The Sad State of the Modern Newspaper

…and the heroism of an Anglo-Hungarian countess.

IT IS ONE OF THE more saddening facts of life that British newspapers have suffered an inexorable decline in the past few years. The great Times of London – once the most respected newspaper in the world – has been reduced to a boring mid-brow tabloid, the once-solid Scotsman idiotified and, again, tabloided, and of course the Daily Telegraph, which has gone from staunchly conservative (as in worldview) to merely Conservative (as in the tribe of Britons who prefer blue to red).

The Telegraph, like the Conservative party itself, doesn’t seem to know what it’s there for. It has at least remained a broadsheet; going tabloid would be a disaster and would probably be considered the last straw for all the die-hards for whom loyalty to one’s newspaper is a point of pride. And, to its credit, it finally seems to have realised the damage done by constant front-page photos of “Posh” and “Becks” and other “celebrity” partisans of the Anti-Culture, for they seem fewer and far between these days (as compared to a year or two ago, when they were frequent). The Telegraph‘s base are old folk who want a quality newspaper. They are loyal to the Tele and, despite its decline, would be too embarrassed to jump ship to the Guardian, which is written better but which nonetheless expones a nefarious ideology.

As for myself, the last straw came one morning in the Common Room of St. Salvator’s Hall when, flipping through the Telegraph, I reached the page which normally displays the Court Circular but found it missing, replaced by a curt statement advising that should I desire information about the activities of the Royal Family I should direct myself to http://www.royal.gov.uk. Outrageous! As it happens, this is not a permanent loss but rather an occasional one, as the editors at the Telegraph seem to decide whether or not to print the Court Circular each day on a whim. Fair enough, but I came to the realisation that the producers of the Telegraph are not aiming at me – the reasonably educated young man who seeks in his daily read a newspaper that is well-written, right-thinking, and properly presented – and so I have ceased to be a Telegraph regular.

What to read then? We have already dismissed the Times, the Scotsman, and the Guardian. The Daily Mail is always readable but arguably aimed at a different demographic; the Daily Mirror, bonkers; the Sun, no thank you!; the Financial Times is too boring, though the Weekend edition is actually worth buying most of the time; the Independent has a good layout for a tabloid, but is rather of a Lib-Dem persuasion; the Glasgow Herald is just rather dull and has only recently repented of its long-held anti-Catholicism. Not wanting to support the nefarious New York Times, enemy of Western civilization and the last word in liberal elitism, its wholly-owned subsidiary the International Herald-Tribune is ruled out. Which pretty much rules out every English language daily newspaper available in St Andrews.

So, abandonné par ma langue, I have outsourced my daily read to the Continent (of all places!) and am now a partisan of Le Figaro. While by no means fluent in the language, I can comprehend written French with greater ability than I speak it. And while I still prefer the feel of a broadsheet, the Berliner size of Le Figaro has its advantages, being very easy to read in the confined space of my regular chair in the corner of the little coffee shop down the street. More importantly, I find it much more engaging mentally, which I put down to the fact that (not being a native or fluent French speaker) I am forced to read every word. Reading the Telegraph one unthinkingly only actually reads every third or so word; articles of particular interest excepted, naturally. The day’s Figaro usually arrives in the middle of the day or the afternoon, but I buy my paper in the morning so actually I’m usually reading the previous day’s Figaro. I don’t mind, it suits my current routine. (Mornings are for reading the newspaper in a coffee shop, afternoons are for reading books with a slow pint in the pub.)

The chief deficit of reading a French newspaper is that naturally the news is oriented towards France, and thus I don’t get the usual transatlantic focus of the British papers (which can be an advantage as well as a deficit, I’ll concede). Nonetheless, it does happen to have articles of interest to any trad.

A few weeks ago, Le Figaro reported on the restitution of Romanian castles to their original, pre-Communist owners (‘L’impossible restitution des biens en Roumanie’, Le Figaro, 21 April 2006). The New York Sun rather amusingly and provincially headlined the story “Westchester Man To Take Possesion of Dracula’s Castle” — the New York Post characteristically used the headline “VLAD TIDINGS“. (FTD also reported on the restitution of Bran). When I wrote my previous post on the subject I was under the impression that Bran was one of the castles which would be restituted and then purchased back by the Romanian government, but most sources imply that this is not the case and Dominic von Habsburg (of North Salem, New York) will actually take possesion of the castle, I’m glad to hear.

This morning, then, I read in Le Figaro of the controversy surrounding a red star which remains on a Soviet war memorial in a small town in Hungary, a country which has banned all Communist and Nazi emblems (‘Hongrie: Le pasteur, la comtesse et l’étoile rouge’, Le Figaro, 6 May 2006). The local Protestant minister has been fighting to replace the red star, and has found an ally in Countess Jeanne-Marie Wenckheim-Dickens. The Countess, aged 70 and a descendant of Charles Dickens, returned to Hungary a few years ago after her husband died. The family had fled the country in 1944 just escaping the conquering Red Army. “I return home,” the Countess says (‘with a delicious British accent’, Le Figaro reports), “and what do I find? My castle transformed into an elementary school with, right in front of the gate, a red star! To me, this star is the Antichrist.”

The Countess funded the restoration of her former castle, now a school, and obtained permission from the town to live in the old presbytery, an ancillary building of the old castle. But when, in 2004, she proposed to mark the accession of Hungary to the European Union by replacing the red star on the monument with a European flag, the ex-Communists in the town hall told her she “should not be afraid of the red star, but of the Cross!” With fighting spirit, “I placed a large cross on my entryway,” the Countess says, “then I painted it gold so that the Mayor, whose window is opposite, can see it all the better.”

“Crosses? She can build a hundred of them!” the Mayor said. “It doesn’t disturb me!” But in return the Mayor had a house on what was the domain of the Wenckheim family renovated for the use of unemployed local gypsies. “It was clearly to annoy me,” the Countess said. “They thought the gypsies were going to make the area around the nearby church, built by my grandfather, filthy. But not at all! They respect the place, and I, I love their music very much.” The Countess also gives weekly catechism lessons to the local gypsies. In her window, she displays a letter to the people of the town inviting them to vote for the conservative Fidesz party. “In December,” the Countess continues, “before Christmas, I add little angels and holy pictures; they don’t like that much across the way, since they’re aimed at the town hall. Because I, too, have a star: but is the star of the Shepherd”.

Instagram: @andcusack

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