One of my favourite churches in all of Rome is that of Santa Maria della Pace. The best approach is from the alley leading out of the northwest corner of the Piazza Navona, crossing the Via di Santa Maria dell’Anima and making sure to turn left into the smaller alleyway when the little street itself swerves north. Moving forward, the perambulator suddenly emerges into a tiny trapezoidal piazza and having continued for a few paces realizes, almost as an afterthought, that there is something over your right shoulder. There is the Church of Santa Maria della Pace.
Like so many Roman edifices the Church is the work of many centuries. A church dedicated to the Apostle Andrew once stood on the site, and it was on the foundations of that church in 1482 that work on Santa Maria della Pace commenced. Sixtus IV, praying for peace in the Italian peninsula, vowed to build a church dedicated to Our Lady of Peace, and hence the Apostle’s patronage was superseded. While Baccio Pontelli deserves the credit for the church proper, Pietro da Cortona’s splendidly theatrical façade and its enveloping piazza were commissioned Alexander VII in the 1650s.
Santa Maria della Pace has a number of connections to the Chigi dynasty. The first prominent member of the Chigi family was Agostino (1465–1520), a wealthy banker and builder of the Villa Farnesina in Trastevere. Here at Santa Maria della Pace, Agostino commissioned the Capella Chigi (not to be confused with the Capella Chigi in Santa Maria del Popolo). Alexander VII himself was a Chigi, and perhaps this explains his patronage of Cortona’s façade and piazza. Among the later Chigi clan, there were a number of cardinals, some of whom were even nuncios, and more recently Ludovico Chigi Albani della Rovere was Prince & Grand Master of the Order of Malta from 1931 to 1951. Anyhow, the Chigi chapel features a fresco initiated by Raphael (and completed by his school), while the adjacent chapel includes sculptural decoration by Michelangelo.
In addition to greats such as Raphael, Michelangelo, and Cortona, the cloister of the church is by none other than Bramante, and indeed was his first work in the Eternal City. Somewhat exhaustively, it doesn’t end there. Santa Maria della Pace has a high altar by Carlo Maderno, a sculpture of the Deposition by Cosimo Fancelli, two small frescoes by il Rosso Fiorentino, and another fresco by Baldassarre Peruzzi who, shall we say in kindness, was a much better architect than painter. There are further works by Maratta and Gentileschi (Orazio, that is — not Artemisia).