter our lives more quickly via postal franking, stamps, currency, and uniforms.

Many are trying to come up with complex, almost mystical, explanations for why St Edward’s Crown has been replaced with the Tudor crown atop the cypher. More likely, I suspect, is that it is a useful means of giving the new reign a respectful visual differentiation from its preceding one.

I’ve always been rather fond of the Tudor crown, and the Caledonian version of the new cypher rightly includes the Crown of Scotland — the oldest amidst the Crown Jewels of this realm as (unlike England) Scotland was spared the iconoclastic destruction of Cromwell’s republic.

The new royal cypher, left, and its Scottish variant, right.

This little enclave is one of the best-kept secrets of London. I used to live just around the corner from Bonnington Square and walking into it was like entering a secret world.

Just steps from the gritty urban world of the Vauxhall gyratory there is a verdant realm where a good coffee can be had and where many neighbours actually know eachothers’ names.

Built to house railway workers, the whole square was compulsorily purchased by that archetype of grim 1970s misery, the Inner London Education Authority, to be demolished as a sports ground for the neighbouring school.

Within a decade, however, no demolition had been approved and the squatters had moved in — in this case organising a cooperative, building a community garden, and running a shop. They managed to negotiate the purchase of their homes from the Greater London Council and Bonnington Square was saved.

Gardeners have turned its streets into one of the most lushly verdant corners of central London, and now this five-bedroom house is up for grabs. If you have £1.9 mil going spare it would be a nice place to live.

For an ardent sun-lover like me the roof terrace — with barbecue artfully inserted into the old chimney breast — is the best feature, along with the proximity to the excellent Italo Deli.

The Fort de Brégançon: Riviera Retreat of France’s Presidents

When France’s head of state needs to let his hair down every summer, the Republic has a convenient presidential residence just for him to do so: the Fort de Brégançon on the Côte d’Azur.

There has been a fortress here since at least mediæval times, and Gen. Buonaparte (later emperor) ordered its ramparts renewed after the retaking of Toulon in 1793. It continued to serve military purposes until 1919, but in 1924 it was leased out to a local mercantile family, the Tagnards.

They passed their lease on to the former government minister Robert Bellanger, who improved the island greatly, connecting it to the water and electricity supply, building the causeway linking it to the mainland, and laying out the Mediterranean garden. Bellanger’s leased expired in 1963 and Brégançon returned to the property of the state.

President de Gaulle stayed a night on the island in 1964 but found the bed too small and the mosquitos too bothersome. Nonetheless, his wartime comrade René-Georges Laurin (mayor of Saint-Raphaël up the coast) convinced him it would make a suitable summer residence that befitted the dignity of France’s head of state.

The architect Pierre-Jean Guth was seconded over from the Navy to adapt and update the fort to this end. The rooms are a little small, but their cozy intimacy adds to the fort’s informality. The presidential bedroom features a Provençal bed facing the sea with a view towards the nearby island of Porquerolles.

Pompidou and Giscard enjoyed the island but Mitterand mostly neglected the island except when welcoming Chancellor Kohl and Taoiseach Garrett Fitzgerald. Chirac and his wife took up Brégançon and were often seen by the locals on their way to Mass.

Sarkozy liked to be photographed on his jogs from the island but after he abandoned his wife and took up with his mistress he preferred holidaying at Carla Bruni’s far grander and more comfortable summer residence.

Hollande opened the fort up to public visitors, hoping to recoup some of the costs of maintaining the property. Macron has taken to the island frequently for his summers, for meetings with foreign leaders, and for working weekends with his ministers.

With summer fires raging, a minority in parliament, and myriad other problems brewing, no doubt Macron has much on his agenda.

All the same, for France’s sake, we can’t help but hope Monsieur le Président has a happy holiday. (more…)

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