Does anyone talk on the phone anymore? Reading a book in which a casual conversation takes place and the main character hangs up the phone, the fact that the author reveals this hanging-up seems surprising. We didn’t need to know it took place over the phone. But it situates the exchange in a concrete reality of sorts.
I never really feel comfortable speaking on such devices, so I only ever speak to people who are far away, pretty much only my parents. Other people use them voluminously, but I only know for certain myself of very few who do. When CSG was alive (and suspicions still linger over the nature of his death), CDL would sometimes spend hours talking to him on the phone, like two old ladies who suffer too many ailments to get out and meet in person. (I’ll concede that they were in different countries.)
I find the very idea revolting. What could one possibly discuss for hours at length down a strange device it’s not even comfortable to handle? My thoughts don’t flow properly over the phone in a way they do naturally face-to-face or via the written word.
I remember Farley’s stories about when he was a correspondent in Rome and — taking no heed of time differences — his editor would phone him up and deliver long screeds which Farley would make a few accommodating noises to then gently place the phone down on his bedside table and let the man carrying on while he gently faded back into the realms of slumber.
Then again the Major sometimes phones during his lunchtime saunter and he usually has information worth sharing or complaints that are satisfying to share, imbued with doom-laden pessimism.
On the whole, then, I am not a telephone enthusiast. Their primary purpose now is of course as smart phones — incredibly useful devices which have lured us into slavery and the impossibility of living without them.
The book I am reading — the one I mentioned earlier — is The Informers by Juan Gabriel Vásquez. I had never read any Colombians — except for Nicolás Gómez Dávila, but as he spoke in aphorisms he is in another category entirely. Colombia is a mysterious realm to me, with only little snippets having ever filtered down to me. When I was a boy, for a year or two we had the daughter of a Colombian senator at our school who taught me the words to ‘La Cucaracha’ but who, out of fear, was always entirely silent on the subject of home; she point blank refused to talk about it. (There were many killings in those days, and I suppose she was abroad for her own safety.)
But the Colombians are by no means an un-literary people — far from it. As someone briefly educated in Argentina it’s sometimes difficult to concede there is any culture in the Americas outside of Argentina, but Colombia’s Gabriel García Márquez is well-known outside his home country. I suppose I will have to read him some day but I decided to start with Vásquez having read a review of one of his more recent books in the Speccie.
Much as one hates to admit that any living writer is worth reading, Vásquez is good, and just a few pages in I got in touch with my old school friend Lucas to tell him I thought he’d like it. Lucas is an Austro-Argentine-Peruvian-Estadounidense living in Guatemala so he gets it, though what he gets is hard to describe. This novel, for example, is not action-driven but primarily from the interior life, which I think is what I mean.
Ever since school days, Lucas has always had a particular genius for over-analysis that I have always criticised him for and do my best not to provoke or indulge in, though this is difficult. Tell him you love the rain. “What? Do you? Wow! But what is it about the rain you love? Is it a primeval force? Is it because we [meaning humanity] are farmers? Well I suppose you’re Irish so you have to love the rain.” (Lucas has always wanted to be Irish.) Thus, having a furiously intensive interior life himself, Lucas might enjoy a novel set primarily (though not entirely) in the interior realm.
Hippo was here the other day in between Rome and Scotland or wherever. (He’s off to Montepulciano for a few weeks, actually.) We had a jolly auld lunch at the Farmers’ Club and discovered over a cigarette and gin-and-tonic aperitif a mutual love for Balzac. Balzac got it — well, not quite, but pretty damned close enough. I am forever reading Balzac, and going on about him to Beatrice who is mostly uninterested (her late father called him “Balls-ache”) though she is perhaps the person with whom I discuss writing most often.
And so, finishing Vásques, I am continuing through Balzac, and others. I am off to the New World later this week, for not terribly long, but I am bringing Gerard Skinner’s book on Father Ignatius Spencer, Barry Hutton’s history of Lisbon, Sandy’s Corduroy Mansions (seeing as I used to live in Pimlico), Lindie Koorts’s biography of DF Malan, and one or two others in the hope of making some progress and being entertained, informed, or enlightened.
We shall see.
The recent election (such as it was) in Zimbabwe brought to mind the Nando’s television advert of Robert Mugabe and his old mates.
Gaddafi, Mao, Saddam, and Idi Amin all make an appearance, and even (somewhat incongruously) die ou krokodil, P.W. Botha.
A reminder that Russell Kirk once described the piano nobile of the Old State House in Hartford, Connecticut, as:
“perhaps the most finely proportioned rooms in all America”
Given the elegant restraint and classical detail of the old Senate chamber, it’s hard to disagree.
All those interested in the history of the workers’ struggle would have enjoyed a letter to the editor printed in last week’s Observer.
Floreat Etona, left and right
Alex Renton is correct when he points out that the 20 old Etonian MPs currently sitting are all Tories, but this is far from usually the case (“Our educational apartheid laid bare”, Books, New Review). The first OE to be elected a Labour MP was in 1923, and the party consistently had OE representation on its benches from then all the way to 2010. Even Clement Attlee’s transformative postwar Labour government included two old Etonians: Hugh Dalton as chancellor of the exchequer and Frederick Pethick-Lawrence as India secretary.
Andrew Cusack (Conservative, non-OE)
London SE1
Of course, no one actually reads the Observer, so it went entirely unnoticed.
I have acquired a dangerously successful rate of my pedantic missives being printed in periodicals. The editors of the Irish Times, Times Literary Supplement, Catholic Herald, and even the Tablet have all been guilty of lapses in judgement in this regard.
It is a truth universally acknowledged that changes to passport designs are almost never improvements. Take the new Lebanese passport above. The old passport was a simple and elegant affair, with the noble cedar gracing centre stage, beautiful Arabic script above and the French text in a sturdy typeface below.
The new one, however, is a sorry thing altogether. The central motif is an odd pseudo-fingerprint impression of a cedar, and the national emblem is repeated on a smaller scale above left in gold. Next to that the name of the state is written in Arabic and French. But then it is mistranslated into English as ‘Republic of Lebanon’ – the actual name of the state is the ‘Lebanese Republic’.
(I could bore you with a tirade against the continuing encroachment of the English language into Lebanon – par example street signs used to always be in French and Arabic but often you see newer ones in Arabic and English – but that is a subject for another day.)
It is not at all that passports cannot be done well to a modern design – just look at Swiss passport designs from 1985 onwards, and we’ve already mentioned the elegant new Norwegian numbers. But Lebanon’s new passport gives the impression of being done by a third-rate in-house designer at a midranking corporation. As a country with enormous soft-power potential Lebanon could do with guarding and guiding its brand better and passports are just one aspect of many involved in a country’s image.
Passports, of course, have to change their design every so often to keep one step ahead of counterfeiters and fraudsters. In the past ten years most countries have substantially changed their passports to give them a biometric capability, though in most cases this led to little difference on the cover beyond a change in thickness and the addition of the biometric emblem.
Redesigns of the interior pages are more common and the results have been poor: my U.S. passport now features garish patriotic eagles and such, while luckily I have a few years left before I have to submit to the new Irish passport with its infelicitous pseudo-celtic tourist backgrounds. Foolishly I still haven’t got my UK passport but I understand that’s had its inner pages tarted up recently as well.
The upcoming change for British passports, of course, is that following the UK’s exit from the European Union the passports are going back to blue. Of course, they never actually needed to change to EU burgundy, but civil servants and ministers rather typically chose to change it regardless.
If recent experience shows anything, however, it’s that we should be looking to Scandinavia for models of how to do modern design well.
By all accounts last Sunday’s Rosary on the Coast was a resounding success. The initiative started out in Poland, where last year thousands of Catholics gathered at the nation’s borders and coastline to pray for the salvation of Poland and the world. Then a month later Ireland joined in with a Rosary on the Coast for Life and Faith, encircling the country in prayer.
Last Sunday, Great Britain got in on the action, and for three countries which have suffered centuries of Protestant domination it seems we have done rather well on these shores. Thousands of people from every variety of ethnicity, class, background, and experience gathered to pray the Rosary “for the spiritual wellbeing of our nations” (as the organisers put it).
The Rosary on the Coast was organised by lay people but supported by the Cardinal Archbishop of Westminster as well as many other bishops and of course priests, many of whom accompanied and led in prayer the lay-organised groups around Britain. The rectors of the three national Marian shrines at Walsingham in England, Carfin in Scotland, and Cardigan in Wales all gave their backing and encouragement to the initiative.
Experience has taught me not to be surprised by the success of such ventures. I remember when the Cardinal renewed the consecration of England & Wales to the Immaculate Heart of Mary (with the visit of the Fatima visionaries’ relics). I didn’t have plans to go but friends were driving in from the West Country for it so I thought I’d meet up with them beforehand and go along.
We tried to get in but the doors of the cathedral were shut and a crowd waiting outside – it turned out the church was packed to the gills with the faithful. A pint later we tried again and they had just reopened the doors and let us in. Every bit of the mother church of the diocese was crammed with people, from Filipino maids to peers of the realm. Pews, aisles, side chapels – there was barely room to move. Priests were hearing confessions and the service was ongoing. We’re so used to being an embattled minority that sometimes we forget that we’re still the biggest show in town.
The good people at the Catholic Herald have collected a variety of photos from around the country, of which just a small sample are presented here. (more…)
Pursuant to my post of John Bartlestone’s photographs of City Hall, I came across this photo the other day and it reminded me that this is still one of my favourite rooms in all New York. There’s something about that particular shade of green. I previously wrote about this suite of three rooms in 2006.
The above photo is by Ramin Talaie while below, in 2010, Mayor Bloomberg inspects a city flag being sent to a New Yorker serving in Afghanistan as reported by the Daily News.
The late & much-missed New York Sun also reported on the portraits hanging in City Hall in 2008.
The interior of Eton’s chapel has changed markedly over the past hundred or so years, mostly so thanks to the rediscovery of the priceless medieval wall paintings which had been hidden for centuries by the choir stalls. Painted in the Flemish style in 1479–87, they were whitewashed over by the college barber in 1560 on orders from the wicked new Protestant authorities who had taken over this Catholic school.
The wall paintings were rediscovered in 1847 but it wasn’t until 1923 that the stall canopies in the photograph above were permanently removed, allowing the medieval paintings to be cleaned, restored, and permanently viewed.
In addition to this, in the 1880s (after this photograph was taken) the Great Organ was installed in the broad entrance arch between the narthex and the body of the chapel. The Victorians very handsomely painted it in the medieval fashion and it fits in rather well.
More recently, most of the stained glass was blown out by a German bomb landing in the adjacent Upper School in 1940. A decade later, deathwatch beetles claimed the wooden roof, which was then replaced by fan vaulting (of stone-fronted concrete) in line with the original intentions of Eton’s holy founder, King Henry VI.
As cheekily noted by Ned Donovan on his Twitter feed, HM the Q has recently engaged in the old practice of ‘pricking the lites’ to appoint High Sheriffs for the three ceremonial counties of Lancashire, Greater Manchester, and Merseyside. But in order to know what ‘pricking the lites’ is it’s worth looking at the territorial division of Anglo-Saxon England and the old offices that emerged therefrom.
In those days, the land was divided into hides, a hide being the amount of land on which a family lived and supported itself. Ten hides together were known as a tithing, and ten tithings were collectively a hundred.
As hundreds go, the best-known today are the Chiltern Hundreds because of the parliamentary role they play. Members of Parliament are not allowed to resign, but nor are they allowed to hold an office of profit under the Crown.
So whenever an MP wants to resign, he or she is appointed Crown Steward and Bailiff of the three Chiltern Hundreds of Stoke, Desborough, and Burnham and, having accepted such office, is deemed to have disqualified themselves from continuing to sit in the House of Commons. (The Manor of Northstead is also used alternately with the Chiltern Hundreds.)
Anyhow, each hundred was supervised by a constable, and groups of hundreds were collected into shires. Each shire was overseen by an earl, of whom the French equivalent is a count, so after the Normans turned up shires became more often known as counties. These now divvy up territory across the English-speaking world, from Kenya to California.
Each level of these Anglo-Saxon divisions had a relevant court for decision-making, and the officer who administered or enforced these decisions was known as the reeve. Amongst these titles – town-reeve and reeve of the manor, etc. – there was the shire-reeve, or sheriff as it was contracted.
In the 1970s, for reasons unknown to me, all the sheriffs in England & Wales were elevated to high shrievalties.
Every February or March, a parchment is prepared for the Queen in her capacity as Duke of Lancaster with three names of candidates for high sheriff in the three current ceremonial counties covered by the old duchy. This parchment is known as the lites (a cognate of ‘list’, I believe).
At a meeting of the Privy Council, the Queen takes a silver bodkin and pricks the parchment next to the name of the candidate she chooses to be high sheriff. In practice, this is always the first name on the list, and customarily the following names move up a notch and serve in later years.
A similar process takes place for the Duke of Cornwall to appoint their high sherriff but without the aid of the Privy Council.
The Friedhofskapelle, or cemetery chapel, in Herrsching on the Ammersee in Upper Bavaria is a wonderful model of a small church or chapel.
It was designed in 1926 by Roderich Fick, who was a disciple of Theodor Fischer. Herr Fick participated in an expedition to traverse Greenland and joined the German colonial service in Cameroon, after the war moving to Herrsching in 1920.
During the Third Reich he was tasked with redesigning the city of Linz where Hitler had spent his childhood, but the dictator found Fick’s plans somewhat restrained, while Martin Bormann was constantly picking fights with the architect. The dominant style of the regime did not align with Fick’s preference for humble, unpretentious tradition in building design.
After the war he was sentenced to aid in the reconstruction of Munich, and also helped restore the magnificent Town Hall of Augsburg.
Our monthly Mass in St Wilfrid’s Chapel for the Order of Malta Volunteers. In the summer we sometimes fit about thirty people into the chapel but in the winter months volunteers tend to hibernate more. It being Lent has made everyone that little bit more morose and less keen on activity.
In accordance with custom since time immemorial, we all head to the Bunch of Grapes for drinks afterwards. Many are off the sauce as a Lenten penance, so miserable lime-and-sodas are aplenty. It is revealed that Rosie M. is an avid drummer. Didn’t you see the massive drum set when you walked into the farmhouse? No, because it was only about three seconds after I came through the door that you were already hurling insults. (Torturing Cusack seems to be a particular vocation amongst two-fifths of the M. sisters.)
The pub has suffered several improvements lately which occasioned its closing for several weeks. For a time refugees poured off to the Horrorglass or, my preference, the Star Tavern just a few minutes’ walk away in Belgravia. But return to the B.O.G. we must. It is now a little shinier, and some of the seating less convenient, but other aspects seem better (the lighting fixtures, I suppose). The staff, thank God, are exactly the same.
On Sunday afternoons there is now a gentleman who sits there and does the crossword and sometimes makes the occasional remark if he disapproves of the turn our conversation has gone. We must endeavour to provoke him – we were here first, after all.
A book launch at the Society of Antiquaries. I arrive at the same time as one of Queen Victoria’s great-granddaughters who inexplicably has a German accent despite having moved to this country just after the war when she was five or six years old. We do the washing-up together at a soup kitchen every week and for some reason we break out into laughter whenever we see one another. Nikolaus turns up so I introduce them and off they go. You are from Leipzig? I am from Coburg!
While cold outside it is of course too warm indoors and nary a window is opened. Nae bother. Another glass of white, please. Across the room I see The Young Major chatting merrily to The Army Doctor, probably conspiring against me. Liam and I talk about Athlone during the Civil War. Serenhedd gives no hints as to who will be the next provost of Oriel. Afterwards, a handful of us end up at what is allegedly the Queen’s favourite restaurant, off Berkeley Square.
To Marylebone for a supper with the local Conservative ward in Dorset Square. I have been attempting to help out with the party since I was a teenager at uni in Scotland, where our association was led by the ever-capable Stuart Paterson. (When Stuart did a year abroad in Germany, I had him write a ‘Bonn Voyage’ column for the student newspaper I edited.)
Campaigning in Westminster North last year, I came across a gang of rastas sitting on their front step enjoying the sunshine and drinking Lambrini. Naturally I engaged these gentlemen in conversation, apologising for my interruption of the beautiful afternoon and enquiring as to their voting intentions. The leader of the pack said he would be more than happy to vote Conservative but asked what reward they might receive for this virtuous act.
“Who knows, they might give you a peerage,” I suggested, careful not to cause an inducement that might transgress the Political Parties, Elections, and Referendums Act 2000. “OK OK – but Lord isn’t good enough,” our chief said in a thick West Indian accent. “I want to be a duke!” (I’d prefer a viscountcy myself, but I couldn’t help admire his vision.) “Yes, but if you are made a duke, what will you be duke of?” Our Jamaican friend raised his cheap bottle to the sky and said “DUKE OF LAMBRINI!” I insisted I couldn’t make any promises but that I would have a word with the Prime Minister, but only if we won the seat.
Given that we often associate an interest in politics with tiresome boors, one is always slightly surprised how fun and interesting most of the people you meet at Conservative party events are, and Wednesday was no exception. In addition to new people there were some good old faces as well (Gudmund, Pritchett, and of course E.M. who got us there in the first place.) I apologised to Mark Field MP that I was no longer his constituent, having moved from Pimlico to Waterloo, but my MP there is Kate Hoey who is a Brexit-voting pro-foxhunting Labourite from County Antrim, beloved of many Tories.
To Spitalfields for a drinks party in Mariga Guinness’s old townhouse now inhabited by (amongst others) a black Labrador named Ralphie. The evening was a tribute to Mariga organised by the London chapter of the Irish Georgian Society. In addition to founding the Society in 1958 with her husband Desmond Guinness, she was also almost single-handedly responsible for the revival of run-down neglected old crime-ridden Spitalfields, whose Georgian houses with their particular style are now highly prized.
The historian Dan Cruickshank was on hand to elaborate on how this came about and Mariga’s skillful charm in wooing councillors, politicians, neighbours, and future residents and to tell us of the wonderful parties that were held in these very rooms.
In addition to its history and its architecture, the neighbourhood boasts one of the finest London-centric blogs in existence, the eternally interesting Spitalfields Life, written by the Gentle Author. I tried to prod one of our hosts into revealing the identity of the Gentle Author, who alas couldn’t make it that evening, but a sturdy silence was maintained and the Author’s anonymity safeguarded. Secrets are safe in Spitalfields.
Disgracefully I had never been to St Mary’s Church in Cadogan Street, Chelsea, until this day, and it took the funeral of dear Ann’s sister to get me there. It is a beautiful church, the sanctuary curiously quite English, especially when one considers it was designed by Bentley who was responsible for the Byzanto-Edwardian cathedral church at Westminster we love so well. The church was founded in the 1810s by the Abbé Jean Voyaux de Franous, who took on the spiritual care of the Catholic pensioners at the Royal Hospital Chelsea nearby.
The brief eulogy after Mass pointed out that Ena-Maria was not known for her punctuality. Once arriving at a house in northern France, having driven from climes further south, she was greeted by her hostess and apologised deeply for turning up two hours later. “My dear Ena-Maria!” came the reply, “You are not two hours late, you are twenty-six hours late!”
Besides anecdotes of the departed, the conversation at the reception following turned to a variety of subjects: Brexit, the Hapsburgs, Romy Schneider, that sort of thing.
It is already a whole year since Sharon Jennings shuffled off this mortal coil. A whole gang of us, perhaps a dozen or so – family, friends, clergy, and dogs – gathered at her graveside to pray the Rosary and say the Vespers of the Dead. The sun hung low in the sky, peeking occasionally through the clouds to illuminate the lump of earth where Sharon’s remains now await the end of time and the raising of the dead.
The next day a Year’s Mind Mass was offered for the repose of her soul in the St George’s Chapel of Westminster Cathedral, where the statue of Our Lady of Walsingham that she lovingly restored is displayed. In his homily, Canon Tuckwell mentioned that Sharon was “a woman of surprises”, one of which was the revelation at her death that her up-til-then well-hidden middle name was Anona.
My last memory is of visiting her in hospital. “What’s the prognosis then?” “Death, guy.” (She called everyone ‘guy’). Soon enough she was onto her favourite subject of who had been awful lately and great kindnesses and which priest was being insufferable and did-you-hear-about-what’s-her-name and that sodding you-know-who.
Sharon was a mother, wife, playwright, poet, artist, writer, gin-drinker, and friend and dearly missed by all who knew her. She was also a collector of people – waifs and strays of many kinds – and it was testament to her continual kindness, generosity, and hospitality that so many people have taken the time to gather and pray for the repose of her soul a year after her death. May her soul and the souls of all the faithful departed, through the mercy of God, rest in peace.
These images of City Hall show the superb skill and eye for detail of the architectural photographer John Bartelstone — a licensed architect in his own right — and date from the completion of the most recent set of renovations in 2015.
When a cardinal dies his galero is suspended aloft above his tomb to slowly rot and wither away, thus showing the eventual fate of all earthly things. Unlike galeros, the construction and manufacture of flags has “advanced” much in the past century in the sense that they are now made of virtually indestructible materials. This renders them useful for long-term outdoor display but is somewhat lacking in texture, feel, and look.
Earlier flags were made of materials that allowed them to grow old gracefully adding dignity with each passing year, whereas today more often than not they are printed on synthetics. Sewn flags are still available, if at slightly greater cost, and are a good way to keep things smart.
I love a good trad flag though, and Oriel College Boat Club – a festive institution well known for the quality of both its rowing and its conviviality – has a perfect example of one (above and below). From my admittedly unexpert eye, I’d say it’s printed on cotton. Perhaps others know more.
A handsome banner that I dare say outsmarts any of its neighbours in the row of boathouses along the Isis.
Few things are more enjoyable then a good old-fashioned take-down, and philosopher John Gray delivers the goods with this wonderful review of the latest book by the psychologist and “popular science” writer Steven Pinker, a “feeble sermon for rattled liberals”.
Meanwhile, the inestimable Pee Eee Gee – Pascal-Emanuel Gobry – argues that France’s reigning concept of laïcité is of much more recent vintage then its proponents claims.
The 1905 law ended public subsidies for religious institutions, but instituted no legal or cultural rule against public expression of religious values. So, why are we now told differently?
My only extremely tenuous brush with celebrity is that my Irish teacher (go raibh maith agat, Áine!) happened to tutor on-set the actress who played Luna Lovegood in the Harry Potter films. Among the sort of Dublin people who manage to continually drop into conversation that they went to Trinity, there is a (further) irritating tendency to look down upon the Irish language and use disdain for it as yet another attempt to assert their fragile sense of social superiority.
It is a contemptible and false dichotomy to think that if you appreciate Georgian architecture or Henry Grattan you can’t appreciate the Irish language or Éamon de Valera. Tiresome boors will always try to sell us such dichotomies, but we will not have them.
Paltry though my attempts to learn more Irish have been, what little I’ve picked up has been extremely rewarding and given better insight into the way English in Ireland is spoken and written. (Do the experts still call it “Hiberno-English”, I wonder?) It’s been a pleasure over the past however-long to see Michael Brendan Dougherty – one of America’s most talented journos and a fellow Irish New Yorker – share his own experiences with the Irish language.
MBD’s most recent books column at National Review explores two books concerning Irish, and moves from the Gaeltacht of the mind to a book about Leopolis/Lwów/Lviv/Lemberg in Galicia. City of Lions, incidentally, is published by Pushkin Press, which has proved an almost inexhaustible source of good reads (e.g. Oliver VII).
The recent read I most enjoyed, however, is Gordon Campbell’s delightful combative romp through English translations of the Bible, Making God Speak English. The professor sheds particular light on the thriving culture of pre-Reformation translations of holy writ in the vernacular in general and the English tongue in particular, bursting numerous bubbles of Protestant mythology along the way.
Par example:
Wyclif is a seminal figure in the long road to the catastrophe of the Reformation, with its legacy of decades of wars of religion and centuries of interconfessional animosities that live on in the twenty-first century, but the idea that he was the first translator of the complete Bible into English is a myth. The Middle English Bible, as Henry Ansgar Kelly calls it in his recent reassessment, was in Professor Kelly’s authoritative view neither the work of Wyclif nor of his Lollard followers, but was rather a wholly orthodox Bible with origins in the University of Oxford. It was immensely popular, because it enabled readers and their listeners to understand the readings from the Bible that they heard at Sunday Mass.
I learnt much from Prof. Campbell’s enjoyable submission and you might too.
Officially there are or have been various Londons: first the City of London, founded in AD 43 and a mere square mile to this day, then the County of London created in 1889, and the creature called Greater London has also existed in varying shapes and forms since 1965.
But there is also the Port of London, which has existed since the first century and was once the busiest port in the world, bringing the riches of empire to the metropolis from the four corners of the earth.
All these Londons, of course, have over the centuries been granted or assumed their own coats of arms as heraldic emblems of their importance. The Port of London Authority was created in 1908 by an Act of Parliament which some scholars argue is the first law in the world mandating codetermination or workers’ participation in the board.
Its coat of arms was granted a year later in 1909 and features on its shield Saint Paul, the patron saint of London bearing his usual sword, issuing forth from the Tower of London.
The crest above the shield is a galley bearing on its mainsail the arms of the City of London — the Lord Mayor is ex officio the Admiral of the Port of London.
Sea lions act as supporters, also bearing standards of the royal arms of England and of the United Kingdom, while the motto proclaims in Latin May the Port of the Empire Flourish.
For proper heraldry nerds, the arms are blasoned:
Shield: Azure, issuing from a castle argent, a demi-man vested, holding in the dexter hand a drawn sword, and in the sinister a scroll Or, the one representing the Tower of London, the other the figure of St Paul, the patron saint of London.
Crest: On a wreath of the colours, an ancient ship Or, the main sail charged with the arms of the City of London.
Supporters: On either side a sea-lion argent, crined, finned and tufted or, issuing from waves of the sea proper, that to the sinister grasping the banner of King Edward II; the to the sinister the banner of King Edward VII.
Befitting the Port of the Empire, the Authority built a grandiose headquarters at 10 Trinity Square, overlooking the Tower of London featured in its coat of arms.
The PLA moved out ages ago and the building is now a hotel, but it often features in films and television as a government (most prominently in the 2012 James Bond film ‘Skyfall’).
The Port of London Authority has its own flag (above) as well as its own ensign — a blue field with a Union Jack in the canton and in the fly a golden sea lion bearing a trident. Distinctive pennants also exist for the Chairman and Vice Chairman of the Authority. (These can be seen here.)
After its foundation the PLA rationalised the layout and organisation of London’s dock system, and their significant constructions allowed the Port to displays its arms on numerous buildings. One such display (above) was recently sold by Westland London.
The main shipping terminal of London is now far down-river at Tilbury and the Authority no longer owns any docks. Its duties however are still numerous — control of Thames ship traffic, navigational safety, pier & jetty maintenance, and conservation — so the century-old Authority still keeps itself quite busy looking after a millennia-old port.
These days the Irish sculptor Albert Power is very rarely spoken of, and I can’t claim to know much about this bronze bust he did of the founder of the original Sinn Féin, Arthur Griffith.
It might be in the National Gallery in Dublin, though I didn’t notice it when I nipped in there with my sister the other day. More likely it is in Leinster House, where there are other busts of prominent figures of 1916-1921 by Albert Power and the better-known Oliver Sheppard.
Unlike Sheppard, Power was a Catholic, which is probably why he was chosen to sculpt the funerary monument of Archbishop Walsh of Dublin who died in 1921. He submitted designs for the new Irish coinage but the Free State wisely chose the far superior set designed by the English sculptor Percy Metcalfe.
As for the subject of this work of art, the Royal Irish Academy’s Dictionary of Irish Biography describes Griffith as “a lucid writer with a vivid turn of phrase”.
The first newspaper he edited was in South Africa where he took the helm of the Middelburg Courant in 1897, attempting to persuade the English-speaking readers with his Boer-friendly views. “I eventually managed to kill the paper,” Griffith wrote, “as the British withdrew their support, and the Dutchmen didn’t bother reading a journal printed in English – the Dutch were quite right.”
Griffith founded Sinn Féin more as a pressure group to support his pet project of reviving the “King, Lords, and Commons” of Ireland, influenced by the Austro-Hungarian Ausgleich of 1867. Independence, he argued, would satisfy the nationalists, while the shared monarchy would keep the unionists happy. In the event, neither half were much enthused by the prospect.
In the aftermath of 1916, Griffith came into his own as a leader and statesman rather than an agitating journalist. His role in the War of Independence and the Treaty negotiations is well known. Without his persuasive arguments in debates, it is highly unlikely the Dáil would have approved the Treaty.
Gloomy civil war soon overshadowed everything, but Griffith died of a cerebral haemorrhage on 12 August 1922 – just ten days before Collins was killed in ambush at Béal na Bláth.
Much was made of the Prime Minister’s decision to sit in the House of Lords when they were going through stages of the bill to invoke Article 50 last year. Theresa May had the right to sit on the steps of the throne in the Lords chamber by virtue of being sworn to the Privy Council, as all holders of the four Great Offices of State are (and usually their opposition Shadows as well).
But who else is granted the privilege of lodging their posterior in such a prominent locale?
The Companion to the Standing Orders and Guide to the Proceedings of the House of Lords provides some guidance:
1.59 The following may sit on the steps of the Throne:
· members of the House of Lords in receipt of a writ of summons, including those who have not taken their seat or the oath and those who have leave of absence;
· members of the House of Lords who are disqualified from sitting or voting in the House as Members of the European Parliament or as holders of disqualifying judicial office;
· hereditary peers who were formerly members of the House and who were excluded from the House by the House of Lords Act 1999;
· the eldest child (which includes an adopted child) of a member of the House (or the eldest son where the right was exercised before 27 March 2000);
· peers of Ireland;
· diocesan bishops of the Church of England who do not yet have seats in the House of Lords;
· retired bishops who have had seats in the House of Lords;
· Privy Counsellors;
· Clerk of the Crown in Chancery;
· Black Rod and his Deputy;
· the Dean of Westminster.
Andries Pretorius grew up on his father’s farm near Graaf-Reinet in the Cape of Good Hope, but the Great Trek took him (and many other Boers) into the South African interior. Pretorius’s victory, against all odds, over Dingane’s Zulu forces at Blood River in 1838 was to be commemorated from that day forevermore by Afrikaner piety as Geloftedag — the Day of the Vow. When the South African Republic (ZAR) was established in 1852 the capital was Potchefstroom, but Andries’s son Marthinus founded the city of Pretoria Philadelphia in 1855 to be the new capital of the Transvaal.
The four colonies at the end of the continent were conjoined in 1910 as the Union of South Africa, with Pretoria (as it was soon shortened to) named the seat of the executive and thus the nation’s capital. The parliament met in Cape Town and the highest courts in Bloemfontein so that, in some sense, the new nation had three capitals — administrative, legislative, and judicial. As the seat of the visible sovereignty of the realm, the Governor-General, as well as the Prime Minister’s administration and cabinet, however, it was Pretoria that held precedence.
We’ve already examined Kerkplein — Church Square — at the heart of the city, but the rest of the capital is worth exploring further. (more…)
Staying over with some Kenyan friends in Wiltshire the other day, the old observation came up that, after the war, the officers settled in Kenya while the sergeants went to Rhodesia. While some of the leading lights of UDI had, in fact, been officers — Ian Smith an obvious case — it’s interesting to note that most of them came from humble backgrounds.
“Smithie” was born well-off in Rhodesia but his father had been a butcher’s son who went out to Africa and made good. Clifford Dupont, the first president of the Rhodesian republic, was born in London of poor East End Huguenot stock. His father had done well in the rag trade and got his son to Cambridge; Clifford became an artillery officer before emigrating to Africa.
Rhodesian Prime Minister Roy Welensky’s father was a Russian Jewish horse smuggler who married a ninth-generation Afrikaner. Roy was the couple’s thirteenth son, and left school at 14 to work on the railways and found success through the trade union movement.
Harold Macmillan, meanwhile, was a Guards officer and Old Etonian who had studied at Oxford. His famous ‘Wind of Change’ speech was just part of the British prime minister’s grand tour of Africa. “Supermac” started in Nigeria, where — unlike in some other parts of the continent — much of the native aristocracy had been preserved and coopted throughout colonial rule.
Proving Orwell’s observation that the English are the most class-ridden nation on earth, the PM felt comfortable amongst black African patricians in a way he couldn’t amongst members of the ruling white African elite from humble backgrounds.
In one of the ICBH’s oral history group discussions, Perry Worsthorne relates:
Somebody at some point has to mention, in any discussion of British politics, snobbery and class. I remember travelling and reporting on the ‘Wind of Change’ speech. We went to stay on the last bit, just before going on to Salisbury, was it the Sardauna of Sokoto who was he the premier of the Northern Nigerian region. Macmillan talked to us after he had seen him, he was flying on to Welensky the next day.
Macmillan used to have a sundowner with the correspondents covering his trip, and over whisky and sodas he told us how much more at home he felt with the Sardauna, who reminded him of the Duke of Argyll – ‘a kind of black highland chieftain’ – than he would feel in Salisbury as the guest of a former railwayman, Sir Roy Welensky. Snobbery, pure snobbery.
The British metropole was always ready to make racial distinctions and discriminate accordingly, yet it still tended to look upon outright racism with an air of disdain, as something slightly unsporting (or worse: foreign).
In the imperial periphery, racial attitudes amongst whites often differed greatly from Britain. This was most obviously so in South Africa, which for all intents and purposes embarked upon a radical revolutionary rejection of the British model of governance from 1948 with the implementation of apartheid. Rhodesia, needless to say, was another exception, if arguably more mild. “How different it would all have been,” Worsthorne somewhat patronisingly wondered, “if Ian Smith had been a gentleman.”
Meanwhile Nigeria’s Sir Ahmadu Bello — the Sarduana of Sokoto — was a statesman of cautious action, and his refusal to become Nigerian prime minister upon independence (he preferred sticking to his existing role as the powerful premier of the northern province) sadly deprived the federal state of the wisdom and experience which may have prevented its later descent into disarray. He was murdered by Major Nzeogwu during the 1966 coup d’état.
Differences of race or class aside, it’s telling that both the white low-born railwayman Welensky and the black patrician Bello ended up as knights of the realm.
Een van die mees geskoolde portretskilders vandag is die Pretoriaanse kunstenaar Lionel Smit (geb. 1982).
’n Skilder en beeldhouer, Mnr Smit woon en werk in Kaapstad en is die wenner van ’n ministeriële toekenning vir bydrae tot visuele kuns van die Wes-Kaapse regering. Sy werk is reeds ingesluit in die visuele kunste eksamen vir die Nasionale Senior Sertifikaat. Nie sleg vir ’n kêrel in sy dertigerjare!
Smit se skilderye herriner my aan die werk van die Engelse skilder Catherine Goodman. Hier is net sommige van sy portrette.